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Landscape with Plywood Silhouettes is a book hell-bent on making sense of a life after divorce, of making sense of the middle years of life, of finding love in the middle of raising a family in the rural North.
Poetry. "'Not // I Have a dream // A cold, cold feeling' closes Hopper's 'The Good Caucasian;'...these unsettling poems trace Hopper's struggle to make sense of terrible legacies, from racial violence in the name of white female bodies to a father's terminal illness as a site of private and public histories. Hopper's lines halt, knot, interdigitate, and stutter, but they never flinch. She leaves that to the reader. What she doesn't offer us are easy epiphanies, a bid for being a good caucasian, or post-race snake oil. This is difficult work for a time when 'any touch / will bruise.' DARK~SKY SOCIETY insists we reach and be reached anyway."--Douglas Kearney
In 1980 the McCloud family welcomes Trevor, their third child and the last to be born on Eilean Fior, a small island off the west coast of Scotland.
Fiction. MOTHERLUNGE is an eloquent and irreverent debut novel about first sex, true love, and chronic sibling rivalry; it's about the deepest fear of young (and not-so-young) adulthood: the fear of inheriting a disappointing life. It's motherly advice, too--featuring wigs, dogs, road trips, and medicine--a guide to the essential experiences of being female, "born unto a librarian, named for the goddess of sight," waiting for the future to arrive. With sly wit and surprising joy, MOTHERLUNGE considers the flaws in the family line and celebrates the promise that staggers alongside."[V]oice is where Kirstin Scott astonishes, both in the gutsy yet precise and lyrical voice of her narrator Thea, and in the brilliantly realized voices that Scott bestows on the rest of Thea's family. Here we have a tribe of mothers-gone-wrong and their sidelined, well-meaning, hapless men--and yet, owing to the sheer inventiveness of Scott's prose style, the family portrait that emerges is almost (well, not quite) affirmative. We believe in these characters and even believe that some good--some human equivalent of that ribald, generous and knowing voice--will come out of all this."--Jaimy Gordon
Fiction. Winner of the AWP Prize for the Novel, judged by Jim Shepard. Follow four friends as they move from The Brady Bunch to Seinfeld, from junior high to middle management. There is Quint, whose rebellion frays into self-destruction; Slow, who struggles to become the world's first teenage father figure; Chimes, who fears losing his friends while picking up a 7-10 split; and Barb who escapes the conformity of Minnisapa only to find herself returning by dark of night. You will feel as if you've always lived in Minnisapa, Minnesota. And you will never underestimate nice kids from the Midwest again. "MERIT BADGES is hilarious, painful, lovely, nostalgic, generous and true. Kevin Fenton creates an unforgettable group of characters, in whose lives and thoughts and actions readers will often recognize themselves. This is a very funny, very moving, and wonderful book"--Julie Schumacher.
In the wake of a thwarted career as a concert pianist and the accompanying emotional fallout, Gin accepts a marriage proposal from the peculiar Mr. Toad. But nothing from the albino Gin Toad's upbringing in the bourgeois drawing rooms of Perth has prepared her for a hardscrabble existence on a subsistence farm in the Australian outback.
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