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Erotic passion, rebellion, spiritual thirst, and a strong hint of early feminism, --these are what make Mirabai's songs irrepressible five centuries after she sang them.Mirabai (16th century India) is one of the world's celebrated and renowned poets. Her life embedded in legend, her poems go straight to the heart. She was devoted to a god she called Shyam, "the Dark One," and in lyric after lyric pursues her love with fervor. Every singer of note in India knows her songs and sings them; in the West her reputation is second only to Kabir among India's poets. What makes Mirabai remarkable is the way she weds religious devotion with India's old tradition of love song. These versions have been anthologized in India and the USA, worked into performances by singers and theater groups in the USA and Europe, and present Mirabai without embellishment. An introduction sets the historical context; a bibliography points towards further reading.
In addition to being a concise anthology of poems representing the breadth of Chinese poetry throughout its long history, Taken to Heart is window into the soul of the Chinese people. These poems are used as tools to educate students not only to literary history, but to cultural and historical imperatives; reading them is an invitation for the English-speaking reader to experience the high art and cultural legacy of a civilization that reaches back for millennia.These translations by award-winning poet Gary Young and Yanwen Xu, have appeared in over a dozen journals, and are now collected in a single volume.
An exciting volume which serves to lead readers into the extraordinary creative world of three Minnesota poets.: Bly, Wright, Duffy.
Til She Go No More, Beatriz García Huidobro simultaneously maps the coordinates of the intimate story of a female teenager and the broader historical and socioeconomic reality of Chile in the early 70’s. The story is narrated in the form of a monologue, through the eyes of a young female protagonist who resides in desolate town in the mountainous region where the landscape is bleak and barren, and men futilely toil in unproductive fields. The aridness of the land mirrors the hopeless and hapless lives of the characters whose dreams are futile and futures are compromised. Like silhouettes in sepia, the protagonist and others are sketched as characters that live out a wearisome, tenuous existence, shrouded in ambiguity, in a circular time that is based upon the repetition of daily chores and the changing of the seasons, marked by the events in the life cycle.
Hans Windelband finds himself, at twenty-six, among the living dead. Somehow, his life has gone terribly astray, but caught in a web of despair, he lacks the strength or desire to try and determine what went wrong--until he opens the morning newspaper and reads his own obituary. "An exciting detective story. Recommended."--"Library Journal"
"Christopher Merrill is one of the most gifted, audacious, and accomplished poets of an extraordinarily rich generation..... This collection shows a complex talent developing and extending its original high promise."--W.S. Merwin
* Blue Cloud is one of the major voices in Native American literature and past winner of the American Book Award.
Class Notes follows Carolyn Wood's year of working as the governess for Senator Robert and Ethel Kennedy's children
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