Bøger udgivet af Wits University Press

South Africa's democracy is often seen as a story of bright beginnings gone astray, a pattern said to be common to Africa. Building on the work of the economic historian Douglass North and the political thinker Mahmood Mamdani, Steven Friedman shows that South African democracy's difficulties are legacies of the pre-1994 past.

From early department stores in Cape Town to gendered histories of sartorial success in urban Togo, contestations over expense accounts at an apartheid state enterprise, to elite wealth and political corruption in Angola, this collection of essays explores the ways in which conspicuous consumption is foregrounded in various African contexts.

Reveals the little known details of the assassination of an anti-apartheid activist by an apartheid spy and undercover police officerOn 28 June 1984 a parcel bomb sent by the apartheid security police exploded in an apartment building in Lubango, Angola, killing 36-year-old Jeanette Schoon and her six-year-old daughter Katryn. The Schoons were members of the revolutionary underground, exiled from South Africa and committed to both the African National Congress and to socialism. What many political activists had feared or suspected at the time was confirmed during the 1990s Truth and Reconciliation Commission: the bomb targeting the Schoons was sent by Craig Williamson, an apartheid spy and high-ranking member of the South African security service.Apartheid Spies and the Revolutionary Underground is the first book-length account of the assassination of Jeanette and Katryn Schoon. Jeanette Curtis Schoon and Craig Williamson first met in 1973 on the Wits University campus. Jeanette was a passionate student radical and part of a network of white radicals fighting apartheid. Williamson had successfully infiltrated the student movement and rose within its ranks. He held positions of trust, first within the National Union of South African Students (NUSAS) and then, after pretending to 'flee' the country, as an office-bearer of the International Universities Exchange Fund in Sweden, which helped fund many South Africans in exile.The book uncovers how the lives of a group of white radicals intersected with and were impacted by the undercover security police and their operations both within and outside of South Africa. Intensifying political oppression caused many young radicals to flee South Africa in 1976; many of them, like Jeanette and her partner Marius Schoon, joined the African National Congress in exile. Williamson and the Schoons' paths, and those of their comrades, continued to cross: he was a guest in their homes, a supplier of funds for their projects, a witness for the prosecution in political trials and, ultimately, the hand that directed targeted assassinations.Williamson received amnesty for his role in the Schoons' murder, among other crimes. For the friends and family of the Schoons - and for all those seeking social justice - this was an unacceptable outcome and Williamson continues to walk a free man. This book attempts to show the limits of the TRC process to render healing from South Africa's apartheid past. That justice has not been served to the Schoons remains a tragedy in this story of the struggle against apartheid.

A history of the establishment and role of the National Institute for Communicable Diseases (NICD), the public health organization in South Africa Fighting an Invisible Enemy narrates the founding in 2002 and growth of the internationally renowned centre of excellence for communicable diseases, the National Institute for Communicable Diseases (NICD) in South Africa. In a continent riven with a panoply of formidable contagious pathogens, the book describes how the nascent NICD travelled a rocky road to maturity. Starting humbly, as did many of its sister public health institutions around the world, the road was strewn with daunting obstacles of financial restrictions, bureaucratic straitjacketing, international isolation during the apartheid era and, in later years, the calumny of governmental AIDS denial. Following the triumph of the eradication of the once-dreaded smallpox, the NICD now plays a crucial role in the global effort to eradicate poliomyelitis. While the country has the misfortune of the largest HIV/AIDS pandemic in the world, the Institute's HIV research unit has become a world leader. More remote from public notice are the laboratories and support epidemiologists carry out for ongoing surveillance of communicable diseases and the alerts they provide for any signal of an impending outbreak or pandemic. The Institute's value to public health was clearly shown in the recent Covid-19 pandemic. The maxim that we are only safe when everyone everywhere is safe, underlines the importance of international partnerships and the key role the NICD plays, not only for the country but also for global health. This is a flagship organization in public health in South Africa and this book paints a vivid portrait of its incredible accomplishments.

Revisits the work of Rick Turner, a South African political theorist, and addresses contemporary debates Rick Turner was a South African academic and anti-apartheid activist who rebelled against the apartheid state at the height of its power. For this he was assassinated in 1978, at just 32 years of age, but his life and work are testimony to the power of philosophical thinking for humans everywhere. Turner chose to live freely in an unfree time and argued for a non-racial, socialist future in a context where this seemed unimaginable. This book takes seriously Rick Turner's challenge that political theorising requires thinking in a utopian way. Turner's seminal book The Eye of the Need: Towards a Participatory Democracy laid out some of his most potent ideas on a radically different political and economic system. His demand was that we work to escape the limiting ideas of the present, carefully design a just future based on shared human values, and act to make it a reality, both politically and in our daily lives. The contributors to this volume engage critically with Turner's work on race relations, his relationship with Steve Biko, his views on religion, education and gender oppression, his participatory model of democracy, and his critique of enduring forms of poverty and economic inequality. They show how, in his life and work, Turner modeled how we can dare to be free and how hope can return, as the future always remains open to human construction. This book makes an important contribution to contemporary thinking and activism where the need for South Africans to define their understanding of their greater common good is of crucial importance.

Focuses on the challenges faced in accessing and providing abortion services in rural areas, even under progressive abortion legislation Accessing abortion services in rural areas under conditions of liberal abortion legislation is neither straightforward nor simple. As the South African example shows, the liberalization of abortion legislation was the first step in granting pregnant persons access to abortion care. Despite this and some progress in implementation, many challenges persist resulting in a lack of services, especially in areas where distances and transport costs are a factor. Drawing on the findings of a study conducted in three rural districts of the Eastern Cape, the authors highlight the complexities involved in understanding problematic or unwanted pregnancies and abortion services within these communities; the reported barriers to, and facilitators of, access to abortion services among rural populations; and preferences for types of abortion services. A key finding is the conundrum of costs versus confidentiality: lack of confidentiality involves additional costs to access services outside the area; high costs mean that confidentiality may have to be foregone, which leads to stigma. The authors place the findings within a reparative reproductive justice framework and present a comprehensive set of recommendations. Abortion Services and Reproductive Justice in Rural South Africa is an insightful and informative resource - the first of its kind - for scholars in health and sociology, reproductive health policy makers, national planners, health facility managers and providers, and activists.

Shows how anti-Semitism has been distorted to serve the Israeli state Good Jew, Bad Jew is a critique by one of South Africa's foremost political theorists of mainstream understandings of Jewishness. Steven Friedman offers a searing analysis of the weaponisation of anti-Semitism in service of political objectives that support the Israeli state and global white supremacy. Looking specifically at the way in which language is used to shape identities, Friedman uses many examples to illustrate how anti-Semitism and anti-Semites are increasingly defined as anything and anyone that opposes the interests and policies of the Israeli state. The use of anti-racist language to defend racial domination distorts not only the meaning of what it is to be Jewish, but sheds light on how all dogmatic nationalisms function. Friedman uses India and South Africa as examples, but the analysis applies across the world too. Good Jew, Bad Jew does not offer a simplistic binary understanding of Jewishness and the actions of the Israeli state and ideology. It is a detailed, deeply researched and critical work that will appeal to both specialists and general readers looking for a considered view on how language shapes belief systems and how the powerful forces of racism and nationalism - and their opponents - are being misrepresented.

This is the first book to capture the poignant stories of transnational African families and their use of Information and Communication Technologies (ICTs) in mediating their experiences of migration and caring across distance. Transnational Families in Africa analyses the highs and lows of family separation as a result of migration in three contexts: migration within South Africa from rural to urban areas; migration from other African countries into South Africa; and middle-class South Africans emigrating to non-African countries. The book foregrounds the importance of kinship and support from extended family as well as both the responsibilities migratory family members feel and the experience of loss by those left behind. Across the diverse circumstances explored in the book are similarities in migrants' strategies for keeping in touch, but also large differences in relation to access to ICTs and ease-of-use that highlight the digital divide and generational gaps. As elsewhere in the world, and in spite of the varied experiences in these kinship circles, the phenomenon that is the transnational family is showing no signs of receding. This book provides a groundbreaking contribution to global debates on migration from the Global South.

These Potatoes Look Like Humans offers a unique understanding of the intersection between land, labour, dispossession and violence experienced by Black South Africans from the apartheid period to the present. In this ground-breaking book, uMbuso weNkosi criticises the historical framing of this debate within narrow materialist and legalistic arguments. His assertion is that, for most Black South Africans, the meaning of land cannot be separated from one's spiritual and ancestral connection to it, and this results in him seeing the dispossession of land in South Africa with a perspective not yet explored. weNkosi takes as his starting point the historic 1959 potato boycott in South Africa, which came about as a result of startling rumours that potatoes dug out of the soil from the farms in the Bethal district of Mpumalanga were in fact human heads. Journalists such as Ruth First and Henry Nxumalo went to Bethal to uncover these stories and revealed horrific accounts of abuse and routine killings of farmworkers by white Afrikaners. The workers were disenfranchised Black people who were forced to work on these farms for alleged 'crimes' against National Party state laws, such as the failure to carry passbooks. In reading this violence from the perspectives of both the Black worker and the white farmer, weNkosi deploys the device of the eye to look at his research subjects and make sense of how the past informs the present. His argument is that the violence against Black farmworkers was not only on the exploitation of cheap labour, but also an anxiety white farmers felt about their settler-colonial appropriation of land. This anxiety, Nkosi argues, is pervasive in current heated public debates on the land question and calls for 'land expropriation without compensation'. Furthermore, the dispossession of Black people from their land cannot be overcome until there is a recognition of the dead and restless spirits of the land, and a spiritual return to home for Black people's ancestors. Until such time, the cycles of violence will persist. This book will be of interest to academics and scholars working in the area of land and workers' struggles but also to the general reader who wants to gain a deeper understanding of redress and social justice on multiple levels.

This set of essays analyses the work of Isabel Hofmeyr, globally recognised as one of South Africa's foremost literary and Indian Ocean scholars. The essays elucidate Hofmeyr's path-breaking studies of transnational histories of the book, African print cultures, and cultural circulations in the Indian Ocean world. This book draws together reflective and analytical essays by renowned intellectuals from around the world who critically engage with the work of one of the global South's leading scholars of African print cultures and the oceanic humanities. Isabel Hofmeyr's scholarship spans more than four decades, and its sustained and long-term influence on her discipline and beyond is formidable.While much of the history of print cultures has been written primarily from the North, Isabel Hofmeyr is one of the leading thinkers producing new knowledge in this area from Africa, the Indian Ocean world and the global South. Her major contribution encompasses the history of the book as well as shorter textual forms and abridged iterations of canonical works such as John Bunyan's The Pilgrim's Progress. She has done pioneering research on the ways in which such printed matter moves across the globe, focusing on intra-African trajectories and circulations as well as movements across land and sea, port and shore. The essays gathered here are written in a blend of intellectual and personal modes, and mostly by scholars of Indian and African descent. Via their engagement with Hofmeyr's path-breaking work, the essays in turn elaborate and contribute to studies of print culture as well as critical oceanic studies, consolidating their findings from the point of view of global South historical contexts and textual practices.

Sindiwe Magona is a celebrated South African writer, storyteller and motivational speaker known mainly for her autobiographies, biographies, novels, short stories, poetry and children's books. I Write the Yawning Void is a collection of essays that highlight her engagement with writing that span the transition from apartheid to the post-apartheid period and addresses themes such as HIV/Aids, language and culture, home and belonging. Magona worked as a teacher, domestic worker and spent two decades working for the United Nations in the United States of America. She has received many awards for her fierce and fearless writing 'truth to power'. Her written work is often informed by her lived experience of being a black woman resisting subjugation and poverty. These essays bring to life many facets of Magona's personal history as well as her deepest convictions, her love for her country and despair at the problems that continue to plague it, and her belief in her ability to activate change. They demonstrate Magona's engaging storytelling and mastery of the essay form which serve as meaningful supplements to her fictional works, while simultaneously offering direct and insightful responses to the conditions that inspired them. Through her essays Magona offers a reimagining of a broken society and the role literature can play in casting new light on old wounds.

China and Africa have long shared a history of allegiance and contact points through global political forces from the time of colonialism and the Cold War. With China's rise as the new superpower, its presence in Africa has expanded, leading to significant economic, geopolitical and cultural shifts. While issues such as trade, aid and development have received much attention, Chinese and African encounters through the lens of the visual arts and material culture is a neglected field. Visualising China in Southern Africa: Biography, Circulation, Transgression is a ground-breaking volume that addresses this deficit through engaging with the work of contemporary African and Chinese artists while analysing broader material production that prefigures the current relationship. The essays are wide-ranging in their analysis of ceramics, photography, painting, etching, sculpture, film, performance, postcards, stamps, installations, political posters, cartoons and architecture. Visualising China in Southern Africa confines its focus to southern Africa, yet even within this region, the context is complex. Ethnicity and nationalism, the lingering influence of Cold War allegiances and colonial configurations all continue to play a role. The various visual cultures discussed in this volume emphasise the commonality of these categories, but also point towards other shared histories that transcend the nation-state category. The collection includes scholarly chapters, photo essays, interviews, and artists' personal accounts, organised around four themes: material flows, orientations and transgressions, spatial imaginaries, and biographies. The artists, photographers, filmmakers, curators and collectors in this volume include: Stary Mwaba, Hua Jiming, Anawana Haloba, Gerald Machona, Nobukho Nqaba, Marcus Neustetter, Brett Murray, Diane Victor, William Kentridge, Kristin NG-Yang, Kok Nam, Mark Lewis, the Chinese Camera Club of South Africa, Wu Jing, Henion Han and Shengkai Wu.

What does it mean to be Black in an anti-Black world? In Black X: Liberatory Thought in Azania, Tendayi Sithole offers a compelling example of how to engage South Africa differently. Set in the Black point of view as a site of critical reflection, he confronts the question of colonial conquest, social cohesion and justice. Since South Africa is a name given to the country by its conquerors, not by its indigenous inhabitants, for true liberation, a renaming needs to occur. The concept of Azania holds this emancipatory gesture. The post conquest, post 1994 liberal narratives mute the prevalence of racism while valorizing non-racialism and the transcendence of race. To indicate this silencing, the book deploys the concept of X, both as a signifier of repression and dehumanization of the Black subject, and as an empty signifier that holds the opportunity for radical and compassionate rehumanization. The book examines these strands of erasure and hope for the Black subject. Sithole scrutinizes the colonial contract, arguing that it is not a contract since there has never been an agreement between the indigenous people and the settler colonialists. This brings into focus the land question, specifically land dispossession and its existential connection to black life. The relevance of Black Consciousness to the Azanian existential tradition is based on Steve Biko's case that Marxism ignores Black ontological misery through its valorization of class and failure to include anti-Black racism in its analysis of power. Finally, Sithole analyses Mabogo P. More's philosophical meditations around what it means to be Black in an anti-Black world. In erasing the idea of South Africa and inscribing an open-ended naming of X, the book opens the way for something new to take its place that is imbued with greater humanity. This gesture opens up the potential to think about liberation in this country that is yet to rename and redefine itself.

Isidlamlilo / The Fire Eater is a one-woman play inspired by the true story of a woman who served as a political assassin in the build-up to South Africa's first democratic elections. Zenzile Maseko, the protagonist, is a 60-year-old grandmother living in a women's hostel in Durban. Falsely declared dead by the Department of Home Affairs, she finds herself cast into a Kafkaesque nightmare that forces her to confront her past. Flown in on the wings of the Impundulu (the lightning bird), in Zulu folklore a shapeshifting bird associated with witchcraft and the harbinger of storms and death, Zenzile's story weaves a magical and terrifying tapestry. She draws on myth, religious symbolism and traditional beliefs as she shares the realities - at times brutal, at times forgiving - of survival in South Africa. Her story touches on what it means to live through political violence, the transition to democracy, the brutality of inequality, health epidemics like HIV/AIDS, patriarchy, and the apathetic bureaucracy of government departments. Ultimately, Isidlamlilo / The Fire Eater offers a critical and unflinching look at the eddying cycles of violence and revenge that play out across generations. Yet it is most of all a story about regeneration and redemption that speaks to both the country's haunted past and its present-day complexities.Written with pathos and empathy, this playscript will appeal to teachers, high school learners, and tertiary students in theatre, drama and English studies.

Explores the challenges of large, complex, institutionally fragmented, and dynamic city-regions across the BRICS countries and the emergence of formal and informal governance arrangements.

This rich and absorbing biography of Can Themba, iconic Drum-era journalist and writer, is the definitive history of a larger-than-life man who died too young. Siphiwo Mahala's intensive and often fresh research features unprecedented archival access and interviews with Themba's surviving colleagues and family. Mahala's biography takes a critical historical approach to Themba's life and writing, giving a picture of the whole man, from his early beginnings in Marabastad to his sombre end in exile in Swaziland. The better-known elements of his life - his political views, passion for teaching and mentoring, family life and his drinking - are woven together with an examination of his literary influences and the impact of his own writing (especially his famous short story 'The Suit') on modern African writers in turn. Mahala, a master storyteller, deftly follows the threads of Themba's dynamic life, showcasing his intellectual acumen, scholarly aptitude and wit, along with his flaws, contradictions and heartbreaks, against a backdrop of the sparkle and pathos of Sophiatown of the 1950s. Can Themba's successes and failures as well as his triumphs and tribulations reverberate on the pages of this long-awaited biography. The result is an authoritative and entertaining account of an often misunderstood figure in South Africa's literary canon.

Archives of Times Past: Conversations about South Africa's Deep History explores particular sources of evidence on southern Africa's time before the colonial era. It gathers recent ideas about archives and archiving from scholars in southern Africa and elsewhere, focusing on the question: 'How do we know, or think we know, what happened in the times before European colonialism?' Historians who specialise in researching early history have learnt to use a wide range of materials from the past as source materials. What are these materials? Where can we find them? Who made them? When? Why? What are the problems with using them? The essays by well-known historians, archaeologists and researchers engage these questions from a range of perspectives and in illuminating ways. Written from personal experience, they capture how these experts encountered their archives of knowledge beyond the textbook. The book aims to make us think critically about where ideas about the time before the colonial era originate. It encourages us to think about why people in South Africa often refer to this 'deep history' when arguing about public affairs in the present.The essays are written at a time when public discussion about the history of southern Africa before the colonial era is taking place more openly than at any other time in the last hundred years. They will appeal to students, academics, educationists, teachers, archivists, and heritage, museum practitioners and the general public.

Bones and Bodies is a highly accessible account of the establishment of the scientific discipline of biological anthropology. Alan G Morris takes us back over the past century of anthropological discovery in South Africa and uncovers the stories of individual scientists and researchers who played a significant role in shaping perceptions of how peoples of southern Africa, both ancient and modern, came to be viewed and categorised both in the public imagination and the scientific literature.Morris reveals how much of the earlier anthropological studies were tainted with the tarred brush of race science. He evaluates the works of famous anthropologists and archaeologists such as Raymond Dart, Thomas Dreyer, Matthew Drennan and Robert Broom, and demonstrates through a wide array of sources how they described their fossil discoveries through the prism of racist interpretation. Morris also shows how modern anthropology tried to rid itself of the stigma of these early racist accounts. In the 1960s and 1970s, Ronald Singer and Phillip Tobias introduced modern methods into the discipline that disputed much of what the public believed about race and human evolution. In an age in which the authority of experts and empirical science is increasingly being questioned, this book shows the battle facing modern anthropology to acknowledge its racial past but also how its study of human variation remains an important field of enquiry at institutions of higher learning.

Brings together life stories from LGBT migrants, refugees and asylum seekers living in Johannesburg and their battle to reconcile faith with their sexual identity.

Explores how, in the era of decolonisation, post-apartheid South Africa reckons with its past in order to shape its future. Architects, historians, artists, social anthropologists and urban planners seek answers in this book to complex and unsettling questions around heritage, ruins and remembrance.

What happens when a former liberation movement turned political party loses its dominance but survives because no opposition party is able to succeed it? This incisive analysis of ANC power - as party, as government, as state - will appeal not only to political scientists but to all who take a keen interest in current affairs.

Critically examines influential novels in English by eminent black female writers. Studying these writers' key engagements with nationalism, race and gender during apartheid and the transition to democracy, Barbara Boswell traces the ways in which black women's fiction critically interrogates narrow ideas of nationalism.

Patrick van Rensburg (1931-2017) was an anti-apartheid activist and self-made "alternative educationist". Van Rensburg was an innovative and charismatic visionary who captured the zeitgeist of the late twentieth century, and whose work and vision still have resonance for debates in educational policy today.

D.D.T. Jabavu's account of his journey to India in 1949, in the original isiXhosa and with an English translation by Cecil Wele Manona. Chapters by the volume editors provide biographical context for the travelogue, and commentary on its contribution to the archive of African-language literature and thought.

Offers a critical account of the role of art and visual culture in the construction of a unified Afrikaner imaginary. This volume examines the implications of metaphors and styles deployed in visual culture, and considers how the design of objects, images and architecture were informed by Afrikaner nationalist ideals.

In 1937, a group of young Capetonians embarked on a remarkable public education and cultural project called the New Era Fellowship (NEF). By shining a contemporary light on the NEF, Crain Soudien shows how its members were at the forefront of redefining the debate about social difference in a racially divided society.

The first study to probe the primary features, and possible effects, of some major literary genres as they pertain to elephants south of the Zambezi over three centuries: indigenous forms, early European travelogues, hunting accounts, novels, game ranger memoirs, scientists' accounts, and poems.