Bøger udgivet af Wooded Isle Press, LLC

The love of old cars provides many adventures for people in the hobby. As a child there were "special" cars that made a lasting impression. The best birthday is the one that allows the acquiring of a driver's license. The first car, like the first love, will never be forgotten. Repairing an old car and showing it off at the drive-in is a cherished right of automotive passage. Continuing through life with a collector car at your side is a match made in heaven. Lance Lambert, automotive journalist, TV personality and passionate car collector, shares some of his adventures from decades of holding the honored title of "Car Guy." From his first "car" (a combination of his sister's tea set table and a broken wagon) to his current love of "orphan" cars (his garage menagerie includes two Studebakers and two King Midgets), Lance is a person living the life that all car lovers love. This book follows Lance's best selling "Fenders, Fins & Friends: Confessions of a Car Guy." His newest book, "Gears, Grins & Gasoline: My Wheel Life Adventures," contain 59 short stories that will bring smiles and, if the reader is not careful, a tear or two. Included is the tale of 13 year-old Lance and a friend "borrowing" a car; dangerous chases and "rumbles" with rivals; mistakes made on motorcycles; teenage girls in great cars; automotive successes and failures, and even spending time with a 1955 Chevrolet-owning ghost. It's a great book about great cars and great people. Pour a coup of coffee and head to the garage, then sit back and enjoy the reading ride!

A novel based on a true story. For mature young adults. It is 1982 at a New England university, and drama major Margo Laughton is thrilled and terrified to be cast as "Sheila" in the rock musical Hair. The show's director, Professor Harrison P. Adler, is known for his daring productions. Rumors have circulated for decades about how Harry gets actors to break through their inhibitions. He prefers working with boys, encouraging them to become violent and explore their sexuality in carefully guided improvisations or "improvs." In 1969, an actor in one of Harry's plays committed suicide. Is Harry a brilliant ground-breaking acting coach, or is he a manipulative voyeur who has found an academically and artistically sanctioned way to indulge his perversions? Margo and her leading man enjoy a playful rehearsal relationship that is shattered after a highly secretive, males-only improv. Margo is determined to find out what happened in the improv and the 1969 suicide, risking her romance and her hoped-for acting career in order to make sure that Harry never directs another play at the college.