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A Manual Of Counterpoint - Theodore Baker - Bog

- Forming A Sequel To Professor Oscar Paul's Manual Of Harmony (1887)

Bag om A Manual Of Counterpoint

A Manual of Counterpoint is a comprehensive guide to the art of counterpoint, written by Theodore Baker as a sequel to Professor Oscar Paul's Manual of Harmony. The book covers the principles and techniques of counterpoint, including the various types of counterpoint, the rules of voice-leading, and the use of dissonance and resolution. It also provides numerous examples and exercises to help students develop their skills in this complex musical form. The book is aimed at intermediate to advanced students of music theory and composition, as well as professional musicians who wish to deepen their understanding of counterpoint. Originally published in 1887, this edition has been revised and updated to make it accessible to modern readers.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

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  • Sprog:
  • Engelsk
  • ISBN:
  • 9781436738309
  • Indbinding:
  • Paperback
  • Sideantal:
  • 144
  • Udgivet:
  • 29. Juni 2008
  • Størrelse:
  • 152x229x8 mm.
  • Vægt:
  • 200 g.
  • 2-3 uger.
  • 8. Oktober 2024
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Beskrivelse af A Manual Of Counterpoint

A Manual of Counterpoint is a comprehensive guide to the art of counterpoint, written by Theodore Baker as a sequel to Professor Oscar Paul's Manual of Harmony. The book covers the principles and techniques of counterpoint, including the various types of counterpoint, the rules of voice-leading, and the use of dissonance and resolution. It also provides numerous examples and exercises to help students develop their skills in this complex musical form. The book is aimed at intermediate to advanced students of music theory and composition, as well as professional musicians who wish to deepen their understanding of counterpoint. Originally published in 1887, this edition has been revised and updated to make it accessible to modern readers.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

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