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A Theory of the Tache in Nineteenth-Century Painting - ?ystein Sj?stad - Bog

af ?ystein Sj?stad

indgår i Studies in Art Historiography serien

A Theory of the Tache in Nineteenth-Century Painting af ?ystein Sj?stad
Bag om A Theory of the Tache in Nineteenth-Century Painting

Without question, the tache (blot, patch, stain) is a central and recurring motif in nineteenth-century modernist painting. Manet's and the Impressionists' rejection of academic finish produced a surface where the strokes of paint were presented directly, as patches or blots, then indirectly as legible signs. Cezanne, Seurat.

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  • Sprog:
  • Engelsk
  • ISBN:
  • 9781472429445
  • Indbinding:
  • Hardback
  • Sideantal:
  • 190
  • Udgivet:
  • 28. juni 2014
  • Størrelse:
  • 243x167x17 mm.
  • Vægt:
  • 560 g.
  • 8-11 hverdage.
  • 7. december 2024

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  • BLACK NOVEMBER

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Beskrivelse af A Theory of the Tache in Nineteenth-Century Painting

Without question, the tache (blot, patch, stain) is a central and recurring motif in nineteenth-century modernist painting. Manet's and the Impressionists' rejection of academic finish produced a surface where the strokes of paint were presented directly, as patches or blots, then indirectly as legible signs. Cezanne, Seurat.

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