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Almost Futures - Thu-huong Nguyen-vo - Bog

Bag om Almost Futures

A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. Almost Futures looks to the people who pay the heaviest price for progress throughout war and capitalist globalization--particularly Vietnamese citizens and refugees--for glimpses of ways to exist at the end of our future's promise. In order to learn from the lives destroyed (and lived) amid our inheritance of modern humanism and its uses of time, Almost Futures asks us to recognize new spectrums of feeling: the poetic, in the grief of protesters dispossessed by land speculation; the allegorical, in assembly line workers' laughter and sorrow; the iterant and intimate, in the visual witnessing of revolutionary and state killing; the haunting, in refugee writing on the death of their nation; and the irreconcilable, in refugees' inhabitation of history.

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  • Sprog:
  • Engelsk
  • ISBN:
  • 9780520394452
  • Indbinding:
  • Paperback
  • Sideantal:
  • 280
  • Udgivet:
  • 11. juni 2024
  • Størrelse:
  • 152x229x20 mm.
  • Vægt:
  • 454 g.
  • 2-3 uger.
  • 2. december 2024
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Normalpris

  • BLACK NOVEMBER

Medlemspris

Prøv i 30 dage for 45 kr.
Herefter fra 79 kr./md. Ingen binding.

Beskrivelse af Almost Futures

A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. Almost Futures looks to the people who pay the heaviest price for progress throughout war and capitalist globalization--particularly Vietnamese citizens and refugees--for glimpses of ways to exist at the end of our future's promise. In order to learn from the lives destroyed (and lived) amid our inheritance of modern humanism and its uses of time, Almost Futures asks us to recognize new spectrums of feeling: the poetic, in the grief of protesters dispossessed by land speculation; the allegorical, in assembly line workers' laughter and sorrow; the iterant and intimate, in the visual witnessing of revolutionary and state killing; the haunting, in refugee writing on the death of their nation; and the irreconcilable, in refugees' inhabitation of history.

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