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Andreas Fogarasi: Vasarely Go Home - Bog

Andreas Fogarasi: Vasarely Go Home
Bag om Andreas Fogarasi: Vasarely Go Home

In Vasarely Go Home Andreas Fogarasi investigates a double event that took place in Budapest on October 18th, 1969. Opening that day, Victor Vasarely, the internationally renowned artist of Hungarian origin, had a large retrospective exhibition at the Mücsarnok/Kunsthalle in Budapest. While Hungarian avant-garde art of that time was forbidden or at best tolerated by the authorities, Vasarely's exhibition--organised by official cultural politics--became an important public event attracting a huge number of visitors. Because of these double standards at play, the show was met with both high expectations and scepticism from the local artistic scene. The second--undocumented--event taking place that evening during the exhibition opening was a one-person protest by artist János Major. He carried a small sign in his pocket that he discreetly showed to friends and acquaintances when he encountered them in the crowd. The sign read Vasarely Go Home.

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  • Sprog:
  • Engelsk
  • ISBN:
  • 9783944669540
  • Indbinding:
  • Hardback
  • Sideantal:
  • 144
  • Udgivet:
  • 1. oktober 2014
  • Størrelse:
  • 157x226x15 mm.
  • Vægt:
  • 408 g.
  • Ukendt - mangler pt..

Normalpris

  • BLACK NOVEMBER

Medlemspris

Prøv i 30 dage for 45 kr.
Herefter fra 79 kr./md. Ingen binding.

Beskrivelse af Andreas Fogarasi: Vasarely Go Home

In Vasarely Go Home Andreas Fogarasi investigates a double event that took place in Budapest on October 18th, 1969. Opening that day, Victor Vasarely, the internationally renowned artist of Hungarian origin, had a large retrospective exhibition at the Mücsarnok/Kunsthalle in Budapest. While Hungarian avant-garde art of that time was forbidden or at best tolerated by the authorities, Vasarely's exhibition--organised by official cultural politics--became an important public event attracting a huge number of visitors. Because of these double standards at play, the show was met with both high expectations and scepticism from the local artistic scene. The second--undocumented--event taking place that evening during the exhibition opening was a one-person protest by artist János Major. He carried a small sign in his pocket that he discreetly showed to friends and acquaintances when he encountered them in the crowd. The sign read Vasarely Go Home.

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