Udvidet returret til d. 31. januar 2025

Ars Longa, Via Brevis - Russell Bittner - Bog

- (A collection of creative non-fiction)

Bag om Ars Longa, Via Brevis

One could easily argue that all fiction is, in some sense, creative non-fiction. After all, a writer doesn't come to the page devoid of experience. And it's that experience-coupled with a dollop or two of imagination (not to mention a whole arsenal of mechanics)-that turns the writer's non-fictional event, at least in the writer's mind, into a story worth telling. If (s)he's lucky, and has perfected his or her craft, it's also a story worth reading. Ah! you may say or think. But what of science or speculative fiction? I'll be the first to concede that both of these genres-if I may consider them separate and distinct genres-require an unusual leap of imagination. Or hallucination. Or at least sleep. But come the witching hour, no writer produces a story worth telling (and worth reading!) out of whole cloth. It just doesn't happen. If a reader can't relate to a story-either because the writer's experience is too alien, or because the writer hasn't mastered the mechanics of writing and story-telling-the story will die a quick death. I firmly believe that a writer owes it to his or her reader to master both skills if that writer is to call him- or herself an author. If (s)he has done so effectively-and particularly in creative non-fiction-let the reader play with the mystery and the intrigue of which elements are fictitious, and which, non-fictitious. And then, let the fiction/no-fiction fun begin!

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  • Sprog:
  • Engelsk
  • ISBN:
  • 9781515082064
  • Indbinding:
  • Paperback
  • Sideantal:
  • 136
  • Udgivet:
  • 14. juli 2015
  • Størrelse:
  • 152x229x7 mm.
  • Vægt:
  • 191 g.
  • BLACK WEEK
Leveringstid: 2-3 uger
Forventet levering: 14. december 2024
Forlænget returret til d. 31. januar 2025

Beskrivelse af Ars Longa, Via Brevis

One could easily argue that all fiction is, in some sense, creative non-fiction. After all, a writer doesn't come to the page devoid of experience. And it's that experience-coupled with a dollop or two of imagination (not to mention a whole arsenal of mechanics)-that turns the writer's non-fictional event, at least in the writer's mind, into a story worth telling. If (s)he's lucky, and has perfected his or her craft, it's also a story worth reading. Ah! you may say or think. But what of science or speculative fiction? I'll be the first to concede that both of these genres-if I may consider them separate and distinct genres-require an unusual leap of imagination. Or hallucination. Or at least sleep. But come the witching hour, no writer produces a story worth telling (and worth reading!) out of whole cloth. It just doesn't happen. If a reader can't relate to a story-either because the writer's experience is too alien, or because the writer hasn't mastered the mechanics of writing and story-telling-the story will die a quick death. I firmly believe that a writer owes it to his or her reader to master both skills if that writer is to call him- or herself an author. If (s)he has done so effectively-and particularly in creative non-fiction-let the reader play with the mystery and the intrigue of which elements are fictitious, and which, non-fictitious. And then, let the fiction/no-fiction fun begin!

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