Babylon - George Melly - Bog

These weird and wonderful postcards show babies as never seen before. Babies hatch from eggs, bubblefrom cauldrons, are fished from rivers, emerge in the cabbage patch, sit atop clouds, and ride in zeppelins.They play instruments, drive automobiles, fly in balloons, harvest the fields; an anarchistic world of babyheaven.James Birch first came across the postcards when he was a student in Aix-en-Provence. ¿A froth of smilingbabies boiling away in a cauldron¿ caught his eye and he bought a small number of cards. He didn¿t reallypay much attention to the cards again until years later in the 1980s when he visited the Pompidou Centre foran exhibition on Surrealism. There in one of the display cases was a collection of fantasy baby postcardsshown for their inspirational importance to both the Dadaists and the Surrealists. He became hooked andstarted collecting.Despite the immensely varied subject matter of the postcards little is known of their history. They wereproduced from around 1900-1920 and were found from Russia, to Spain to Great Britain and most countriesin between, however the majority appear to be from Germany.The postcards were a source of inspiration to many artists in the 1920s and 30s, in particular to both theDadaists and the Surrealists. They were collected by Paul Eluard, Andre Breton, Salvador Dali, Hannah Hoch,Herbert Bayer, and Man Ray. The popular images excited inspiration in these artists because of theirboundless inventiveness.A foreword is written by George Melly whon was an acknowledged expert in the field of surrealism. Bestknown as a jazz and blues singer, writer and broadcaster, he was also an art critic and a devotee of theSurrealists. This is one of the last pieces he wrote before his death in 2007 at the age of 80.