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Politics, Ethics and Performance: Helene Cixous and the Theatre du Soleil is a collection of essays by French feminist poet, playwright and philosopher Helene Cixous. Cixous' performative and poetic mode of writing explores the relationship between theatrical performance and contemporary politics."

The enterprise of philosophy has been under sustained attack throughout the 20th century, not just by the sciences and allied cultural forces but within the traditions of analytic and Continental thought themselves. This work attempts to diagnose the roots of these assaults on the enterprise of philosophy and responds to them by developing a new constructive and systematic 'image of philosophy.' This novel conception of philosophy aims to re-establish philosophy's 'field' as a humanly indispensable enterprise autonomous from, but related to, other such areas as religion, science, and art. Beginning with Kant's suppressed notion of 'analytic a posteriori judgments, ' and drawing widely upon both the ancient and modern traditions as well as such contemporary thinkers as Deleuze, Badiou, and Meillassoux, it proposes a new 'mapping' of the field of philosophy in terms of three conditions necessary for the very existence of philosophy as an activity, body of texts, and thought-complexes expressed in them: embodiment, signification, and ideality. In so doing, it offers a view that is realist, finitist, constructivist, and pluralistic, but that also accords a central role to logical reasoning and truth claims. In the end, it seeks to discover the common roots of the analytic and Continental traditions, to move beyond the impasses and exhaustion of 'postmodernisms, ' and to provide a framework for addressing the newly emergent philosophical issues of the 21st century.

This text looks at Bruno Latour specifically as a philosopher. Part one covers four key works in Latour's career in metaphysics, while part two identifies Latour's key contributions to ontology, while criticizing his focus on the relational character of actors at the expense of their autonomous reality.

Walter Benjamin is universally recognised as one of the key thinkers of modernity: his writings on politics, language, literature, media, theology and law have had an incalculable influence on contemporary thought. Yet the problem of architecture in and for Benjamin's work remains relatively underexamined. Does Benjamin's project have an architecture and, if so, how does this architecture affect the explicit propositions that he offers us? In what ways are Benjamin's writings centrally caught up with architectural concerns, from the redevelopment of major urban centres to the movements that individuals can make within the new spaces of modern cities? How can Benjamin's theses help us to understand the secret architectures of the present? This volume takes up the architectural challenge in a number of innovative ways, collecting essays by both well-known and emerging scholars on time in cinema, the problem of kitsch, the design of graves and tombs, the orders of road-signs, childhood experience in modern cities, and much more. Engaged, interdisciplinary, bristling with insights, the essays in this collection will constitute an indispensable supplement to the work of Walter Benjamin, as well as providing a guide to some of the obscurities of our own present.