Bøger i AnthropoScene serien

Considers the implications of the Anthropocene, the proposed geological epoch in which a human "signature" appears in the lithostratigraphic record, for literary history and critical method. Explores the status of reading in the history of geology, and of geohistory in literature.

"Science in fiction," "geek novels," "lab-lit"-whatever one calls them, a new generation of science novels has opened a space in which the reading public can experience and think about the powers of science to illuminate nature as well as to generate and mitigate social change and risks. Under the Literary Microscope examines the implications of the discourse taking place in and around this creative space.Exploring works by authors as disparate as Barbara Kingsolver, Richard Powers, Ian McEwan, Ann Patchett, Margaret Atwood, and Michael Crichton, these essays address the economization of scientific institutions; ethics, risk, and gender disparity in scientific work; the reshaping of old stereotypes of scientists; science in an evolving sci-fi genre; and reader reception and potential contributions of the novels to public understandings of science.Under the Literary Microscope illuminates the new ways in which fiction has been grappling with scientific issues-from climate change and pandemics to artificial intelligence and genomics-and makes a valuable addition to both contemporary literature and science studies courses.In addition to the editors, the contributors include Anna Auguscik, Jay Clayton, Carol Colatrella, Sonja Fücker, Raymond Haynes, Luz María Hernández Nieto, Emanuel Herold, Karin Hoepker, Anton Kirchhofer, Antje Kley, Natalie Roxburgh, Uwe Schimank, Sherryl Vint, and Peter Weingart.

Oil, like other fossil fuels, permeates every aspect of human existence. Yet it has been largely ignored by cultural critics, especially in the context of the Global South. Seeking to make visible not only the pervasiveness of oil in society and culture but also its power, Oil Fictions stages a critical intervention that aligns with the broader goals of the energy humanities.Exploring literature and film about petroleum as a genre of world literature, Oil Fictions focuses on the ubiquity of oil as well as the cultural response to petroleum in postcolonial states. The chapters engage with African, South American, South Asian, Iranian, and transnational petrofictions and cover topics such as the relationship of colonialism to the fossil fuel economy, issues of gender in the Thermocene epoch, and discussions of migration, precarious labor, and the petro-diaspora. This unique exploration includes testimonies of the oil encounter-through memoirs, journals, and interviews-from a diverse geopolitical grid, ranging from the Permian Basin to the Persian Gulf.By engaging with non-Western literary responses to petroleum in a concentrated, sustained way, this pathbreaking book illuminates the transnational dimensions of the discourse on oil. It will appeal to scholars and students working in literature and science studies, energy humanities, ecocriticism, petrocriticism, environmental humanities, and Anthropocene studies.In addition to the editors, the contributors to this volume include Henry Obi Ajumeze, Rebecca Babcock, Ashley Dawson, Sharae Deckard, Scott DeVries, Kristen Figgins, Amitav Ghosh, Corbin Hiday, Helen Kapstein, Micheal Angelo Rumore, Simon Ryle, Sheena Stief, Imre Szeman, Maya Vinai, and Wendy W. Walters.

A collection of essays analyzing ecohorror motifs in literature, manga, film, and television, illuminating ambiguities that arise from human encounters with nonhuman nature and examining the scale and effect of ecohorror in, and of, the Anthropocene.

A multidisciplinary collection of essays exploring current scholarship on the history of human identification. Examines how techniques of identification are entangled within a wider sphere of cultural identity formation.

A collection of essays analyzing ecohorror motifs in literature, manga, film, and television, illuminating ambiguities that arise from human encounters with nonhuman nature and examining the scale and effect of ecohorror in, and of, the Anthropocene.

Explores literature and film about petroleum as a genre of world literature, focusing on the ubiquity of oil as well as the cultural response to petroleum in postcolonial states.

Examines the theoretical framing of "nature" in South Africa and beyond. Analyzes myths and fantasies that have brought the world to a point of climate catastrophe and continue to shape the narratives through which it is understood.

Illustrates how the discovery of electromagnetism in 1820 not only led to technological inventions, such as the dynamo and the telegraph, but also legitimized modes of reasoning that manifested a sharper ability to perceive how metonymic relations could reveal the order of things.

A collection of essays examining literary discussions of the role of science, focusing on the interactions between processes of knowledge formation and the socioeconomic and political spheres.

Explores a narrative pattern in which storytellers revisit instances of genocide and extinction not simply to reveal historical erasures of whole populations but also to rearticulate lifeways premised on cross-species interdependence. Focuses on recovering a sense of affective bonds shared across species lines.

An interdisciplinary exploration of how genetic engineering is transforming our narratives about the core of human personhood, and how those narratives are shaping official policies.

Using an ecomaterialist conceptual framework, addresses interconnected stories from fiction, nonfiction, works of visual art, and physical sites in Italy and elsewhere.

Considers the implications of the Anthropocene, the proposed geological epoch in which a human "signature" appears in the lithostratigraphic record, for literary history and critical method. Explores the status of reading in the history of geology, and of geohistory in literature.