Bøger i Cambridge Studies in Nineteenth-Century Literature and Culture serien

Focusing on criminality, caste, inheritance and adoption, this text illustrates how crosscurrents between literature and the law shaped, and were shaped by, broader Victorian ideological norms, appealing to scholars and students of nineteenth-century literature, colonial and legal history, and particularly Indian colonial culture.

Introducing the neglected tradition of Scottish women's writing to readers who may already be familiar with English Victorian realism or the historical romances of Walter Scott and Robert Louis Stevenson, this book corrects male-dominated histories of the Scottish novel by demonstrating how women appropriated the masculine genre of romance.

"Offering a revisionist account of the history of the novel in the eighteenth and nineteenth centuries, Lauren Gillingham contends that nineteenth-century novelists found in fashion a temporal model for articulating a heightened sense of the evanescence of modernity and the cycle of novelty and obsolescence that organizes contemporary life"--

"The Art of the Reprint is a vivid and engaging history of the nineteenth-century novel as it was re-imagined for everyday readers by extraordinary twentieth-century illustrators. With biographical, archival, and art- and literary-historical sources, this is a richly-illustrated account of how artists reinvent canons for the general reader"--

"Can sexual restraint be good for you? Many Victorians thought so. This book explores a surprisingly positive view of restraint in an unlikely place: late nineteenth-century Decadence. It reads Decadent texts alongside medical manuals, periodicals, and adverts, finding representations of restraint as healthy, productive, and aesthetically enriching"--

This book explores how Victorian women readers strategically identified with literature to defy stereotypes and inspire their action and creativity. Engaging with nineteenth-century English literature and culture, the book engages with theories and histories of reading that appeal to literary scholars and educators.

Pondering the town he had invented in his novels, Anthony Trollope had 'so realised the place, and the people, and the facts' of Barset that 'the pavement of the city ways are familiar to my footsteps'. After his novels end, William Thackeray wonders where his characters now live, and misses their conversation. How can we understand the novel as a form of artificial reality? Timothy Gao proposes a history of virtual realities, stemming from the imaginary worlds created by novelists like Trollope, Thackeray, Charlotte Bronte, and Charles Dickens. Departing from established historical or didactic understandings of Victorian fiction, Virtual Play and the Victorian Novel recovers the period's fascination with imagined places, people, and facts. This text provides a short history of virtual experiences in literature, four studies of major novelists, and an innovative approach for scholars and students to interpret realist fictions and fictional realities from before the digital age. This title is also available as Open Access on Cambridge Core.

Uncovering a wealth of neglected archival information, this book examines both visual and textual material from the mid-nineteenth century Franklin Search Expeditions to the Arctic, painstakingly tracing their influence on popular imagination. Its surprising findings present a compelling challenge to the still-dominant 'man-versus-nature' trope.

Synthesizing music, literature and theory, Fraser Riddell reveals the importance of music in emergent queer identities at the fin de siecle. Illuminating for both students and researchers of the period, his compelling arguments for music's queer agency will fascinate anyone interested in Aestheticism, Decadence and the Bloomsbury Group.

Celebrating plurality in collaboration and underscoring the truly social nature of nineteenth-century writing, Heather Witcher draws on a range of examples to show the myriad ways, both social and material, in which nineteenth-century authors interacted and co-created. Ultimately, this study overhauls how we view authorship itself.

This book argues that the realist novel compresses the duration of aging into descriptive intervals, constructing senescence as a shameful event to be hidden. It will appeal to students and researchers of nineteenth-century literature and culture, the Victorian novel and to those with an interest in representations of age in literature.

Richard Menke links media innovation to imaginative literature, making the case for writers from Whitman to Twain, Kipling to Bram Stoker and Marie Corelli as the era's media theorists. This book will appeal to scholars, students and researchers of nineteenth-century literature and culture, the history of printing, and media and technology.

The first book to study the rise of Victorian autobiography as a marketplace phenomenon rather than a vehicle for constructing identity, and to relate life-writing to broader cultural impulses to imagine identity as a textual thing. It will particularly appeal to scholars of nineteenth-century literature, book history and material culture.

Explores the notion of plagiarism in Victorian fiction and how many writers of this period stole, altered or parodied the characters and plots of previous texts. This book will appeal to students and researchers of nineteenth-century literature and culture, and readers interested in issues of plagiarism, copyright, and intellectual property.

Elegantly and persuasively argues that natural theology was an important presence, not only in the natural histories of the eighteenth and nineteenth centuries, but also in the novels of the same period. Will appeal to students and scholars of nineteenth-century literature and historians of science.

Anna Feuerstein offers innovative readings of the politics of animal characters in the Victorian novel, and shows the limitations of liberalism as a framework for animal rights. This book will appeal to scholars and students interested in Victorian literature and culture, and the representation of animals in literature.

Investigating links between literature, science, psychology, religion, law, and ethics, this study re-evaluates nineteenth-century understandings of what it means to be human. Leading scholars argue for the centrality of the idea of the human within the works of the Bronte sisters, offering new insight on their writing and cultural contexts.

Revealing the web of mutual influences between nineteenth-century scientific and cultural discourses of appearance, Mimicry and Display in Victorian Literary Culture argues that Victorian science and culture biologized appearance, reimagining imitation, concealment and self-presentation as evolutionary adaptations. Exploring how studies of animal crypsis and visibility drew on artistic theory and techniques to reconceptualise nature as a realm of signs and interpretation, Abberley shows that in turn, this science complicated religious views of nature as a text of divine meanings, inspiring literary authors to rethink human appearances and perceptions through a Darwinian lens. Providing fresh insights into writers from Alfred Russel Wallace and Thomas Hardy to Oscar Wilde and Charlotte Perkins Gilman, Abberley reveals how the biology of appearance generated new understandings of deception, identity and creativity; reacted upon narrative forms such as crime fiction and the pastoral; and infused the rhetoric of cultural criticism and political activism.

This book explores the failure of the Romantic critique of political economy by following changing conceptions of idleness and aesthetic consciousness from Shelley to Freud. Richard Adelman delivers an innovative study of cultural politics between 1815 and 1900 that shines new light on the complex legacy of Romantic thought.

This book investigates the often surprising intersections and overlaps between three infrequently related fields: studies of poetry, studies of media, and studies of the body. At these intersections a neglected nineteenth-century theory of poetry becomes visible, one that imagines the body as a reproductive medium for poetry.

This study focuses on the depictions of malaria in nineteenth-century and postcolonial fiction of writers such as Charles Dickens, Henry James, H. Rider Haggard, and Rudyard Kipling amongst others. It also examines the multivalent and subversive potential of the disease in postcolonial literature of writers such as Amitav Ghosh and Derek Walcott.

Positive thinking is good for you. Analysing nineteenth-century literature through the pervading lens of New Thought, which foreshadowed concepts of twentieth-century popular psychology, this volume uncovers unnoticed aspects of canonical works and classic children's literature to reveal a new area of academic inquiry for scholars and students.

This book will interest anyone who is curious about how Shakespeare became the presiding deity of English literature. It describes the Victorians' quasi-Biblical culture surrounding Shakespeare's work and discusses why Victorian devotion had an enduring impact upon English studies in the Western world.

Linda M. Austin explores the ways in which scientific questions about the relation between human beings and automata, raised by the 'new psychology' of the late nineteenth century, forced the re-examination of creativity in literature, photography, ballet, and high-level mental activities.

The radical press of the Victorian era fostered daring literary experiments that helped shape mainstream literature. This book adds significantly to the study of Victorian literary culture by exploring the interplay between canonical social problem novels and journalism and fiction appearing in the periodical press associated with working-class protest.

This nuanced yet accessible study is the first to examine the range of religious experience imagined in Hopkins' writing. By exploring the shifting way in which Hopkins imagines religious belief in individual history, Martin Dubois contests established views of his poetry as a unified project.

Heather Tilley examines the huge shifts that took place in the experience and conceptualisation of blindness during the nineteenth century. Considering the ways in which visually-impaired people used texts to shape their own identities, she argues that blindness was also a means by which writers reflected on crafting literary form.

Everyday Words and the Character of Prose in Nineteenth-Century Britain is an innovative study of the stylistic tics of canonical novelists including Austen, Dickens, Trollope, Thackeray and Eliot. Jonathan Farina shows how ordinary locutions such as 'a decided turn', 'as if' and 'that sort of thing' condense nineteenth-century manners, aesthetics and assumptions about what counts as knowledge.