Bøger i Carysfort Press Ltd. serien

The essays incorporated into this volume share an ambitious interest in investigating death as an individual, social and metaphorical phenomenon that may be exemplified by themes involving burial rituals, identity, and commemoration.

Irish theatregoing 19551985.

This book presents an analysis of more than 30 plays written by Irish dramatists and poets that are based on the tragedies of Sophocles, Euripides and Aeschylus. These plays proceed from the time of Yeats and Synge through MacNeice and the Longfords on to many of today's leading writers.

A frank, honest, and probing account of a much commented upon and controversial period in the history of the national theatre. These diaries provide fascinating personal insights into the day to day pressures, joys, and frustrations of running one of Ireland's most iconic institutions.

This long overdue anthology captures the soul of MacIntyre's dramatic canon - its ethereal qualities, its extraordinary diversity, its emphasis on the poetic and on performance - in an extensive range of visual, journalistic and scholarly contributions from writers and theatre practitioners.

In this fascinating reappraisal of the non-literary drama of the late 19th - early 20th century, Christopher Fitz-Simon discloses a unique world of plays, players and producers in metropolitan theatres in Ireland and other countries where Ireland was viewed as a source of extraordinary topics at once contemporary and comfortably remote.

This book is a literary tour de force, where 28 Irish plays are examined and their rich cultural context exposed in a way that educates and excites.

The book is remarkably well-focused: half is a series of production histories of Playboy performances through the twentieth century in the UK, Northern Ireland, the USA, and Ireland. The remainder focuses on one contemporary performance, that of Druid Theatre, as directed by Garry Hynes

The essays collected in Edna O'Brien: New Critical Perspectives illustrate the range, complexity and interest of O'Brien as a fiction writer and dramatist.

This book, edited by Christina Hunt Mahony, presents twelve essays that trace the development of Sebastian Barry's career and the individual achievement of his works, concentrating largely, but not exclusively, on the plays.

Brian Friel's Dramatic Artistry makes an important contribution to our understanding of the work of Ireland's greatest living playwright. The fifteen essays collected here provide us with new perspectives on Friel's most familiar works.

It aims to stimulate further enquiry, research and critical reflection, in sceptical, analytic or celebratory modes, on the riches of Irish literary texts and traditions. The collection discusses texts from the early 18th century to the present.

The central subject of the play is the quest a character at the point of emotional and moral breakdown for some source of meaning or identity.

With contributions from leading scholars and practitioners, Interactions explores and celebrates the Dublin Theatre Festival's achievements since 1957 featuring essays on major Irish writers, directors and theatre companies, as well as the impact of visiting directors and companies from abroad.

The Drunkard is a wonderfully eloquent play.'Young Edward Kilcullen's life is blighted by alcohol.

Since the late 1970s there has been a marked internationalization of Irish drama, with individual plays, playwrights, and theatrical companies establishing newly global reputations. This book reflects upon these developments, drawing together leading scholars and playwrights to consider the consequences that arise when Irish theatre travels abroad. Essays discuss some of Ireland¿s major theatre companies ¿ Druid, the Abbey Theatre, Rough Magic, Blue Raincoat, Field Day and others ¿ while also exploring the presence of Irish drama in the UK, the USA, Germany, and throughout Ireland. The volume also presents the views of key playwrights, featuring essays by Elizabeth Kuti and Ursula Rani Sarma, and including a new interview with Enda Walsh.

In Synge and the Making of Modern Irish Drama, Anthony Roche draws on twenty-five years of engagement with Synge's plays to present ten chapters on the unfolding of a double narrative. It will be of considerable interest to students of Irish drama both in Ireland and worldwide.

Ireland on Stage: Beckett and After, a collection of ten essays on contemporary Irish theatre, focuses primarily on Irish playwrights and their works, both in text and on the stage, in the latter half of the twentieth century.

Billy Roche - musician, actor, novelist, dramatist, screenwriter - is one of Ireland's most versatile talents. This anthology, the first comprehensive survey of Roche's work, focuses on his portrayal of one Irish town as a microcosm of human life itself, elemental and timeless.

Articles: «The Cries of Pagan Desperation»: Synge, Riders to the Sea and the Discontents of Historical Time by Christopher Collins; Scenographic Interactions: 1950s Ireland and Dublin's Pike Theatre by Siobhan O'Gorman; Uneasy Bedfellows: Culture, Commerce and the Rise of the «Production Hub» Paradigm in Irish Theatre by Lisa Fitzgerald; Respond or Else: Conor MacPherson's The Weir at the Donmar Warehouse by Eamonn Jordan; Gay Masculinities in Performance: Towards a Queer Dramaturgy by Cormac O'Brien; Perform, or Else! Reflections from an Irish theatre maker by Neil Watkins.

As Ireland changes, how should we think about the works of familiar figures - writers like Synge, O'Casey, Friel, Murphy, Carr and McGuinness? Is the distinction between popular and literary drama tenable in a Celtic Tiger Ireland where the arts and economics are becoming increasingly intertwined.

This informative and incisive collection of essays sheds new light on the literary interrelations between Ireland, Hungary, Poland, Romania, and the Czech Republic. It charts an under-explored history of the reception of modern Irish culture in Central and Eastern Europe and investigates how key authors have been translated, performed, and adapted.

Modern Death is written in the form of a symposium, in which a government agency brings together a group of experts to discuss a strategy for dealing with an ageing population.

As well as providing a very readable and comprehensive study of the life and music of John Buckley,¿Constellations also offers an up-to-date and informative catalogue of compositions, a complete discography, translations of set texts and the full libretto of his chamber opera, making this book an essential guide for both students and professional scholars alike.

Marie Jones is one of the most prolific and popular writers working in Northern Irish theatre today. Her work has achieved local relevance and international recognition. In the course of a remarkable career now spanning five decades, Jones has been an actor, playwright, and screenwriter; she also helped to establish two major Irish theatre companies (Charabanc and DubbelJoint) as well as playing a major role in theatre-in-education through her plays for Replay Productions. From her earliest work with Charabanc in the early 1980s to the present day, Jones's work has engaged with Irish (and, more often than not, specifically Northern Irish) experience in ways that reveal the extent to which the personal is political in a distinctive form of popular theatre. This volume of essays engages critically with Jones's oeuvre, her reception in Ireland and beyond, and her position in the canon of contemporary drama.

Sullied Magnificence: The Theatre of Mark O'Rowe is a collection of essays that combines the voices of Mark O'Rowe's collaborators and critics with analysis by leading academics. It examines the role of the actor and director in monologue theatre. It questions the use of violence in O'Rowe's films and plays. It explores influences and inspirations, and provides a thorough introduction to the work of one of Ireland's most unique theatrical voices. It also takes a brief look at O'Rowe's work for film, as both writer and director, and the crossover effect this work has had on his plays.

Contents: The Instrument - Compass - Strings - Tuning - Blades - Placing the Instrument - Key-Board, Key change system, Keys Position of hands (diagrams) - Independence of Fingering - Equality of Tone - Chord Playing - Articulation - Damped Sounds - Octaves - Gliding - Harmonics - Recapitulation - Glissando - Relative Minor Scales - C, G and D (Harmonic Form) - Relative Minor Scales - A and E - Scales in all possible keys, Arpeggios and Inversions, Sixths and Tenths - Contrary Motion (One Octave) - Dominant Seventh Chord and Inversions, Similar Motion - Dominant Seventh Chord and Inversions, Similar and Contrary Motion - Diminished Seventh Chord and Inversions, Similar Motion - Complete Scale Programme as in Eleventh Lesson - Diminished Seventh Chord and Inversions. Similar and Contrary Motion.