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Robin Wood - one of the foremost critics of cinema - has laid the groundwork for anyone writing about the horror film in the last half-century. Robin Wood on the Horror Film: Collected Essays and Reviews compiles over fifty years of his groundbreaking critiques.
Following World War II, the world had to confront the unmournable specters of those who had been erased socially and historically. Cinematic Cryptonymies: The Absent Body in Postwar Film explores how cinema addressed these missing bodies through an in-depth analysis of key filmmakers from the immediate postwar moment through the present.
Examines the political cinema of 1968 in relation to global events. The essays in this volume, edited by Christina Gerhardt and Sara Saljoughi, cover a breadth of cinematic movements that were part of the era's radical politics and independence movements.
Examines the political cinema of 1968 in relation to global events. The essays in this volume, edited by Christina Gerhardt and Sara Saljoughi, cover a breadth of cinematic movements that were part of the era's radical politics and independence movements.
The debut of the film The Boys in the Bandwas revolutionary for its fictional but frank presentation of a male homosexual subculture in Manhattan. The scholars assembled here bring an invigorating variety of methods to their considerations of this singular film. Coming from a wide range of academic disciplines, they pose and answer questions about the film in remarkably different ways.
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