Bøger i Dover Pictorial Archive serien

A painter whose father was an engraver and publisher of the same name, Matthäus Merian (1621-1687) published this remarkable group of unusual and highly imaginative animal illustrations. This copyright-free collection includes a large and fascinating selection of engravings that illustrate scientific specimens and legendary creatures―all meticulously reproduced from an extremely rare eighteenth-century edition.Carefully arranged into six major divisions (quadrupeds, snakes, mollusks and crustaceans, fish, birds, and insects), approximately 1,300 copyright-free images include realistic and fanciful portrayals of a varied array of real animals, in addition to such imaginary creatures as unicorns, dragons, basilisks, harpies, griffins, and other mythical beasts. Identifying captions in Latin accompany many of the illustrations. Commercial artists, illustrators, and craftspeople will find a host of uses for these lovingly detailed engravings: as book and magazine illustrations and as attention-getting graphics ideal for enhancing flyers, brochures, newsletters, and any number of other print projects. Art lovers and antiquarians―anyone with an interest in the art and ideas of an earlier era―will enjoy browsing through these wonderful antique images. Dover (1998) republication of 123 plates from the work published by R. & G. Wetstenios, Amsterdam, 1718.

Women's fashions during the second half of the nineteenth century offered a delightful display of styles reflecting English, French, and American tastes. This comprehensive treasury of more than 900 crisp black-and-white illustrations―arranged chronologically and dated by year―provides a rich pictorial record of clothing styles from that period. Suitable for a wide variety of graphic projects, these cuts will especially appeal to artists and illustrators in search of finely rendered images of authentic Victorian fashions. Selected by graphic artist Carol Belanger Grafton from such vintage sources as Harper's Bazar, La Mode Illustrée, Peterson's Magazine, Godey's Salon de la Mode and Frank Leslie's Ladies' Magazine, the cuts brim with clear detail and old-time flavor as they record a wealth of evolving styles―from ornate gowns of the mid-1800s, widened by hoop skirts and elaborately enhanced with ribbons, ruffles, laces, and bows, to turn-of-the-century fashions that produced leg-o'-mutton sleeves, narrowed skirts, diminished bustles, and high-necked bodices (except for evening wear, which exhibited a more daring neckline).Here, for copyright-free use, are hundreds of elegant dresses accented with intricately embroidered designs, shirtwaists featuring lace inserts, and row upon row of tiny pleats, tightly laced undergarments, wide-brimmed hats topped with feathers, flowers, and ribbon; beaded handbags, magnificent parasols, fur-trimmed capes, and much, much more.An invaluable reference to period clothing styles for designers, illustrators, and costume historians, this magnificent archive―with its entertaining glimpse of the fashions of yesteryear―will also delight casual browsers and lovers of Victoriana. Original Dover (1999) publication.

The turn-of-the-century Arts and Crafts movement revitalized many art-craft domains, including of course typography. One sidelight to the typographic art, but one in which many printers specialized, was the typographical ornament--long a tradition among the very earliest printers, once again brought to the avant garde of design. The best American and European printers offered whole catalogs of original ornament in the Art Nouveau manner--today they survive only in the archives of printers and historians of type. Here, from the archives of a contemporary typesetter and printing historian, is a selection of authentic Art Nouveau typographic ornament, culled out of late 19th and early 20th century specimen catalogs. Over 800 ornaments of all types include the patented Art Nouveau florals and flowing botanic wonders, both realistic and abstract. Women draped in pagan robes form borders and head and tailpieces. Animals abound: fish, elephants, turtles, birds, and creatures of myth and fancy. Innumerable spots, shapes, symbols, emblems, wreaths, scrolls, cherubs, and gargoyles show in clear black and white how they will look decorating menus, posters, handbills, ads, books, any functional or artistic project needing a flavor of Art Nouveau. Printers will be pleased to complement their Auriol, Baldur, Cordova, and Metropolitan, or other Art Nouveau-style typefaces with these unusual, long-forgotten ornaments. Mirror images given for many of the designs increase their utility. All images are from original sources, all copyright-free.

This book presents more than 2,000 illustrations of shoes, hats, and fashion accessories reproduced directly from now rare periodicals and catalogs from the 1850s to 1940. It comprises an invaluable pictorial survey for the fashion historian, designer, and enthusiast, as well as a practical source of illustrations for permission-free use by artists and craftspeople.The sources of these illustrations include major American, British, and European fashion periodicals of the time: Godey's Lady Book, Peterson's Magazine, Harper's Bazar, La Mode Illustrée, L'Art et la Mode, Der Bazar, The Delineator, and others, as well as such general interest periodicals as Frank Leslie's Illustrated Newspaper, Harper's Weekly, The Youth's Companion, and Life. Many illustrations come from trade catalogs of such merchants as Montgomery Ward, Sears, Roebuck & Co., Jordan Marsh & Co., N. B. Holden Artistic Footwear, and a score of others.Arranged chronologically, the plates present an overview of 90 years of fashion evolution of footwear, millinery, and such accessories as gloves, scarves, purses, handkerchiefs, and more.

Forty of Victorian master's most famous designs for wallpapers, chintzes, velveteens, tapestries, tiles, carpets, and more. Reproduced from original color plates of "The Art of William Morris."

Grace your next needlework, craft, or graphic art project with just the right floral motif from this versatile collection of 400 beautifully rendered copyright-free designs. Reproduced directly from a rare Victorian-era album of transfer patterns by William Briggs and Company Ltd., these designs are among the finest of the period are are ideally suited for embroidery, textile design, woodworking, leathercraft, metalwork, and a host of other design and craft uses. Included are floral borders, corners and centers, wreaths, delicate sprays, allover patterns, lovely compositions with birds and butterflies, and more. Among the floral favorites in this volume are the Apple Blossom, Azalea, Begonia, Cornflower, Forget-me-not, Fuchsia, Iris, Lily of the Valley, Narcissus, Primrose, Snowdrop, Strawberry, Tiger Lily, Tulip, Verbena, Violet, and many others. The designs are conveniently arranged according to type and an index of uses suggests specific kinds of projects for which each type of design is especially suited. Also included are complete, easy-to-follow instructions on how to transfer the designs to cloth or other media and concise descriptions of embroidery stitches. Whatever your craft or design need and whatever your level of expertise--from beginner to expert--you are sure to find this inexpensive volume an invaluable source you will turn to again and again.

The 4,260 individual designs collected here represent the 900-year-old tradition of Japanese family crests. This unabridged republication of the catalog originally compiled around 1913 by the Matsuya Piece-Goods Store in Tokyo contains a translation of the original Foreword plus a new Introduction by Fumie Adachi and a new English Index.

A profound sense of the aesthetic beauty in all things pervades the whole of Japanese culture, finding perhaps its clearest expression in the decorative, applied, and pictorial arts. Characterized by a mastery of line and composition, and noted for lyrical scenes of exquisite beauty, the genius of Japanese art has bequeathed to the world a remarkable and distinctive design legacy. This exceptionally versatile collection of traditional Japanese designs and motifs presents the working artist with a treasury of 360 copyright-free designs. All have been especially adapted by noted artist Carol Belanger Grafton for ready use by illustrators, designers, and craftspeople. Painstaking effort has been made to preserve the original spirit and subtlety of detail while simultaneously sharpening the lines and enhancing the reproducibility of the designs and motifs. There are several lovely ceramic and textile patterns. However, most of the design motifs in this compendium were taken from woodblock prints. This particular medium was invented in China and introduced to Japan before 1000 A.D., flourishing thereafter and reaching its zenith in the Ukiyo-e (floating world) school of the 17th, 18th, and 19th centuries. Accompanying these depictions of people in traditional garb, and accessories such as fans, keys, kites, and umbrellas, are many charmingly decorative family crests arranged in mostly circular configurations. Also included are full-page compositions of bold geometric design, vignettes of ethereal delicacy, as well as a generous sampling of nature's bounty: cherries, radishes, plum blossoms, lions, elephants, dogs, cranes, parrots, turtles, butterflies, even demons and dragons, and much more―often in several arrangements, many with reversed images.Artists, designers, illustrators, students, and teachers will find this indispensable collection of 360 traditional Japanese designs and motifs rendered in clean, crisp, black-and-white, copyright-free illustrations to be a remarkably fertile source of illustrative inspiration and design solutions. Original Dover (1983) publication.

Treasury of clearly drawn illustrations based on authentic design motifs created by the Sioux, Blackfoot, Apache, Cheyenne, Navajo, Hopi, Seminole, and other tribes. Adapted from textile patterns, wood carvings, ceramics, and other traditional craft forms, the royalty-free designs include abstract and floral motifs as well as human, animal, and mythical figures.

Graphic artists, illustrators, and craftspeople will welcome this treasury of beautifully engraved ornate frames, scrollwork, and other highly decorative designs--800 in all--reproduced from an extremely rare mid-19th-century style book. Comprising 142 plates, the volume features a lavish assortment of ornaments, bedecked with flowers, mythological creatures, and other fanciful touches, all beautifully rendered in meticulous detail. Other striking designs incorporate a rich selection of classical columns, plus heraldic designs--shields, coats-of-arms, seals, and insignias from Austria, Russia, Denmark, France, and many other countries--for a touch of medieval flair or aristocratic ambience. In addition, this collection offers a variety of charming calligraphic alphabets in styles ranging from plain to majestic. An invaluable source of inspiration and a treasury of designs for permission-free use, these distinctive images are ideal for enhancing such print projects as ads, brochures, newsletters, posters, signs, catalog copy, and much more.

Add a touch of Old World flavor to projects with 265 charming designs incorporating florals, wildlife, and human figures in folk costumes.

One hundred plates of royalty-free Gothic designs, meticulously reproduced from rare 19th-century engravings. Many are floral and foliate designs rendered from panels, capitals, borders, brackets, friezes, grotesques, and other decorative elements.

Blossfeldt's exquisite sharp-focus photo studies of plant form -- leaves, buds, stems, seed pods, tendrils and twigs -- won acclaim with publication of the 1928 edition of this book.

Ornament is the essence of Art Nouveau. Throughout their two decades of dominance, Art Nouveau artists concentrated on the ornamental and decorative potential of the flowing line in painting, printing, wallpaper, and all other fine and applied arts. Hundreds of thousands of carefully wrought designs embellished books, bookplates, furniture, and appliances. A fashionable home was a garden of graphic florals, petals, leaves, and stems.Today, Art Nouveau is again attracting artists, designers, and craftsmen of all kinds, while these countless ornamental flourishes have perished with their ephemeral surroundings. Art Nouveau motif seekers have been left with little choice but to resort to expensive archives of rare books. Here, taken directly from those rare books and periodicals, are 577 royalty-free authentic period designs specially chosen for artists and designers. The ornaments range in size from full-page illustrations to borders, head and tailpieces and decorative initials. All are in black-and-white line, clearly reproduced.Many of the creations come from the influential English periodical The Studio (1894-1920) and the French Art el Décoration (1897-1910); others from a variety of original European sources, all identified. Artists represented include Gustav Klimt, George Auriol, Ethel Larcombe, and Will Bradley, along with hundreds of English. French, Italian, German, Scandinavian, and American studio draftsmen, all identified when possible. The designs are grouped by subject matter: florals, landscapes, figures, etc. There are spot illustrations, bookplates, menus, title pages, and many, many swirling line forms.

An ancient art form dating back to cave paintings in the Paleolithic age, silhouettes were extremely popular during the eighteenth and nineteenth centuries, when they served as an inexpensive form of portraiture, capturing the essence of the subject with a minimum of detail.Now today's crafters, designers, artists, and illustrators can take advantage of the silhouette's eye-catching power with this splendid sourcebook, meticulously compiled by Carol Belanger Grafton. Included are over 1,700 charming, royalty-free silhouettes--culled from a number of rare sources--ideal for use in a broad range of graphic projects. Posters, signage, magazine and book illustration, advertisements, brochures, and flyers are just a few of the potential uses for the illustrations in this convenient archive.Choose from a wide array of subjects: animals portrayed in assorted poses, children playing and reading, couples embracing, views of the human profile, people working, painting, biking, and playing musical instruments; and many more. All appear in striking forms that emphasize the silhouette's power to make a simple but bold graphic statement.Dover (2000) original publication.

This book provides artists, needleworkers, and craftspeople with floral illustrations usable in a variety of ways. The full-page unified designs are complete patterns in themselves; the smaller motifs are individual spots that can be used directly or repeated and combined to create larger patterns; and there are also border elements. These designs and motifs encompass not only the strictly floral--a variety of representative Oriental flowers such as peony, wisteria, and lotus; cherry and plum trees in full bloom; and many kinds of herbaceous plants including bamboo--but also the associated animal life, such as grasshoppers climbing plant stalks, and birds, bees, and butterflies active amid the blossoms. All of these natural forms are rendered with the combination of elegance and precision characteristic of Far Eastern art.

Some of the most ingenious and attractive modern motifs. 746 designs.