Bøger i Ecocritical Theory and Practice serien

This collection examines the relationship between humanitarian and environmental issues and how they portrayed in the media. The essays examine this question from a variety of academic viewpoints and argue that although the interests of planet and people are often seen in opposition, they are, in reality, symbiotic.

This book is an international collection of ecocritical essays that examine sustainability in relation to Romantic-era Britain. It examines Romantic works while interrogating issues of race, gender, religion, and identity, beginning with inspiration and creativity and ending with considerations about extinction and apocalypse.

Ecological Entanglement in the Anthropocene brings together academics, activists, and artists to explore how human and nonhuman worlds act upon and transform one another. This book examines how numerous local practices can productively gesture to actions that exceed the current predictions of impending ecological destruction, with a particular focus upon agriculture, indigeneity and aesthetics.

The essays in this collection address the militaristic discourse deployed by humans against invasive species and consider alternative relationships of cohabitation.

This book promotes Christian ecology and animal ethics from the perspectives of the Bible, science, and the Judeo-Christian tradition. In an age of climate change, how do we protect species and individual animals? Does it matter how we treat bugs? How does understanding the Trinity and Christ''s self-emptying nature help us to be more responsible earth caretakers? What do Christian ethics have to do with hunting? How do the Foxfire books of Southern Appalachia help us to love a place? Does ecology need a place at the pulpit and in hymns? How do Catholic approaches, past and present, help us appreciate and respond to the created world? Finally, how does Jesus respond to humans, nonhumans, and environmental concerns in the Gospel of Mark?

Ecocriticism is a mode of interdisciplinary critical inquiry into the relationship between cultural production, society, and the environment. The field advocates for the more-than-human realm as well as for underprivileged human and non-human groups and their perspectives. Taiwan is one of the earliest centers for promoting ecocriticism outside the West and has continued to play a central role in shaping ecocriticism in East Asia. This is the first English anthology dedicated to the vibrant development of ecocriticism in Taiwan. It provides a window to Taiwan's important contributions to international ecocriticism, especially an emerging "vernacular" trend in the field emphasizing the significance of local perspectives and styles, including non-western vocabularies, aesthetics, cosmologies, and political ideologies. Taiwan's unique history, geographic location, geology, and subtropical climate generate locale-specific, vernacular thinking about island ecology and environmental history, as well as global environmental issues such as climate change, dioxin pollution, species extinction, energy decisions, pollution, and environmental injustice. In hindsight, Taiwan's industrial modernization no longer appears as a success narrative among Asia's "Four Little Dragons," but as a cautionary tale revealing the brute force entrepreneurial exploitation of the land and the people. In this light, this volume can be seen as a critical response to Taiwan's postcolonial, capitalist-industrial modernity, as manifested in the scholars' readings of Taiwan's "mountain and river," ocean, animal, and aboriginal (non)fictional narratives, environmental documentaries, and art installations. This volume is endowed with a mixture of ecocosmopolitan and indigenous sensitivities. Though dominated by the Han Chinese ethnic group and its Confucian ideology, Taiwan is a place of complicated ethnic identities and affiliations. The succession of changing colonial and political regimes, made even more complex by the island's sixteen aboriginal groups and several diasporic subcultures (South Asian immigrants, Western expatriates, and diverse immigrants from the Chinese mainland), has led to an ongoing quest for political and cultural identity. This complexity urges Taiwan-based ecoscholars to pay attention to the diasporic, comparative, and intercultural dimensions of local specificity, either based on their own diasporic experience or the cosmopolitan features of the Taiwanese texts they scrutinize. This cosmopolitan-vernacular dynamic is a key contribution Taiwan has to offer current ecocritical scholarship.

Focusing on the concept of "dark ecology" and its invitation to add an anti-pastoral perspective to ecocriticism, this collection of essays on American literature and culture offers examples of how a vision of nature's darker side can create a fuller understanding of humanity's relation to nature.

This book includes a collection of essays that explore the relationship between Disability Studies and literary ecocriticism, particularly as this relationship plays out in American literature and culture. The contributors to this collection operate from the premise that there is much to be gained for both fields by putting them in conversation, and they do so in a variety of ways. In this manner, the collection contributes to what Joni Adamson and Scott Slovic have referred to as a "third wave of ecocriticism." Adamson and Slovic attribute the rise of this "third wave" to the richly diverse contributions to ecocriticism over the past decade by scholars intent on including postmodernism, ecofeminism, transnationalism, globalization, and postcolonialism into ecocritical discussions. The essays in Toward an Ecosomatic Paradigm extend this approach of this "third wave" by analyzing disability from an "environmental point of view" while simultaneously examining the environmental imagination from a disability studies perspective. More specifically, the goal of the collection is to investigate the role that literary narratives play in fostering the "ecosomatic paradigm." As a theoretical framework, the ecosomatic paradigm underscores the dynamic and inter-relational process wherein human mind-bodies interact with the places, both built and wild, they inhabit. That is, the ecosomatic paradigm proceeds from the assumption that nature and culture are meshed in an ongoing and deep relationship that has implications for both the human subject and the natural world. An ecosomatic approach highlights the profound overlap between embodiment and emplacement, and is therefore enriched by both disability studies and ecocritical insight. By drawing on points of confluence between disability studies and ecological criticism, the various ecosomatic readings in this collection challenge normative (even ableist) constructions of the body-environment dyad by complicating and expanding our understanding of this relationship as it is represented in American literature and culture. Collectively, the essays in this book augment the American environmental imagination by highlighting the relationship between disability and the environment as reflected in American literary texts across multiple periods and genres.

New International Voices in Ecocriticism presents a compendium of ecocritical approaches, including ecocritical theory, ecopoetics, ecocritical analyses of literary, cultural, and musical texts, and new critical vistas on human-nonhuman relations, postcolonial subjects, material selves, gender, and queer ecologies.

This book uncovers the rich variety of environmental writing across the genres in nineteenth-century American literature. The essays in this collection offer a representative sampling of the nineteenth century's evolving exploration of the interplay between humans and the natural environment.

This is a collection of essays about the media, the environment, and the whole of humanity at the brink of extinction. As the demands of overpopulation and of an unsustainable consumer economy dry up existing natural resources and destroy vital ecosystems that we need to survive, the corporate-controlled media saturate worldwide audiences with a barrage of hypnotic images and narratives to stimulate over-consumption and to distract us from the consequences of rampant consumerism, while remaining silent about the systematic destruction of the environment and our future. Academicians from the across the sciences, the social sciences, the arts, and the humanities engage in an interdisciplinary discussion informed by a vision of an interconnected humanity and focused on the role of the media in forging public discourse. Contributors to the collection argue that todayΓÇÖs media are failing humanity. Rather than providing pictures of reality on which the worldΓÇÖs citizens can act, the corporate-controlled media are widely used as instruments of commercial and political propaganda, creating an immense web of images and narratives that their creators know to be not trueΓÇô-fabrications designed to sell, to manipulate, in a sense to enslave worldwide audiences. At the core of the discussion in this book is a utopian vision of one unified humanityΓÇöbillions of people whose destinies and dreams are imbricated and interdependent, and who share the same world, the same habitats. It is a vision of a world that cherishes diversity but is also unitedΓÇöa world where our differences are no longer a cause for conflict and where separate countries or separate ethnic or religious communities no longer have to compete or wage war to exploit available resources. As extensions of humans, the media can be instruments of salvation instead of destruction, liberation instead of oppression. But first, we must recognize the challenges we face.

Ecocriticism is a critical approach that focuses on the representation in literature of the non-human elements of the natural world, a method of inquiry that has been largely limited to literature written in English. The aim of Ecocritical Approaches to Literature in French is twofold: to introduce ecocriticism to scholars of French-language literature, and to open ecocriticism to the vision and voices of French literature. The chapters look at work not only from France, but also from North America, the Caribbean, and Africa. The discussions include fiction, poetry, film and pedagogy. The goal of the collection is to demonstrate not only the applicability of ecocritical inquiry to literature in French, but to demonstrate the possibilities of ecocritical theory on the study of French literature, and also for ecocriticism itself. This collection will be a useful resource both for scholars of French-language literature and also for ecocritics who may have had only limited contact with literatures in languages other than English.

The Green Thread is an interdisciplinary collection of essays that takes the risk of departing from the long-standing human perception of plants- including autonomy, agency, and consciousness-to explore new territories where the re-conceptualization of vegetable beings as active agents in social and cultural environments becomes possible.

This book is a collection of essays about how the interaction between God, humans, and nature in the context of the environmental challenges and Biblical studies. Chapters include topics on creation care and Sabbath, sacramental approaches to earth care, classical and medieval cosmologies, ecotheodicy, how we understand the problem of nonhuman suffering in a world controlled by a good God, ecojustice, and how humans help to alleviate nonhuman suffering. The book seeks to provide a way to understand Judeo-Christian perspectives on human-to-nonhuman interaction through Biblical, literary, cultural, film, and music studies, and as such, offers an interdisciplinary approach with emphasis on the humanities, which provides a broader platform for ecotheology.

By recognizing the groundbreaking work of many non-Italian ecocritics, and linking to the homegrown contributions of Serenella Iovino, Marco Armerio, and Giovanna Ricoveri, the authors of Ecocritical Approaches to Italian Culture and Literature: The Denatured Wild, challenge the narrowly defined conventions of Italian Studies and illuminate the complexities of an Italian ecocriticism that reveals a rich environmentally engaged literary and cultural tradition.

TodayΓÇÖs highly industrialized and technologically controlled global food systems dominate our lives, shaping our access and attitudes towards food and deeply influencing and defining our identities. At the same time, these food systems are profoundly and destructively impacting the health of the environment and threatening all of us, human and nonhuman, who must subsist in ecological conditions of increasing fragility and scarcity. This collection examines and exposes the myriad ways that the food systems, driven by global commodity capitalism and its imperative of growth at any cost, increasingly controls us and conforms us to our roles as consumers and producers. This collection covers a range of topics from the excess of consumers in the post-industrial world and the often unacknowledged yet intrinsic connection of their consumption to the growing ecological and health crises in developing nations, to topics of surveillance and control of human and nonhuman bodies through food, to the deep linkages of cultural values and norms toward food to the myriad crises we face on a global scale.

Romantic Sustainability is a collection of sixteen essays that examine the British Romantic era in ecocritical terms. Written by scholars from five continents, this international collection addresses the works of traditional Romantic writers such as John Keats, Percy Shelley, William Wordsworth, Lord Byron, and Samuel Coleridge but also delves into ecocritical topics related to authors added to the canon more recently, such as Elizabeth Inchbald and John Clare. The essays examine geological formations, clouds, and landscapes as well as the posthuman and the monstrous. The essays are grouped into rough categories that start with inspiration and the imagination before moving to the varied types of consumption associated with human interaction with the natural world. Subsequent essays in the volume focus on environmental destruction, monstrous creations, and apocalypse. The common theme is sustainability, as each contributor examines Romantic ideas that intersect with ecocriticism and relates literary works to questions about race, gender, religion, and identity.

This collection of ecocritical essays focuses on the work of Ishimure Michiko, Japan's foremost writer on the environment and culture. It discusses Ishimure's writing in the context of the latest issues in ecocritical theory, with particular reference to environmental problems in Minamata and Fukushima, and argues for an expanded, more-than-Western understanding of literature, theory, and environmental responsibility.

This book approaches portrayals of environmental crises in Latin American nations in literature, film, performance, and digital art within the context of the ongoing expansion of globalized neoliberal capitalism from and ecocritical perspective.

Feminist Ecocriticism examines the interplay of women and nature as seen through literary theory and criticism, drawing on insights from such diverse fields as chaos theory and psychoanalysis, while examining genres ranging from nineteenth-century sentimental literature to contemporary science fiction. The book explores the central claim of ecofeminism-that there is a connection between environmental degradation and the subordination of women-with the goal of identifying and fostering liberatory alternatives.

Feminist Ecocriticism examines the interplay of women and nature as seen through literary theory and criticism, drawing on insights from such diverse fields as chaos theory and psychoanalysis, while examining genres ranging from nineteenth-century sentimental literature to contemporary science fiction. The book explores the central claim of ecofeminism-that there is a connection between environmental degradation and the subordination of women-with the goal of identifying and fostering liberatory alternatives.

Using the rubric of the "Global South," this volume allows scholars from underrepresented regions to offer commentary on the ecological conditions and environmental cultures in the developing world.