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[headline]This field-defining collection maps key intersections between sound studies and literary studies Collections on sound studies have seldom explored the vexed relationship between literature - a medium largely defined by its silence - and the dynamics and technologies of sound. This Companion is designed to help sound studies scholars grapple with the auditory capacities of text and encourage literary scholars to take full cognisance of the rich soundscapes mapped, or created, by texts read quietly. The essays assembled here consider a broad range of sound studies topics, including music in writing; the inscription of listening; worlding through sound; military and industrial noise; the gender of sound; racialised soundscapes; theatrical sounds; literature and sound media; and sonic epistemology. Helen Groth and Julian Murphet present a comprehensive set of new research on the relationship between sound and writing over time from a range of eminent, established and emerging sound studies scholars. [bios]Helen Groth is Professor of English in the School of Arts and Media, University of New South Wales. She is the author of Victorian Photography and Literary Nostalgia (2004) and Moving Images: Nineteenth-Century Reading and Screen Practices (2013), co-author of Dreams and Modernity: A Cultural History (2013) and co-editor of the forthcoming collection Writing the Global Riot: Literature in a Time of Crisis (2023). Julian Murphet is Jury Professor of English Language and Literature at the University of Adelaide. He is the author of the forthcoming Modern Character: 1888-1905 (2023) and Prison Writing in the Twentieth Century: A Literary Guide (Edinburgh University Press, 2023).

Explores modernism's complex relationship with contemporary theatre. This volume highlights modernism as an impulse that can be carried forward to the present, re-embodied and re-encountered in theatrical performance. It demonstrates how modernist impulses spark contemporary theatre in dynamic ways, continuing the modernist imperative to 'make it new' and to engage meaningfully with the complicated situation of living in the contemporary world. A diverse set of contributions from scholars and theatre practitioners examines the legacy of modernism on the world stage in acts of remembrance, restaging, transmission and slippage. It investigates both well-known and less familiar aspects of modernist theatre history, engaging topics such as the revival of the first Black American musical, feminist and disability-led reinterpretations of canonical modernist plays, the use of modernist-inspired performance practice in contemporary university arts education and the continually contested meaning and importance of the avant-garde. Adrian Curtin is Associate Professor of Drama at the University of Exeter. Nicholas Johnson is Associate Professor of Drama at Trinity College Dublin. Naomi Paxton is Knowledge Exchange Fellow at The Royal Central School of Speech and Drama, University of London. Claire Warden is Professor of Performance and Physical Culture at Loughborough University.

The most substantial exploration to date of gothic fiction in the international context Examining texts from across six continents, The Edinburgh Companion to Globalgothic considers how gothic imagines, colludes with or interrogates relationships and phenomena that are planetary in scale. Accordingly, the thirty-one chapters address gothic engagements with - among others - resource imperialism, (ongoing) colonial history, diasporic identity, buckling economic unions, the rise of the internet, enthnonationalism and entangled systems of gendered, racialised and ecocidal power. In this way, the collection moves decisively beyond the framework of globalisation to identify a range of new globalgothic approaches and modes, overall demonstrating that gothic is a key - though sometimes complicit - register for negotiating the challenges and histories of our uneven global present. Rebecca Duncan is Research Fellow at the Linnaeus University Centre for Concurrences in Colonial and Postcolonial Studies, where she co-ordinates the 'Aesthetics of Empire' Research Cluster.

Explores the many ways in which Anthony Trollope is being read in the twenty-first centurySince the turn of the century, the Victorian novelist Anthony Trollope has become a central figure in the critical understanding of Victorian literature. By bringing together leading Victorianists with a wide range of interests, this innovative collection of essays involves the reader in new approaches to Trollope's work. The contributors to this volume highlight dimensions that have hitherto received only scant attention and in doing so they aim to draw on the aesthetic capabilities of Trollope's twenty-first-century readers. Instead of reading Trollope's novels as manifestations of social theory, they aim to foster an engagement with a far more broadly theorised literary culture.Key Features:The most innovative collection of original essays on Anthony Trollope to dateEnables the reader to see the direction of Trollope studies and Victorian studies in the twenty-first centurySituates Trollope's work in newly emerging critical contexts, such as media networks and economicsMakes use of pioneering developments in stylistics, ethics, epistemology, and reception history

This collection takes informed and scholarly readers to the utmost frontier of children's literature criticism, from the intricate worlds of children's poetry, picturebooks and video games to the new theoretical constellations of critical plant studies, non-fiction studies and big data analyses of literature.

This book provides a critical overviews of the main writers and key themes of Anglophone Jewish fiction; highlighting the rich diversity of the field, identifying key themes, analysing the main trends in Anglophone Jewish fiction and situating them in a historical context.

Provides a comprehensive and original guide to Elizabeth Bishop's poetry and other writing, including literary criticism and prose fiction.

The only volume to comprehensively bring together developments from different disciplines that address the complex interplay between British Romantic literature and the visual arts

The essays in this volume provide new scholarly insights into British fin de siA*cle and enrich our understanding of this complex period, while paying particular attention to the importance of regionalism.

The first comprehensive reference book to define and delineate the intersections of modernism and technology Though modernism's emergence in an environment of techno-cultural acceleration has long been recognised, recent scholarship has deepened and challenged our understanding of the connections between twentieth-century cultural production and its technological interlocutors. In twenty-eight chapters by leading academics, The Edinburgh Companion to Modernism and Technology re-examines the machines and media that functioned as modernism's contexts and competitors. Grounded in an interdisciplinary approach informed by the theoretical and socio-historical frames of current teaching and research on modernism and technology, this research volume makes a crucial and timely intervention in the field of modernist studies. The scholarly contributions on machines that govern transport, production and public utilities, on media and communication technologies, on the intersections of technology with the human body, and on the technological systems of the early twentieth century capture the contemporary state of modernist technology studies and chart the future directions of this vibrant area. The Editors Alex Goody is Professor of Twentieth-Century Literature & Culture at Oxford Brookes University, UK. She is the author of Gender, Leisure Technology and Modernist Poetry: Machine Amusements (2019), Technology, Literature and Culture (2011) and Modernist Articulations: A Cultural Study of Djuna Barnes, Mina Loy and Gertrude Stein (2007), and co-editor of Reading Westworld (2019) and American Modernism: Cultural Transactions (2009). Ian Whittington is Associate Professor of English at the University of Mississippi. He is the author of Writing the Radio War: Literature, Politics and the BBC, 1939-1945 (2018) as well as a number of essays on radio studies and twentieth-century British, Irish, and Anglophone literature, and is editor of a special issue of The Global South on 'Radio Cultures of the Global South' (2022).

The Edinburgh Companion to Irish Modernism presents a fresh perspective on received understandings of Irish modernism.

A collection of original essays exploring the diverse impact of Virginia Woolf's writing on contemporary global literature and culture.

The Edinburgh Companion to the Prose Poem is the first comprehensive guide to the prose poem written from an international and comparative perspective.

The Edinburgh Companion to Contemporary Narrative Theories showcases the latest approaches to diverse narratives across many media and in numerous disciplines.

'From A-Z, this book is full of astute companion writers and scholars entangled in rich webs with the lives and deaths of animals, in story, evolution, politics, science fiction, religion, ethics, queer theory, performance, ordinary living, and more. Here is a book that takes seriously the unanswerable but necessary question that gives the Afterword its title, "Who are these animals I am following?" Follow, read, and emerge in the compost that is always more than human.'Donna Haraway, author of When Species Meet (2008) and Staying with the Trouble (2016)Provides cross-disciplinary perspectives on the study of animals in the humanitiesThis volume critically investigates current topics and disciplines that are affected, enriched or put into dispute by the burgeoning scholarship on animal studies. What new questions and modes of research need come into play if we are to seriously acknowledge our entanglements with other animals? Rather than a narrow specialism, the 34 newly commissioned chapters in this book show how we think of other animals to be intrinsic to fields as major as ethics, economies as widespread as capitalism and relations as common as friendship.Fostering cutting-edge research the Companion opens up new methods, alignments and directions as well as challenges for the future of animal studies. Uniquely, the chapters each focus on a single topic, from 'abjection' to 'voice' and from 'affection' to 'technology', thus embedding the animal question as central to contemporary concerns across a wide range of disciplines. The book concludes with an Afterword by Cary Wolfe, author of Before the Law: Humans and Other Animals in a Biopolitical Frame (2012).Lynn Turner is Senior Lecturer in Visual Cultures at Goldsmiths, University of London. Her research explores how animal and sexual differences matter in visual and aural culture as well as in continental philosophy, literature and psychoanalysis.Undine Sellbach is Senior Lecturer in Philosophy at the University of Dundee. Her research explores the edges of sentience through ethology, psychoanalysis, feminist philosophy of science and performanceRon Broglio is an Associate Professor at Arizona State University. His research focuses on posthuman phenomenology, exploring how philosophy and aesthetics can help us rethink the relationship between humans and the environment.Cover image: Black Tiger, Olly & Suzi, Northern India, 1998, Chinese ink and water on paper, 74 x 102.5cmCover design:[EUP logo]edinburghuniversitypress.comISBN 978-1-4744-1841-6Barcode

Showcases the wide spectrum of Pound's engagement with the arts throughout his career.

Provides a comprehensive and original guide to Elizabeth Bishop's poetry and other writing, including literary criticism and prose fiction.

The Gothic in all its artistic forms and ramifications is traced from the medieval to the twenty-first century.

Provides a wide-ranging account of the different disciplinary, critical and theoretical contexts relevant to the study of nonsense.

The first collection of essays on this subject, this 'Edinburgh Companion' assembles some of the world's foremost postcolonialists to explore the critical, theoretical and disciplinary possibilities that inquiry into this region opens for postcolonial studies.

This collection explores the history and development of the anglophone short story since the beginning of the nineteenth century.