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Based around the pivotal WWII battle of Stalingrad (1942-3), where the German advance into Russia was eventually halted by the Red Army, and around an extended family, the Shaposhnikovs, and their many friends and acquaintances, Life and Fate recounts the experience of characters caught up in an immense struggle between opposing armies and ideologies. Nazism and Communism are appallingly similar, 'two poles of one magnet', as a German camp commander tells a shocked old Bolshevik prisoner. At the height of the battle Russian soldiers and citizens alike are at last able to speak out as they choose, and without reprisal - an unexpected and short-lived moment of freedom. Grossman himself was on the front line as a war correspondent at Stalingrad - hence his gripping battle scenes, though these are more than matched by the drama of the individual conscience struggling against massive pressure to submit to the State. He knew all about this from experience too. His central character, Viktor Shtrum, eventually succumbs, but each delay and act of resistance is a moral victory. Though he writes unsparingly of war, terror and totalitarianism, Grossman also tells of the acts of 'senseless kindness' that redeem humanity, and his message remains one of hope. He dedicates his book, the labour of ten years, and which he did not live to see published, to his mother, who, like Viktor Shtrum's, was killed in the holocaust at Berdichev in Ukraine in September 1941.

During his most productive decade, the 1880s, Maupassant wrote more than 300 stories, including 'Boule de Suif', 'The Necklace', 'The House of Madame Tellier', 'The Hand', 'The Horla' and 'Mademoiselle Fifi'. Marked by the psychological realism that he famously pioneered, the tales in this selection lead us on a tour of the human experience-lust and love, revenge and ridicule, terror and madness. Many take place in the author's native Normandy, but the settings range farther abroad as well, from Brittany and Paris to Corsica and the Mediterranean coast, and even to North Africa and India. Maupassant's remarkable range and ability to evoke an entire world in a few pages have ensured that his fiction has retained its power to entertain through generations of readers. Marjorie Laurie's accomplished translations from the 1920s have similarly stood the test of time.

In 1849 the young Fyodor Dostoevsky was sentenced to four years' hard labour in a Siberian prison camp for advocating socialism. As a member of the nobility he had been despised by his fellow prisoners, most of whom were peasants - an experience shared in the book by Alexander Petrovich Goryanchikov, a nobleman who has killed his wife.

Far in the future, the World Controllers have created the ideal society. Through clever use of genetic engineering, brainwashing and recreational sex and drugs all its members are happy consumers. A visit to one of the few remaining Savage Reservations where the old, imperfect life still continues, may be the cure for his distress...

These humorous and poignant tales of lovers, loneliness, and never-quite-belonging, delivered in her characteristically knowing, wry voice, confirm Lorrie Moore as a master of the short story form.

The Black Dahlia depicts the infrastructure of L.A.'s most sensational murder case. And the inglorious Los Angeles Police Department to disentangle the conspiracy that links it all together. White Jazz gives us the tortured confession of a cop who's gone to the bad - killer, slum landlord and parasitic exploiter.

Novelist and travel writer V. S. Naipaul was born in Trinidad in 1932. He studied at Oxford University, after graduation moving to London to work for the BBC. His novels include A House for Mr Biswas (also in Everyman's Library), The Enigma of Arrival and In a Free State, which won the Booker Prize. His works of non-fiction include Among the Believers, Beyond Belief and The Masque of Africa. In 1990 Naipaul received a knighthood and in 2001 he was awarded the Nobel Prize in Literature. He died in 2018.

Blood's a Rover takes us into the 70s. A kid private eye clashes with a mob goon and an enforcer for FBI director Edgar Hoover in L.A. There's an armoured-car heist and a cache of missing emeralds. Amidst all this, all three anti-heros fall for Red revolutionary Joan Rosen Klein. Each will pay 'a dear and savage price to live History'.

And we're there in Dallas in 1963 where it all comes to a brutal end. The Cold Six Thousand the cover-up for the Kennedy assassination begins. This time the ride takes us from Dallas to Vietnam to Las Vegas to Memphis to Cuba to the kitchen of the Ambassador Hotel in L.A.

Joseph Conrad's foresight and his ability to distill human adventure from complex historical circumstances were so keen that his greatest novel, Nostromo-though more than a century old-says as much about Latin America as any recent account of that region's turbulent political life. Conrad's story is set in the fictional Costaguana, a South American republic with a troubled history of tyranny and revolution. When wealthy businessman Charles Gould decides to use his valuable silver mine to support the current dictator in hopes of achieving stability, he instead sets off a new round of chaos and warfare. Fearful that his silver will fall into the hands of invading revolutionaries, Gould entrusts Nostromo-a man of the people considered by all to be incorruptible-with the task of escaping with and hiding a boatload of ingots from the mine. Nostromo's heroic actions save his city from revolution, but the fate of the silver becomes his dark secret, one that will destroy him. Insistently dramatic in its storytelling, spectacular in its re-creation of the subtropical landscape, this picture of an insurrectionary society and the opportunities it provides for moral corruption gleams on every page with its author's impeccable intelligence.(Book Jacket Status: Not Jacketed).

Northanger Abbey is a perfectly aimed literary parody that is also a withering satire of the commercial aspects of marriage among the English gentry at the turn of the nineteenth century. But most of all, it is the story of the initiation into life of its naïve but sweetly appealing heroine, Catherine Morland, a willing victim of the contemporary craze for Gothic literature who is determined to see herself as the heroine of a dark and thrilling romance. When she is invited to Northanger Abbey, the grand though forbidding ancestral seat of her suitor, Henry Tilney, she finds herself embroiled in a real drama of misapprehension, mistreatment, and mortification, until common sense and humor-and a crucial clarification of Catherine's financial status-resolve her problems and win her the approval of Henry's formidable father.Written in 1798 but not published until after Austen's death in 1817, Northanger Abbey is characteristically clearheaded and strong, and infinitely subtle in its comedy.

In its adventurous happenings-its abductions, duels, and sexual intrigues-A Hero of Our Time looks backward to the tales of Sir Walter Scott and Lord Byron, so beloved by Russian society in the 1820s and '30s. In the character of its protagonist, Pechorin-the archetypal Russian antihero-Lermontov's novel looks forward to the subsequent glories of a Russian literature that it helped, in great measure, to make possible.This edition includes a Translator's Foreword by Vladimir Nabokov, who translated the novel in collaboration with his son, Dmitri Nabokov.

'In Robert Fagles' beautifully rendered text, the Iliad overwhelms us afresh. The huge themes--godlike, yet utterly human--of savagery and calculation, of destiny defied, of triumph and grief compel our own humanity. Time after time, one pauses and re-reads before continuing. Fagles' voice is always that of a poet and scholar of our own age as he conveys the power of Homer. Robert Fagles and Bernard Knox are to be congratulated and praised on this admirable work.

One of the supreme masterpieces of world literature, the Homeric saga of the shipwrecks, wanderings, and homecoming of the master tactician Odysseus encompasses a virtual inventory of the themes and attitudes that have shaped Western culture. The tale of Odysseus's encounters with such obstacles as Calypso, Circe, Scylla and Charybdis, the Sirens, and the lotus-eaters, and his dramatic return to Ithaca and his patient wife, Penelope, forms a prototype for all subsequent Western epics.Robert Fitzgerald's much-acclaimed translation, fully possessing as it does the body and spirit of the original, has helped to assure the continuing vitality of Europe's most influential work of poetry. This edition includes twenty-five new line drawings by Barnaby Fitzgerald.

That Machiavelli's name has become synonymous with cold-eyed political calculation only heightens the intrinsic fascination of The Prince-the world's preeminent how-to manual on the art of getting and keeping power, and one of the literary landmarks of the Italian Renaissance. Written in a vigorous, straightforward style that reflects its author's realism, this treatise on states, statecraft, and the ideal ruler is essential reading for anyone seeking to understand how human society actually works.

No-one in the grip of Mary Shelley's FRANKENSTEIN, with its mythic-minded hero and its highly sympathetic monster who reads Goethe and longs to be at peace with himself, can fail to notice how much more excellent the original is than all the adaptations, imitations and outright plagiarisms which have followed in its ample wake. In her first novel, written at the instigation of Lord Byron and published in 1818 (and revised in 1831), Mary Shelley produced English Romanticism's finest prose fiction.

Published in the same year as the American Declaration of Independence, The Wealth of Nations has had an equally great impact on the course of modern history.

In its marvelously perceptive portrayal of two young women in love, Sense and Sensibility is the answer to those who believe that Jane Austen's novels, despite their perfection of form and tone, lack strong feeling. Its two heroines, Marianne and Elinor-so utterly unlike each other-both undergo the most violent passions when they are separated from the men they love. What differentiates them, and gives this extraordinary book its complexity and brilliance, is the way each expresses her suffering: Marianne-young, impetuous, ardent-falls into paroxysms of grief when she is rejected by the dashing John Willoughby; while her sister, Elinor-wiser, more sensible, more self-controlled-masks her despair when it appears that Edward Ferrars is to marry the mean-spirited and cunning Lucy Steele. All, of course, ends happily-but not until Elinor's "sense" and Marianne's "sensibility" have equally worked to reveal the profound emotional life that runs beneath the surface of Austen's immaculate and irresistible art.

In The House of Mirth, Edith Wharton depicts the glittering salons of Gilded Age New York with precision and wit, even as she movingly portrays the obstacles that impeded women's choices at the turn of the century. The beautiful, much-desired Lily Bart has been raised to be one of the perfect wives of the wealthy upper class, but her spark of character and independent drive prevents her from becoming one of the many women who will succeed in those circles. Though her desire for a comfortable life means that she cannot marry for love without money, her resistance to the rules of the social elite endangers her many marriage proposals. As Lily spirals down into debt and dishonor, her story takes on the resonance of classic tragedy. One of Wharton's most bracing and nuanced portraits of the life of women in a hostile, highly ordered world, The House of Mirth exposes the truths about American high society that its denizens most wished to deny. With an introduction by Pamela Knights.

Jane Eyre, a penniless orphan, is engaged as governess at Thornfield Hall by the mysterious Mr Rochester. Her integrity and independence are tested to the limit as their love for each other grows, and the secrets of Mr Rochester's past are revealed. Charlotte Brontë's novel about the passionate love between Jane Eyre, a young girl alone in the world, and the rich, brilliant, domineering Rochester has, ever since its publication in 1847, enthralled every kind of reader, from the most critical and cultivated to the youngest and most unabashedly romantic. It lives as one of the great triumphs of storytelling and as a moving affirmation of the prerogatives of the heart in the face of disappointment and misfortune. Jane Eyre has enjoyed huge popularity since first publication, and its success owes much to its exceptional emotional power.

An Everyman's Library edition of Jane Austen's revolutionary and inspiring novel, which is once again a major motion picture. Twenty-one-year-old Emma Woodhouse is comfortably dominating the social order in the village of Highbury, convinced that she has both the understanding and the right to manage other people's lives-for their own good, of course. Her well-meant interfering centers on the aloof Jane Fairfax, the dangerously attractive Frank Churchill, the foolish if appealing Harriet Smith, and the ambitious young vicar Mr. Elton-and ends with her complacency shattered, her mind awakened to some of life's more intractable dilemmas, and her happiness assured. Austen's comic imagination was so deft and beautifully fluent that she could use it to probe the deepest human ironies while setting before us a dazzling gallery of characters-some pretentious or ridiculous, some admirable and moving, all utterly true.

One of Charles Dickens's most fascinating novels, Great Expectations follows the orphan Pip as he leaves behind a childhood of misery and poverty after an anonymous benefactor offers him a chance at the life of a gentleman. From the young Pip's first terrifying encounter with the convict Magwitch in the gloom of a graveyard to the splendidly morbid set pieces in Miss Havisham's mansion to the magnificently realized boat chase down the Thames, Great Expectations is filled with the transcendent excitement that Dickens could so abundantly provide. Written in 1860, at the height of his maturity, it also reveals the novelist's bittersweet understanding of the extent to which our deepest moral dilemmas are born of our own obsessions and illusions.This edition includes Dickens's original, discarded conclusion to the novel, the 1907 Everyman preface by G. K. Chesterton, and twenty illustrations by F. W. Pailthorpe.

Far From the Madding Crowd, published in 1874, is the book that made Hardy famous. Bathsheba Everdene is a prosperous farmer in Hardy's fictional Wessex county whose strong-minded independence and vanity lead to disastrous consequences for her and the three very different men who pursue her: the obsessed farmer William Boldwood, dashing and seductive Sergeant Frank Troy, and the devoted shepherd Gabriel Oak. Despite the violent ends of several of its major characters, Far from the Madding Crowd is the sunniest and least brooding of Hardy's great novels, as Bathsheba and her suitors move through a beautifully realized late-nineteenth-century agrarian landscape that is still almost untouched by the industrial revolution and the encroachment of modern life. With an introduction by Michael Slater