Bøger i EVERYMAN'S LIBRARY POCKET POET serien

A greatest-hits selection from some of the most popular poets of the Romantic movement, including Goethe, Schiller, Schlegel, and Heinrich Heine, in a gorgeously jacketed small hardcover.Unlike the more earnest English Romantic poets, the followers of the Romantic movement in Germany valued wit and humour along with beauty. Admiration for nature is also prominent in their poetry, and in particular the dramatic forests which still cover large areas of Germany. Love and death crop up repeatedly as themes in such famous works as Goethe’s “Elf King,” Eichendorff’s “Night of Moon,” and Richard Wagner’s Tristan and Isolde. Characters from myth and folklore abound as well, most famously Lorelei, an enchantress who is associated with the 132-meter rock of the same name on the right bank of the Rhine River and who features in several poems in this volume. Also gathered here are such favorites as Holderlin’s “Bread and Wine,” Schiller’s “The Visit of the Gods,” Eichendorff’s “Nocture,” and Heine’s “The Magic Month of May,” along with works by the most famous women writers of the Romantic era, including Karoline von Gunderrode and Sophie Mereau.Everyman's Library pursues the highest production standards, printing on acid-free cream-colored paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket.

"This unprecedented collection of poems spans the rich two-thousand-year cultural legacy of the Uyghur people of Central Asia. The Uyghurs have a long and glorious history of poetry, dating from the oral epics of the second century BCE through the elegant love poetry of the medieval period and up to the present moment -- and much of it has never before been translated into English. Uyghur poetry reflects the magnificent natural landscapes at the heart of the Silk Road region, with its endless steppes, soaring mountain ranges, and vast deserts, as well as its turbulent history. Turkic, Sufi, and Persian influences have shaped the poetic tradition over the centuries, and more recently the modernism of the twentieth century left its mark as well. In the face of the systematic persecution of the Uyghurs in China today, which has driven many of their poets into exile, Uyghur Poems is not only a remarkable one-volume tour of an ancient and vibrant poetic tradition but also a vital witness to a threatened culture." --

A beautiful Pocket Poets hardcover selection of the most memorable and beloved lyrics of Stephen Sondheim.Legendary composer and lyricist Stephen Sondheim made his Broadway debut with West Side Story in 1957 at the age of twenty-seven. His remarkable and wide-ranging career has spanned more than six decades since then, and he has accumulated accolades that include eight Tony Awards, an Academy Award, eight Grammy Awards, six Laurence Olivier Awards, a Pulitzer Prize, the Kennedy Center Honors, and a Presidential Medal of Freedom. Sondheim redefined musical theater with his groundbreaking work, combining words and music in ways that are by turns challenging, moving, witty, profound, and never less than exhilarating. This volume includes a selection of lyrics from across his career, drawn from shows including West Side Story, Gypsy, Company, Follies, A Little Night Music, Sweeney Todd, Sunday in the Park with George, Into the Woods, and more. The result is a delightful pocket-sized treasury of the very best of Sondheim.

Before Willa Cather went on to write the novels that would make her famous, she was known as a poet, the most popular of her poems reprinted many times in national magazines and anthologies. Her first book of poetry, April Twilights, was published in 1903, but Cather significantly revised and expanded it in a 1923 edition entitled April Twilights and Other Poems. This Everyman's Library edition reproduces for the first time all the poems from both versions of April Twilights, along with a number of uncollected and previously unpublished poems by Cather, as well as an illuminating selection of her newly released letters. In such lyrical poems as "The Hawthorn Tree," "Winter at Delphi," "Prairie Spring," "Poor Marty," and "Going Home," Cather exhibits both a finely tuned sensitivity to the beauties of the physical world and a richly symbolic use of the landscapes of myth. The themes that were to animate her later masterpieces found their first expression in these haunting, elegiac ballads and sonnets.

A unique anthology of poems--from around the world and through the ages--that celebrate the gloriously diverse insect world.Given that insects vastly outnumber us, it is no surprise that many cultures have long and rich traditions of verse about our tiny fellow creatures. Tang dynasty poets in China and the haiku masters of Japan composed thousands of works in praise of crickets, grasshoppers, cicadas, moths, and butterflies, as well as such humbler bugs as houseflies, fleas, and mosquitoes. In the West, poems about insects date back to the ancient Greeks and appear frequently in Europe from the Elizabethan period onward. The brilliant poets collected here range far and wide in time and place, including Tu Fu, John Donne, Kobayashi Issa, William Wordsworth, Victor Hugo, Ivan Turgenev, Emily Dickinson, Christina Rossetti, Robert Frost, E. E. Cummings, Elizabeth Bishop, Ted Hughes, Pablo Neruda, Mary Oliver, Xi Chuan, and Kevin Young. Bees, butterflies, and beetles, cockroaches and caterpillars, fireflies and dragonflies, ladybugs and glowworms-the miniature beings that adorn these pages are as varied as the poetic talents that celebrate them.

Monster Verse: Poems Human and Inhuman brings to life a colorful menagerie of fantastical creatures from across the ages. Humans have always defined themselves by imagining the inhuman; the gloriously gruesome monsters that enliven our literary legacy haunt us by reflecting our own darkest possibilities. The poems gathered here range in focus from extreme examples of human monstrousness-murderers, cannibals, despotic Byzantine empresses-to the creatures of myth and nightmare: dragons, sea serpents, mermaids, gorgons, sirens, witches, and all sorts of winged, fanged, and fire-breathing grotesques. The ghastly parade includes Beowulf's Grendel, Homer's Circe, William Morris's Fafnir, Lewis Carroll's Jabberwock, Robert Lowell's man-eating mermaid, Oriana Ivy's Baba Yaga, Thom Gunn's take on Jeffrey Dahmer, and Shakespeare's hybrid creature Caliban, of whom Prospero famously concedes, "This thing of darkness I acknowledge mine." Monster Verse is both a delightful carnival of literary horror and an entertainingly provocative investigation of what it means to be human.

A greatest-hits selection from some of the most popular poets in the English language, in a gorgeously-jacketed small hardcover.William Wordsworth defined good poetry as “the spontaneous overflow of powerful feelings,” and no generation of poets has felt more powerfully than the Romantics of the late eighteenth and early nineteenth centuries.  In this indispensable volume, Sir Jonathan Bate—prizewinning biographer of Wordsworth, Keats and John Clare—brings together the most loved poems of the age, together with many forgotten gems. Alongside classics such as Coleridge’s “Kubla Khan” and “Frost at Midnight”, the immortal odes of Keats, and generous selections from Wordsworth’s Lyrical Ballads and The Prelude, the reader will rediscover the wit of Byron, the wildness of Blake, the passion of Shelley, a wealth of nature poems by Clare, and the distinctive voices of women Romantics such as Charlotte Smith, Mary Robinson, Felicia Hemans, Dorothy Wordsworth, and Letitia Elizabeth Landon. Includes poems generations have learned to cherish, such as: • “The Tyger" by William Blake• “She Walks in Beauty Like the Night" by Lord Byron• “Surprised by Joy" by William Wordsworth• “Ode on a Grecian Urn" by John Keats• “Frost at Midnight” by Samuel Taylor Colerdige• "Ozymandias" by Percy Bysshe Shelley• “The Ancient Mariner" by Samuel Taylor Coleridge Everyman's Library pursues the highest production standards, printing on acid-free cream-colored paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket.

An anthology that explores the power and beauty of rivers through poems from around the world and through the ages. AN EVERYMAN'S LIBRARY POCKET POET.Rivers were the arteries of our first civilizations—the Tigris and Euphrates of Mesopotamia, India’s Ganges, Egypt’s Nile, the Yellow River of China—and have nourished modern cities from London to New York, so it’s natural that poets have for centuries drawn essential meanings and metaphors from their endless currents.In this collection, British poets from Shakespeare and Wordsworth to Ted Hughes and Alice Oswald mingle with American voices ranging from verses by the indigenous Klallam people and the African-American spirituals “Deep River” and “Roll, Jordan, Roll” to such recent poets as Gary Snyder, Mary Oliver, and Natasha Tretheway. Walt Whitman’s iconic “Crossing Brooklyn Ferry" and Emily Dickinson’s tersely erotic “My River Runs to Thee" stream alongside poems from ancient Babylon and Egypt. Contributions from India, Nepal, Japan, China, Thailand, France, Germany, Russia, Serbia, Chile, Mexico, the Congo, and Nigeria round out this celebration of the rivers of the world.Includes:• “My River Runs to Thee" by Emily Dickinson• “The Negro Speaks of Rivers” by Langston Hughes• “Ol’ Man River” by Oscar Hammerstein II• “The Golden Boat” by Rabindranath Tagore• “The River God” by Stevie Smith• “The River Bends but the Water Does Not” by Buddhādasa Bhikkhu  • “The Niagara River” by Kay Ryan• “Amazon” by Pablo Neruda  Everyman's Library pursues the highest production standards, printing on acid-free cream-colored paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket.

The Echoing Green: Poems of Fields, Meadows, and Grasses is a unique anthology of poetry about the natural world. The rich poetic history of grass spans the centuries, from the pastoral poems of ancient Rome to the fields and prairies of the New World. The rapturous idealizations of William Blake's "echoing green" and William Wordsworth's "splendour in the grass" stand in vivid contrast to the obliterating greenery on human battlefields in war poems such as John McCrae's "In Flanders Fields" and Carl Sandburg's "Grass," or to the work of contemporary poets-Lucia Perillo, Harryette Mullen, Denise Levertov, and Gary Soto among them-who reflect on an age of environmental crisis. Here is a rich array of poets from around the world, including Virgil, T'ao Ch'ien, Basho, Andrew Marvell, Robert Burns, Victor Hugo, Christina Rossetti, Rainer Maria Rilke, Anna Akhmatova, Willa Cather, Ingeborg Bachmann, Ted Hughes, Seamus Heaney, Tomas Tranströmer, Sherman Alexie, and Derek Walcott, in a dazzling celebration of our complicated relationship to nature.

Killer Verse: Poems of Murder and Mayhem is a spine-tingling collection of terrifically creepy poems about the deadly art of murder.The villains and victims who populate these pages range from Cain and Abel and Bluebeard and his wives to Lizzie Borden, Jack the Ripper, and Mafia hit men. The literary forms they inhabit are just as varied, from the colorful melodramas of old Scottish ballads to the hard-boiled poetry of twentieth-century noir, from lighthearted comic riffs to profound poetic musings on murder. Robert Browning, Thomas Hardy, W. H. Auden, Stevie Smith, Mark Doty, Frank Bidart, Toi Derricotte, Lynn Emanuel, and Cornelius Eady are only a few of the many poets, old and new, whose work is captured in this heart-stopping-and criminally entertaining-collection.

A uniquely international anthology--in a beautiful pocket-sized hardcover--that explores the richly symbolic expressiveness of flowers through poems from around the world and through the ages. AN EVERYMAN'S LIBRARY POCKET POET.Floral symbols adorn the earliest poetry, and over the centuries they became increasingly entwined with myth and legend, with religious symbolism, and with herbal folklore. By the early nineteenth century the "Language of Flora" was an elaborately refined system, especially in England and America, where books listing flower meanings and illustrating them with verse were perennial bestsellers. Transcending the charm of its Victorian predecessors, this anthology creates an extended, updated, and more robust floral anthology for the twenty-first century, presenting poets through the ages from Sappho, Shakespeare, and Shelley to Ted Hughes, Mary Oliver, and Louise Glück, and across the world from Cuba to Korea, Russia to Zimbabwe. Eastern cultures, rich in flower associations, are well represented: Tang poems celebrating chrysanthemums and peonies, Zen poems about orchids and lotus flowers, poems about jasmine and marigolds from India, and roses and narcissi from Persia, the Ottoman empire, and the Arabic world. The most timeless human emotions and concepts--love, hope, despair, fidelity, grief, beauty, and mortality--find colorful expression in The Language of Flowers.

Irish Poems is a treasury of poetry from the Emerald Isle, stretching back fourteen centuries. From the romantic ballad to the rebel song, from devotional Christian verse to revivals of ancient Celtic myth, poetry has long been Ireland's most eloquent response to its turbulent and colorful history. Irish Poems gives us a dazzling selection from a long and distinguished poetic tradition, ranging from the earliest Gaelic bards up to the present. Organized around such themes as politics, religion, Gaelic culture, the Irish landscape, and matters of the heart, the poems collected here come from a wide range of writers old and new, including such literary giants as Jonathan Swift, Oliver Goldsmith, Oscar Wilde, W. B. Yeats, J. M. Synge, Samuel Beckett, Louis MacNeice, Patrick Kavanagh, Paul Muldoon, Evan Boland, Seamus Heaney, and many more.

Russian poets have always been admired for the lyric and emotional intensity with which they forge private and public experience into verse, and this volume gathers together some of the best-loved, and most powerful and immediate poems from the greatest Russian poets of the nineteenth and twentieth centuries. Here is the work of Alexander Pushkin, Mikhail Lermontov, Alexander Blok, Andrei Bely, Vladimir Mayakovsky, Ivan Bunin, Osip Mandelstam, Anna Akhmatova, Marina Tsvetaeva, Boris Pasternak, and Joseph Brodsky, among many others.Arranged by theme—love, mortality, art, and the enduring mystery of Mother Russia herself—and presented in the best available translations, these poems will serve as both an introduction to the mastery of Russian poetry and a wide-ranging selection to be returned to again and again.