Bøger i Grove Press Poetry serien

Neil Azevedo has published poems in The Paris Review, The New Criterion, Prairie Schooner, and Image. His first collection, Ocean, introduces a shadowy world populated with dogs and snakes, suicide and children, sickness and satire, Satan and Christ, yet one doesn't feel soggy with introspection. Instead, wisdom emerges from these often personal and well-articulated lyrics; the reader is moved by the juxtaposition of savagery of subject and delicacy of touch. The verbal and often gothic brilliance of the language is stunning. It's not often that a young poet successfully embraces meter, finding a refined, velvet-toned style, and creates such a stellar debut.

With Little Savage, Emily Fragos delivers a magnificent collection in the American tradition of Robert Lowell and Elizabeth Bishop. With clean, strongly wrought lines she builds poems that are elegant and powerful. Marie Ponsot calls the collection "remarkable." What separates Fragos from her contemporaries is her amazing ability to empathize with the characters she creates - the misfits, the artists, the children kept in a fifteenth-century school, the composer going mad. She convincingly becomes a young girl in the Venetian conservatory for the abandoned: "Sofia del violino. Once I saw myself / in a clear puddle of rain / water. My teeth are very crooked, I / know. We are none of us / startled by the other. We are all / the same. To Heaven." These moments ache with honesty, and humility, and make us wish that every sentiment expressed by Fragos could be true. Deceptively simple poems written by an unostentatiously skilled poet, Little Savage is permeated with a reverence for nature, music, myth, and dance - a veritable treasure trove of compassion and grace.