Bøger i Haney Foundation Series serien

Animal Bodies, Renaissance Culture reconsiders interactions between environment, body, and consciousness found in early modern works, from More's Utopia and Shakespeare's Hamlet to husbandry manuals, anatomy texts, and horsemanship treatises.

As Thomas F. Mayer demonstrates in this first study of the Roman Inquisition as an institution, the Inquisition underwent constant modification as it expanded. Originally aimed to eradicate Protestant heresy, it went beyond medieval antecedents by becoming a highly articulated centralized organ directly dependent on the pope.

The Decadent Republic of Letters revises the longstanding view of decadence as a movement defined by escapism and sociopolitical withdrawal. The book argues that decadent writers and artists from Charles Baudelaire to Aubrey Beardsley addressed a cosmopolitan audience united by taste rather than language, geography, or national identity.

Political philosopher Christopher McMahon argues that the social authority of corporate executives is best understood as a form of political authority. Public Capitalism explores the implications of that claim and sketches a new theoretical framework for discussion of the moral and political issues faced by corporate executives.

Exquisite Mixture examines the writing of Robert Boyle, John Locke, Daniel Defoe, and others in seventeenth- and eighteenth-century Britain who advocated mixture as a critical element of this belief in English superiority: mixture could produce superior languages, new species, flawless ideas, and resilient civil societies.

Focusing on boarding schools established by New England missionaries, English Letters and Indian Literacies explores the ways Native students negotiated the variety of pedagogical practices and technologies of literacy and managed those technologies for their own ends.

Kafka's Jewish Languages shows how Yiddish and modern Hebrew were crucial to Kafka's development as a writer. David Suchoff's examination also demonstrates the intimate relationship between Kafka's Jewish voice and his larger literary significance.

Richard Dellamora offers the first full look at the entire range of Hall's published and unpublished works of fiction, poetry, and autobiography and reads through them to demonstrate how she continually played with the details of her own life to help fashion her own identity as well as to bring into existence a public lesbian culture.

This book explores how the Fernandez de Cordoba family established networks of kin and clients that horizontally connected disparate imperial territories, binding together religious communities-Christians, Muslims, and Jews-and political factions-Comunero rebels and Catalan, French, and Ottoman sympathizers-into an incorporated imperial polity.

Roberto Garvia explores the history of artificial spoken or written languages and the people who fought for them. Taking the three most prominent-Volapuk, Esperanto, and Ido-Garvia investigates what drove so many to invest incredible energy and time to learn and promote them.

What do we know about early modern sex? And how do we know it? How, when, and why does sex become history? In Thinking Sex with the Early Moderns, Valerie Traub addresses these questions and, in doing so, reorients the ways in which historians and literary critics, feminists and queer theorists approach sexuality and its history.

The Integrated Self is a book in which Stock continues his project of reading Augustine, and one in which he moves forward in new and perhaps unexpected directions.

In the decades after U.S. independence, American novelists carried on an argument that pitted direct democracy against the representative liberalism they attributed to their British counterparts. The result was an American novel distinguished by its use of narrative tropes that generated a social system resembling today's distributed network.

Compassion's Edge traces the relation between compassion and toleration after France's Wars of Religion. This is not, however, a story about compassion overcoming difference but one of compassion reinforcing division. It provides a robust corrective to today's hope that fellow-feeling draws us inexorably and usefully together.

In The Great War and American Foreign Policy, 1914-1924, Robert E. Hannigan challenges the conventional belief that the United States entered World War I only because its hand was forced and disputes the claim that Washington was subsequently driven by a desire "to make the world safe for democracy."

Our Emily Dickinsons situates Dickinson's life and work within larger debates about gender, sexuality, and literary authority in America. Examining Dickinson's influence on Marianne Moore, Sylvia Plath, Elizabeth Bishop and others, Vivian R. Pollak complicates the connection between authorial biography and poetry that endures.

In A Theater of Diplomacy, Ellen R. Welch argues that theater served not merely as a decorative accompaniment to negotiations, but rather underpinned the practices of embodied representation, performance, and spectatorship that constituted the culture of diplomacy in the early modern period.

In the Shadow of the Gallows reveals how a sense of racialized culpability shaped Americans' understandings of personhood prior to the Civil War. Jeannine Marie DeLombard draws from legal, literary, and popular texts to address fundamental questions about race, responsibility, and American civic belonging.

In this wry and insightful memoir, distinguished American diplomat John Paton Davies, Jr. describes his upbringing and wartime adventures in Asia, encounters with key twentieth-century figures from Mahatma Gandhi to Joseph Stalin, and how he carried on after his Foreign Service career was cut short by McCarthyism.

Saladin M. Ambar's innovative study is the first book to explicitly credit governors with making the presidency what it is today. This book explodes the idea that the modern presidency began after 1945, instead placing its origins squarely in the Progressive Era.

Examining the shift between American immigrant policy between 1924 and 1964, Ellis Island Nation traces the emergence of "contributionism," the belief that the newcomers from eastern and southern Europe contributed important cultural and economic benefits to American society.

Daniel Cottom traces the vagabond word "bohemia" as it migrated across national borders over the course of the nineteenth century-from France to the United States, England, Italy, Spain, and Germany-and how it was transformed, contested, or rejected along the way.

Amid thorny issues of translation and appropriation, imperial rivalry, the rise of commercial authorship, and anxieties about authenticity, Barbara Fuchs traces how early modern English writers borrowed Spanish literary models, triumphantly reimagining the transnational appropriation as heroic looting.

Focusing on such popular figures as the stage Jew, Scot, and Irishman, Michael Ragussis reveals the crucial role the theater played in developing, maintaining, and questioning the ethnic stereotypes through which the identity of the English nation was defined.

Animal Characters follows five species through the literature of early modern Europe. The horse, the parrot, the cat, the turkey, and the sheep all undergo a dramatic change in character as European writers begin to develop a new interest in-and understanding of-human character in its relation to literature.