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From his early encounters with the Surrealists, his film work and his experiences in the Second World War, to the development of his own personal aesthetic, the concept of the decisive moment, and the foundation of Magnum Photos, Henri Cartier-Bresson's influence on the world has been profound. This book tells his life story through his images.
This profusely illustrated book offers a comprehensive look at the social and cultural history of Aborigines from the origins to the present.
Much that is known of the Celts, apart from their weapons and ornaments, has come to us from their enemies, the Romans. Yet we can assemble a portrait of a cultured people. These "barbarians" were driven to the edges of Europe, yet shone out once more in Celtic Christianity.
All over Europe, from Westminster to Rouen, the cathedrals of the Middle Ages still stand. This book explores the world of the medieval master mason. How were these structures built when only primitive machinery was available? Who initiated and designed them? Who built and paid for them?
Defeating the mighty Persian Empire at the age of 22, Alexander the Great rapidly conquered the rest of the then known world. This book traces the career of Alexander who was destined to become one of the greatest generals the world has known, and celebrates his legacy to Greek civilization.
An account of the life of Leonardo da Vinci, from his birth to his apprenticeship in Florence and work in Milan, Rome and Amboise. A self taught intellectual, he was endlessly curious about the physical world and his notebooks reveal a breadth of research, and anticipation of modern technology.
In 1802, at the age of 26, Joseph Mallord William Turner became the youngest ever member of the Royal Academy.
How does a sign represent something other than itself? How do we come to understand the meaning of a written symbol? What happens when a sign crosses international borders of language and culture? Can clothes constitute a sign? Can colours? This work explores the world of symbols.
Egon Schiele lived in Vienna during its last years as capital of the declining Habsburg Empire. Rejected by his family and hounded by society for his interest in young girls, he expressed through his art a deep and bewildering loneliness and an obsession with sexuality, death and decay.
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