Bøger i Open Publishing in the Humanities serien

This book explores how contemporary American novelists express the malaise and sense of contingency felt in the crisis-ridden historical present through two distinct tropes in their storytelling:home and mobility.As the American nation has been confronted with an unprecedented accumulation of crises in the years since 9/11, the interrelated concepts of home and mobility have entered plots in imaginative and unique ways. This study focuses on recent novels by Paul Auster (Sunset Park), Cormac McCarthy (The Road), Dave Eggers (A Hologram for the King), Richard Ford (The Lay of the Land and Let Me Be Frank with You) and Emily St. John Mandel (Station Eleven). Crises can happen at any moment, without much warning- as the recent shock of the pandemic has made all too clear-and the works of fiction by these five authors all explore this underlying sense of threat and uncertainty through the double prism of home and mobility. The book includes excerpts from exclusive interviews with four of these authors

Theatre for Development is one of the most dynamic and controversial theatre movements on the global South. Emerging in Southern Africa in the 1970s to address social and economic problems using theatrical techniques, today it is taught in theatre departments across sub-Saharan Africa and employed in numerous contexts from health care to agriculture. This book investigates the emergence of TfD from its beginnings to its transformation into a coherent organizational field capable of attracting significant governmental and NGO funding. Drawing on leading African scholars and practitioners the volume examines the complex transnational processes that led to the institutionalization of Theatre for Development. Christopher Balme is Professor of Theatre Studies and co-director of the Käte Hamburger research centre Global dis:connect at LMU Munich. He directed the ERC project 'Developing Theatre: Building Expert Networks for Theatre in Emerging Countries after 1945'. Abdul Karim Hakib is a lecturer at the Department of Theatre Arts, University of Ghana. He completed his PhD at LMU Munich. His research interests include Theatre for Development, intangible cultural heritage and performance, theatre and other media, and organizational politics and development.