Bøger i Palgrave Studies in Music and Literature serien

Wallace Stevens¿s musicality is so profound that scholars have only begun to grasp his ties to the art of music or the music of his own poetry. In this study, two long-time specialists present a polyphonic composition in which they pursue various interlocking perspectives. Their case studies demonstrate how music as a temporal art form may affect a poetic of ephemerality, sensuous experience, and affective intensification. Such a poetic, they argue, invites flexible interpretations that respond to poetry as an art of textual performance. How did Stevens enact the relation between music and memory? How can we hear his verse as a form of melody-making? What was specific to his ways of recording birdsong? Have we been missing the latent music of Richard Strauss, Gustav Mahler, and Claude Debussy in particular poems? What were the musical poetics he shared with Igor Stravinsky? And how is our experience of the late poetry transformed when we listen to a musical setting by Ned Rorem? The Poetic Music of Wallace Stevens will appeal to experts in the poet¿s work, students of Modernism in the arts, and a wider audience fascinated by the dynamics of exchange between music and poetry.

WILDE NOWreads Oscar Wilde through our now, through a contemporary sensibility (and approach), in which literature and popular culture interrogate and are interrogated by critical concepts and categories such as performance, celebrity, intermediality, and consumerism. This volume exceeds the shape and meaning of a critical study to turn into a drama of five different acts/moments in Wilde¿s life and work: his early performances in Dublin, London and Oxford; the 1882 American tour; his successful season of the first half of the 1890s, his prison years and finally his glorious resurrection in contemporary pop culture. Most importantly WILDE NOW approaches these moments through contemporary rewritings and performances of ¿Oscar Wilde¿ in the fields of cinema, music and literature by such artists as Al Pacino, Rupert Everett, Stephen Fry, Gyles Brandreth, David Hare, David Bowie, Morrissey, Nick Cave, Neil Tennant, Gavin Friday. These artists ¿ through their awareness of the importance of being/playing Oscar in their specific worlds and cultural contexts ¿ will also show us that Wilde can be conceived as a subversive, critical role one might successfully perform and appropriate, now more than ever.

David Bowie and Romanticism evaluates Bowie's music, film, drama, and personae alongside eighteenth- and nineteenth-century poets, novelists, and artists.

Music and Sound in the Life and Literature of James Joyce: Joyces Noyces offers a fresh perspective on the Irish writer James Joyce's much-noted obsession with music.

Words, Music, and the Popular: Global Perspectives on Intermedial Relations opens up the notion of the popular, drawing useful links between wide-ranging aspects of popular culture, through the lens of the interaction between words and music. It asks: What is popularity or 'the' popular and what role(s) does music play in it?

The Inside Songs of Amiri Baraka examines the full length of Baraka's discography as a poet recording with musicians as well as his contributions to jazz and R & B, beginning with his earliest studio recordings in 1965 and continuing to the last year of his life, 2014.

Elizabeth Bishop and the Music of Literature brings together the latest understandings of how central music was to Bishop's writing.

Polyvocal Bob Dylan brings together an interdisciplinary range of scholarly voices to explore the cultural and aesthetic impact of Dylan's musical and literary production. Polyvocal Bob Dylan places Dylan's textual and performative art within and against a larger context of cultural and literary studies.

The book examines the perception of the organist as the most influential musical figure in Victorian society through the writings of Thomas Hardy and Robert Browning.

Elizabeth Bishop and the Music of Literature brings together the latest understandings of how central music was to Bishop's writing.

Rock and Romanticism: Post-Punk, Goth, and Metal as Dark Romanticisms explores the relationships among the musical genres of post-punk, goth, and metal and American and European Romanticisms traditionally understood.

This book examines the trope of echo in early modern literature and drama, exploring the musical, sonic, and verbal effects generated by forms of repetition on stage and in print.

Polyvocal Bob Dylan brings together an interdisciplinary range of scholarly voices to explore the cultural and aesthetic impact of Dylan's musical and literary production. Polyvocal Bob Dylan places Dylan's textual and performative art within and against a larger context of cultural and literary studies.

Above all, by exploring Lawrence and music in historical context, this study aims to open up new areas for study and a place for Lawrence within the field of music and modernism.

Music and the Environment in Dystopian Narrative: Sounding the Disaster investigates the active role of music in film and fiction portraying climate crisis. From contemporary science fiction and environmental film to "Anthropocene opera," the most arresting eco-narratives draw less on background music than on the power of sound to move fictional action and those who receive it. Beginning with a reflection on a Mozart recording on the 1970s' Voyager Golden Record, this book explores links between music and violence in Lidia Yuknavitch's 2017 novel The Book of Joan, songless speech in the opera Persephone in the Late Anthropocene, interrupted lyricism in the eco-documentary Expedition to the End of the World, and dread-inducing hurricane music in the Brecht-Weill opera Rise and Fall of the City of Mahagonny. In all of these works, music allows for a state of critical vulnerability in its hearers, communicating planetary crisis in an embodied way.

Rock and Romanticism: Post-Punk, Goth, and Metal as Dark Romanticisms explores the relationships among the musical genres of post-punk, goth, and metal and American and European Romanticisms traditionally understood.

This book examines the trope of echo in early modern literature and drama, exploring the musical, sonic, and verbal effects generated by forms of repetition on stage and in print.