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This is an inspired contribution to the scholarship on one of the most influential American novels and novelists. The author positions Beloved as a meditation on historical justice and re-comprehends it as both a formal tragedy¿a generic translation of fiction and tragedy or a "novel-tragedy" (Kliger)¿and as a novel of objects.
Who was Mark Twain? Was he the genial author of two beloved boys books, the white-haired and white-suited avuncular humorist, the realistic novelist, the exposer of shams, the author repressed by bourgeois values, or the social satirist whose later writings embody an increasingly dark view? In light of those and other conceptions, the question we need to ask is not who he was but how did we get so many Mark Twains? The Mercurial Mark Twains(s): Reception History and Iconic Authorship provides answers to that question by examining the way Twain, his texts, and his image have been constructed by his audiences. Drawing on archival records of responses from common readers, reviewer reactions, analyses by Twain scholars and critics, and film and television adaptations, this study provides the first wide-ranging, fine-grained historical analysis of Twain's reception in both the public and private spheres, from the 1860s until the end of the twentieth century.
Asian American War Stories examines contemporary Asian American literature that considers both the short-term and the long-term effects of war, trauma, and displacement on civilians, as well as the ways that individuals seek healing in the face of suffering.
This collection analyzes the theme of the "afterlife" as it animated nineteenth-century American women's theology-making and appeals for social justice.
Revisiting the Elegy in the Black Lives Matter Era is an edited collection of critical essays and poetry that investigates contemporary elegy within the black diaspora.
Revisiting the Elegy in the Black Lives Matter Era is an edited collection of critical essays and poetry that investigates contemporary elegy within the black diaspora.
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