Bøger i Spotlight serien

Presenting recent developments in Wolfgang Tillmans's portraiture and still lifes, Wolfgang Tillmans: DZHK Book 2018 features a broad selection of new and recent works that respond to their surroundings while at the same time embodying a self-contained environment.Few artists have shaped the scope of contemporary art and influenced a younger generation more than Wolfgang Tillmans. Since the early 1990s, his works have epitomized a new kind of subjectivity in photography, pairing intimacy and playfulness with social critique and the persistent questioning of existing values and hierarchies. Through his seamless integration of genres, subjects, techniques, and exhibition strategies, he has expanded conventional ways of approaching the medium, and his practice continues to address the fundamental question of what it means to create pictures in an increasingly image-saturated world. Published on the occasion of Tillmans's exhibition at David Zwirner in Hong Kong in 2018, this fully bilingual catalogue juxtaposes pictures of intimacy and friendship with views and angles of the world at large. An aerial view of the Sahara desert displays almost infinite detail while being monochromatic and near-abstract in appearance. In line with Tillmans's interest in exhibitions as amplifiers of a particular, underlying perspective, each of the works engages in an intricate system of relationships between its aesthetic elements, subject, and institutional setting. Seen together, they implicate the viewer as an active part of the dialogue. The 2016 interview with author Allie Biswas of The Brooklyn Rail has been edited and expanded by the artist for this catalogue.

Exploring the development of groundbreaking artist Sherrie Levine’s work, this catalogue looks at four series central to her practice.The latest in the Spotlight Series, which focuses on new bodies of work by contemporary artists, Sherrie Levine: Hong Kong Dominoes showcases several series that distinctly engage the artist’s ongoing inquiry into notions of authorship, originality, and authenticity.  Many of the works are consistent with Levine’s practice—the deliberate reproduction of other artists’ works and styles, so that her work and the original are nearly indistinguishable (as with the After Henri Matisse (1985) and After Feininger (2021) series). A number of the works make reference to modernist masterpieces, questioning the stereotypical construct of the heroic male artist. In her Monochromes After Renoir Nudes (2016) series, Levine used a computer program to calculate the average tone of the nude figures in Renoir’s paintings and then used this color to create monochrome panels. Published for the first time, Hong Kong Dominoes: 1–12 (2017) replicates the patterns of a set of dominoes that Levine purchased in Hong Kong, evoking both minimalist art and popular games. The catalogue also features a new essay by Larry List, which tracks the history of Levine’s inspirations and artistic practice, and an interview with Levine by Jeanne Siegel, originally published in the June/ Summer 1985 issue of Arts Magazine, which explores the artist’s use of appropriated imagery.

A gripping tale of post-natal depression, this short story reads like a modern retelling of The Yellow Wallpaper by Charlotte Perkins Gilman and has much in common with Sarah Water's The Little Stranger in its realisation of psychological distress as a supernatural phenomenon.

Drawing inspiration from electronic voice phenomena, near-death experiences and apophenia, Jacqueline Haskell delves into the world of the occult to find life after death.

A chance break in a West End theatre production forces a derailed actress to confront her demons and offers her an opportunity to escape her past and live life to the full.

The experience of living with the adventures and griefs of bipolar disorder forms the focus for this remarkable collection of poetry.

Written in the winding-down stages of a severe psychotic episode filled with manic delusions, this extraordinary story chronicles Julja's relationship with drugs, family and friends.

Celebrated British painter Rose Wylie-whose works are at once tactile, cerebral, and humorous-often draws her influence from a wide range of popular culture. Here her newest body of work references memories from her own life and mimics the way memories evolve and change over time.Wylie's source material is culled from the vast visual world around her, ranging from sixteenth-century British estates to Serena Williams and the French Open. While initially these may seem random or aesthetically simplistic, through the nuanced use of humor, language, and compositional structure, Wylie creates wittily observed and subtly sophisticated meditations on the nature of memory, and visual representation itself, in line with the paintings she has become known for over the course of her career. A new essay by art critic Michael Glover explores the remarkable painter whose work has "spark, assurance, brash humor, an extraordinary, freewheeling eclecticism that seems to be just as ready to suck in references to the art of Ptolemaic Egypt and Roman portraiture as to pay homage to the films of Quentin Tarantino and the late paintings of Philip Guston." Part of David Zwirner Books's Spotlight Series, this book features Wylie's newest paintings and drawings and is published on the occasion of the artist's 2020 solo exhibition of these works at David Zwirner Hong Kong.

Over the course of his three-decade career, Thomas Ruff has taken up many approaches to photography in his investigation into the status of the image in contemporary culture.In Thomas Ruff, the artist presents new work that continues his ongoing probe into the history, processes, techniques, and technology of photography. One of the most influential photographers working today, Ruff has redefined photography’s conceptual possibilities, simultaneously capturing and challenging the essence of the medium as a means for visual experience. He has investigated various photographic genres, including portraiture, the nude, and landscape and architectural photography, using both analog and digital technologies, and culling imagery from scientific archives, print media, and the internet.   Presented here is a selection of Ruff’s most well-known works, as well as the newer Tripe/Ruff series, begun in 2018, which draws on negatives of India and Burma taken in the 1850s by an officer in the East India Company army. Also included is a conversation between Ruff and Okwui Enwezor, which took place at Haus der Kunst in Munich, in connection with the artist’s retrospective then on view. The conversation, published here for the first time, has been edited for this volume and examines Ruff’s artistic practice and inspiration, serving as an engaging and dynamic introduction to the artist. Published on the occasion of the artist’s solo exhibition at David Zwirner, Hong Kong, in 2019, Thomas Ruff is available in both English-only and bilingual English/traditional Chinese editions.

One of the most influential figurative painters of his generation, Neo Rauch presents bold, new work in PROPAGANDA.Rauch is widely celebrated for his captivating compositions that bring together figurative painting and surrealism into an entirely new kind of visual encounter. They often hint at broader narratives and histories—seemingly reconnecting with artistic traditions of realism—but they remain dreamlike and impossible to reduce to a single story. Though his art is highly refined and executed with great technical skill, Rauch himself stresses the intuitive, deeply personal nature of how he works. As the artist notes, “My process is far less a reflection than it is drawing from the sediments of my past, which occurs in an almost trance-like state.” Eight large-scale canvases and seven smaller, more intimately scaled works continue the artist’s exploration of figuration and the ambiguous nature of meaning in visual art. In some of the larger works, the saturation of the canvas with characters, objects, and, forms, all rendered at different scales and in conflicting arrangements, creates a collage-like quality—a figurative scrapbook of Rauch’s personal iconography.  The publication features a short story by acclaimed novelist and playwright Daniel Kehlmann, which was inspired by the paintings in this book. The fantastical text moves between present-day New York and an unknown time of enchanted forests, knights, and witches, exploring the many layers found in Rauch’s canvases. Published on the occasion of the artist’s solo exhibition at David Zwirner, Hong Kong in 2019, Neo Rauch: PROPAGANDA is available in both English-only and bilingual English/traditional Chinese editions.

Carol Bove (b. 1971) is known for her assemblages that combine found and made elements. Incorporating a wide range of domestic, industrial, and natural objects, her sculptures, paintings, and prints reveal the poetry of their materials. As the art historian Johanna Burton notes, ¿Bove brings things together not to nudge associative impulses into free play driven by the unconscious, but rather to conjure a kind of affective tangle that disrupts any singular, historical narrative.¿Johanna Burton is the Keith Haring Director and Curator of Education and Public Engagement at the New Museum, New York. Her writing has appeared in journals and publications, including Artforum, Parkett, October, and Texte zur Kunst.

Lying deep within the urban metropolis of Hong Kong, Happy Valley is one of the most iconic racecourses in the world. It is also the chief source of inspiration for a new body of work by American artist Marcel Dzama. Jockeys ride through waves and cathedrals, Chinese symbols pulled from racing paraphernalia adorn the edges of paper, and bats swoop, hunting for prey. Dzama's distinct visions of the racetrack come alive through a series of large-scale paintings and drawings, transposing imagery from his prolific oeuvre into this adrenaline-filled sporting arena. His new works reflect on the culture of horseracing and how the track has become not only a symbol of sport, but also of commerce, class, and wealth. The publication includes a conversation between Dzama and Laila Pedro. Published on the occasion of his solo exhibition at David Zwirner, Hong Kong in 2019, Marcel Dzama: Crossing the Line is available in both English only and bilingual English/traditional Chinese editions.

In the sequel to RT Book Reviews’ Top Pick Broken Records, Gwen’s life looks perfect: She has a job she loves as stylist to the stars; a beautiful wife, Flora; and a house in the heart of Nashville. But the more she works alongside country music’s dynamic princess Clementine Campbell, the less Gwen is certain of her commitment to a life of domestic bliss.Meanwhile, her business partner Nico Takahashi is happily settled down with reformed bad-boy musician Grady Dawson. But when Nico questions the permanence of their relationship, Grady retreats into some dangerous old habits. Will Gwen ruin the life she’s built with Flora for something new and exhilarating? Can Grady be convinced of Nico’s devotion before it’s too late? Burning Tracks is a story of tough choices, taking risks, and the pressures of living life in the spotlight.

Los Angeles-based stylist Nico Takahashi loves his job-or at least, he used to. Feeling fed up and exhausted from the cutthroat, gossip-fueled business of Hollywood, Nico daydreams about packing it all in and leaving for good. So when Grady Dawson-sexy country music star and rumored playboy-asks Nico to style him, Nico is reluctant. But after styling a career-changing photo shoot, Nico follows Grady to Nashville where he finds it increasingly difficult to resist Grady''s charms. Can Nico make his peace with show business and all its trappings, or will Grady''s public persona get in their way of their private attraction to each other?

The first in a series of small-format publications devoted to single bodies of work, Fire from the Sun highlights Michaël Borremans’s new work, which features toddlers engaged in playful but mysterious acts with sinister overtones and insinuations of violence. Known for his ability to recall classical painting, both through technical mastery and subject matter, Borremans’s depiction of the uncanny, the perhaps secret, the bizarre, often surprises, sometimes disturbs the viewer. In this series of work, children are presented alone or in groups against a studio-like backdrop that negates time and space, while underlining the theatrical atmosphere and artifice that exists throughout Borremans’s recent work. Reminiscent of cherubs in Renaissance paintings, the toddlers appear as allegories of the human condition, their archetypal innocence contrasted with their suggested deviousness. In his accompanying essay, critic and curator Michael Bracewell takes an in-depth look into specific paintings, tackling both the highly charged subject matter and the masterly command of the medium. He writes, “The art of Michaël Borremans seems always to have been predicated on a confluence of enigma, ambiguity, and painterly poetics—accosting beauty with strangeness; making historic Romanticism subjugate to mysterious controlling forces that are neither crudely malevolent nor necessarily benign.” Published on the occasion of Borremans’s eponymous exhibition at David Zwirner in Hong Kong, this publication is available in both English only and English and traditional Chinese editions.