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Jeremy Bell is Postdoctoral Research Fellow at the Fox Center for Humanistic Inquiry at Emory University.Michael Naas is Professor of Philosophy at DePaul University. He is author of Miracle and Machine: Jacques Derrida and the Two Sources of Religion, Science, and the Media and Derrida From Now On.
Aristophanes' comedies have stood the test of time as some of the greatest comic literature. This work illuminates the philosophical insights in Aristophanes' texts by presenting close readings of "Clouds", "Wasps", "Assemblywomen", and "Lysistrata", addressing their comic genius at the same time.
Jean Beaufret is best known for posing questions to which Martin Heidegger responded in his "Letter on Humanism." These questions constituted the moment that was to form a profound philosophical engagement and friendship between the two thinkers. The first of four volumes, this book covers Heidegger's attachments to Greek thinking in six letters.
Offers a reading of Martin Heidegger's youthful thought leading up to "Being and Time" (1927) and its subsequent development in his later writings. This work examines Heidegger's student years, showing the influences of Scholasticism, medieval mysticism, Neo-Kantianism, and phenomenology on his thinking during this period.
[Sallis's] ideas are presented in a singular, scholarly, remarkable, captivating, conceptually rigorous, dense, and deep manner.... Highly recommended."e; -ChoiceThis fascinating book by one of the more original voices writing philosophy in English poses questions about the nature of the visible and invisible, sensible and intelligible."e; -Dennis SchmidtWhat is it that an artist paints in a painting? Working from paintings themselves rather than from philosophical theories, John Sallis shows how, through shades and limits, the painter renders visible the light that confers visibility on things. In his extended examination of three phases in the development of modern painting, Sallis focuses on the work of Claude Monet, Wassily Kandinsky, and Mimmo Paladino-three painters who, each in his own way, carry painting to the limit.
Martin Heidegger's 1941-1942 lecture course on Friedrich Hölderlin's hymn, "Remembrance," delivered immediately following his confrontation with Nietzsche, lays out a detailed plan for the interpretation of Hölderlin's poetry in which remembrance is a central concern. With its emphasis on the "free use of the national" and the "holy of the fatherland," the course marks an important progression in Heidegger's political thought. In addition to its startlingly innovative analyses of greeting, the festive, and the dream, the text provides Heidegger's fullest elaboration of the structure of commemorative thinking in relationship to time and the possibility of an "other beginning." This English translation by William McNeill and Julia Ireland completes the series of Heidegger's major lecture courses on Hölderlin.
If one takes Heidegger at his word then his philosophy is about pursuing different "paths" of thought rather than defining a single set of truths. This volume gathers the work of an international group of scholars to present a range of ways in which Heidegger can be read and a diversity of styles in which his thought can be continued. Despite their many approaches to Heidegger, their hermeneutic orientation brings these scholars together. The essays span themes from the ontic to the ontological, from the specific to the speculative. While the volume does not aim to present a comprehensive interpretation of Heidegger's later thought, it covers much of the terrain of his later thinking and presents new directions for how Heidegger should and should not be read today. Scholars of Heidegger's later thought will find rich and original readings that expand considerations of Heidegger's entire oeuvre.
As an early articulation of Heidegger's thought, this book will be an indispensable resource for scholars and students.
Considers the role and meaning of philosophy. The author proposes a robust and unified philosophy that would find itself equally at home in artistic and scientific disciplines. He focuses on Deleuze's "Difference and Repetition" and Heidegger's "Contributions to Philosophy" for their handling of the concept of difference.
Volume 18 of Martin Heidegger's collected works presents his important 1924 Marburg lectures which anticipate much of the revolutionary thinking that he subsequently articulated in Being and Time. Here are the seeds of the ideas that would become Heidegger's unique phenomenology. Heidegger interprets Aristotle's Rhetoric and looks closely at the Greek notion of pathos. These lectures offer special insight into the development of his concepts of care and concern, being-at-hand, being-in-the-world, and attunement, which were later elaborated in Being and Time. Available in English for the first time, they make a significant contribution to ancient philosophy, Aristotle studies, Continental philosophy, and phenomenology.
Looks into the essence of Heidegger's thought and engages the philosopher's transformative thinking with contemporary Western culture. This work examines Heidegger's translations of Greek philosophy and his interpretations and displacements of anthropology, ethics and politics, science and aesthetics.
Ewegen's withdrawn Socrates forever evades rigid interpretation and must instead remain a deep and insoluble question.
* Interprets Plato's Republic in light of the political and cultural history of Greece. * Identifies money as a distinctive and decisive theme in the Republic. * Reveals how the image of the divided line in the Republic is a compelling account of knowledge as existential transformation. * Demonstrates how and way democracy and its problems are inescapable features of political life.
Kerby delineates a convincing narrative model of the self and offers a valuable overview of contemporary philosophical issues surrounding the place and role of narrative in human experience.
First published in 1988 as volume 63 of his Collected Works, Ontology-The Hermeneutics of Facticity is the text of Heidegger's lecture course at the University of Freiburg during the summer of 1923. In these lectures, Heidegger reviews and makes critical appropriations of the hermeneutic tradition from Plato, Aristotle, and Augustine to Schleiermacher and Dilthey in order to reformulate the question of being on the basis of facticity and the everyday world. Specific themes deal with the history of ontology, the development of phenomenology and its relation to Hegelian dialectic, traditional theological and philosophical concepts of man, the present situation of philosophy, and the influences of Aristotle, Luther, Kierkegaard, and Husserl on Heidegger's thinking. Students of Heidegger will find initial breakthroughs in his unique elaboration of the meaning of human experience and the "e;question of being,"e; which received mature expression in Being and Time.
Basic Concepts of Ancient Philosophy presents a lecture course given by Martin Heidegger in 1926 at the University of Marburg. First published in German as volume 22 of the collected works, the book provides Heidegger's most systematic history of Ancient philosophy beginning with Thales and ending with Aristotle. In this lecture, which coincides with the completion of his most important work, Being and Time, Heidegger is working out a way to sharply differentiate between beings and Being. Richard Rojcewicz's clear and accurate translation offers English-speaking readers valuable insight into Heidegger's views on Ancient thought and concepts such as principle, cause, nature, unity, multiplicity, Logos, truth, science, soul, category, and motion.
First published in German in 1984 as volume 45 of Martin Heidegger's collected works, this book is the first English translation of a lecture course he presented at the University of Freiburg in 1937-1938. Heidegger's task here is to reassert the question of the essence of truth, not as a "e;problem"e; or as a matter of "e;logic,"e; but precisely as a genuine philosophical question, in fact the one basic question of philosophy. Thus, this course is about the essence of truth and the essence of philosophy. On both sides Heidegger draws extensively upon the ancient Greeks, on their understanding of truth as aletheia and their determination of the beginning of philosophy as the disposition of wonder. In addition, these lectures were presented at the time that Heidegger was composing his second magnum opus, Beitrage zur Philosophie, and provide the single best introduction to that complex and crucial text.
Introduction to Phenomenological Research, volume 17 of Martin Heidegger's Gesamtausgabe, contains his first lectures given at Marburg in the winter semester of 1923-1924. In these lectures, Heidegger introduces the notion of phenomenology by tracing it back to Aristotle's treatments of phainomenon and logos. This extensive commentary on Aristotle is an important addition to Heidegger's ongoing interpretations which accompany his thinking during the period leading up to Being and Time. Additionally, these lectures develop critical differences between Heidegger's phenomenology and that of Descartes and Husserl and elaborate questions of facticity, everydayness, and flight from existence that are central in his later work. Here, Heidegger dismantles the history of ontology and charts a new course for phenomenology by defining and distinguishing his own methods.
The text of Martin Heidegger's 1927-28 university lecture course on Emmanuel Kant's Critique of Pure Reason presents a close interpretive reading of the first two parts of this masterpiece of modern philosophy. In this course, Heidegger continues the task he enunciated in Being and Time as the problem of dismatling the history of ontology, using temporality as a clue. Within this context the relation between philosophy, ontology, and fundamental ontology is shown to be rooted in the genesis of the modern mathematical sciences. Heidegger demonstrates that objectification of beings as beings is inseparable from knowledge a priori, the central problem of Kant's Critique. He concludes that objectification rests on the productive power of imagination, a process that involves temporality, which is the basic constitution of humans as beings.
Volume 35 of Heidegger's Complete Works comprises a lecture course given at the University of Freiburg in 1932, five years after the publication of Being and Time. During this period, Heidegger was at the height of his creative powers, which are on full display in this clear and imaginative text. In it, Heidegger leads his students in a close reading of two of the earliest philosophical source documents, fragments by Greek thinkers Anaximander and Parmenides. Heidegger develops their common theme of Being and non-being and shows that the question of Being is indeed the origin of Western philosophy. His engagement with these Greek texts is as much of a return to beginnings as it is a potential reawakening of philosophical wonder and inquiry in the present.
Observing that humans often deal with the past in problematic ways, Jerome Veith looks to philosopher Hans-Georg Gadamer and his hermeneutics to clarify these conceptions of history and to present ways to come to terms with them. Veith fully engages Truth and Method as well as Gadamer's entire work and relationships with other German philosophers, especially Kant, Hegel, and Heidegger in this endeavor. Veith considers questions about language, ethics, cosmopolitanism, patriotism, self-identity, and the status of the humanities in the academy in this very readable application of Gadamer's philosophical practice.
"e;Like Foucault and Levinas before him, though in very different ways, Scott makes an oblique incision into phenomenology . . . [it is] the kind of book to which people dazed by the specters of nihilism will be referred by those in the know."e; -David Wood"e;. . . refreshing and original."e; -Edward S. CaseyIn The Lives of Things, Charles E. Scott reconsiders our relationships with ordinary, everyday things and our capacity to engage them in their particularity. He takes up the Greek notion of phusis, or physicality, as a way to point out limitations in refined and commonplace views of nature and the body as well as a device to highlight the often overlooked lives of things that people encounter. Scott explores questions of unity, purpose, coherence, universality, and experiences of wonder and astonishment in connection with scientific fact and knowledge. He develops these themes with lightness and wit, ultimately articulating a new interpretation of the appearances of things that are beyond the reach of language and thought.
A brilliant and witty postmodern critique of ethics, framed as a contemporary restaging of Kierkegaard's Fear and Trembling.John D. Caputo undertakes a passionate, poetic, and satiric search for the basis of an ethics in the postmodern situation. Restaging Kierkegaard's Fear and Trembling, Caputo defends the notion of obligation without ethics, of responsibility without the support of ethical foundations. Retelling the story of Abraham and Isaac, he strikes the pose of a postmodern-day Johannes de Silentio, accompanied by communications from such startling figures as Johanna de Silentio, Felix Sineculpa, and Magdalena de la Cruz. In dialogue with the thought of Kierkegaard, Nietzsche, Derrida, and Lyotard, Caputo forges a challenging, original account of what is possible and what is not possible for a continentalist ethics today."e;Against Ethics is a bold work. . . . A counterethics whose multiple voices will be heard long after the trivializing arguments of many analytic ethicists have vanished and the arcane formulations of many postmoderns have been jettisoned."e; -Edith Wyschogrod"e;Caputo provides a brilliant new analysis of the limits of ethics. . . . Essential reading for anyone concerned with the philosophical issues raised in postmodernity."e; -Drucilla Cornell"e;One of the most important works on philosophical ethics written in recent years. . . . Caputo speaks with a passion and concern that are rare in academic philosophy."e; -Mark C. Taylor"e;Against Ethics is beautifully written, clever, learned, thought-provoking, and even inspiring."e; -Theological Studies"e;Writing in the form of his ideas, Caputo offers the reader a truly exquisite reading experience. . . . His iconic style mirrors a truly refreshing honesty that draws the reader in to play."e; -Quarterly Journal of Speech
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