Bøger i Studies in German History serien

The Ethics of Seeing brings together an international group of scholars to explore the complex relationship between the visual and the historic in German history. These revealing case studies illustrate photography's multilayered role as a new form of representation, a means to subjective experience, and a fresh mode of narrating the past.

The 20th century, declared at its start to be the "Century of the Child" by Swedish author Ellen Key, saw an unprecedented expansion of state activity in and expert knowledge on child-rearing on both sides of the Atlantic. Children were seen as a crucial national resource whose care could not be left to families alone.

From 1945 to 1989, relations between the communist East German state and the Catholic Church were contentious and sometimes turbulent.

This book provides a comprehensive analysis of political violence in Weimar Germany with particular emphasis on the political culture from which it emerged. It refutes both the claim that the Bolshevik revolution was the prime cause of violence, and the argument that the First World War's all-encompassing "brutalization" doomed post-1918 Germany.

"This inspiring, well illustrated survey, provided with a useful index...opens up, for the first time, for the non-German reader possibilities for fascinating international perspectives." · Vierteljahrschrift für Sozial- und WirtschaftsgeschichtePublished in Association with the German Historical Institute, Washington, D.C.Germany is a key test case for the burgeoning field of environmental history; in no other country has the landscape been so thoroughly politicized throughout its past as in Germany,and in no other country have ideas of ''nature'' figured so centrally in notions of national identity. The essays collected in this volume - the first collection on the subject in either English or German - place discussions of nature and the human relationship with nature in their political co texts. Taken together, they trace the gradual shift from a confident belief in humanity ''s ability to tame and manipulate the natural realm to the Umweltbewußtsein driving the contemporary conservation movement. Nature in German History also documents efforts to reshape the natural realm in keeping with ideological beliefs - such as the Romantic exultation of ''the wild'' and the Nazis'' attempts to eliminate ''foreign'' flora and fauna - as well as the ways in which political issues have repeatedly been transformed into discussions of the environment in Germany.Christof Mauch is presently Director of the Rachel Carson Center in Munich, Germany and since 2007 Professor of American Cultural History and Transatlantic Relations at Ludwig-Maximilians-Universität München. From 1999 to 2007, he was the director of the German Historical Institute in Washington D.C.

A collection of essays that address a variety of issues, including prosecution for war crimes, restitution, immigration policy, health policy, reform of the police, German relations with Israel and the United States, nuclear non-proliferation, and, student politics and the New Left protest movement.

Of the thousands of young people who fled Nazi Germany before World War II, a remarkable number became trained historians.

The history of criminal justice in modern Germany has become a vibrant field of research, as demonstrated in this volume. Following an introductory survey, the 12 chapters examine major topics in the history of crime and criminal justice from Imperial Germany, through the Weimar and Nazi eras, to the early postwar years, including case studies...

While bookstore shelves around the world have never ceased to display best-selling life-and-lettersA" biographies in prominent positions, the genre became less popular among academic historians during the Cold War decades. Their main concern then was with political and socioeconomic structures, institutions, and organizations...

Features essays that explore how German mourning changed over the 20th century in different contexts, with a particular view to how death was linked to larger issues of social order and cultural self-understanding. This volume contributes to a history of death in 20th-century Germany that does not begin and end with the Third Reich.

Explores the reasons behind the introduction of part-time work in West Germany and shows how it took root in factories, government authorities and offices. This book covers the period from early 1950s, a time of optimism during the first postwar economic upswing, to 1969, the culmination of the legislative institutionalization of part-time work.

Based on research in primary sources, this book contains essays which present our understanding of a crucial and tumultuous period. It offers an analysis of how the collective memory of Nazism and the Holocaust influenced, and was influenced by, politics and culture. It addresses a variety of issues such as restitution, health policy, and others.

Major scholars in the field place Cluss's life and career in a historical context. Their essays are enhanced by many previously unpublished illustrations drawn from years of research. A photo essay at the center of the book vividly illustrates Washington in Cluss's time, Cluss's contribution to Washington, and the fate of Cluss's buildings and city

The 20th century, declared at its start to be the Century of the ChildA" by Swedish author Ellen Key, saw an unprecedented expansion of state activity in and expert knowledge on child-rearing on both sides of the Atlantic. Children were seen as a crucial national resource whose care could not be left to families alone.

Recent years have witnessed growing scholarly interest in the history of death. Increasing academic attention toward death as a historical subject in its own right is very much linked to its pre-eminent place in 20th-century history, and Germany, predictably, occupies a special place in these inquiries.

This volume presents intersections of Black and German history over eight centuries while mapping continuities and ruptures in Germans' perceptions of Blacks. Juxtaposing these intersections demonstrates that negative German perceptions of Blackness proceeded from nineteenth-century racial theories...

Although Max Liebermann (1847-1935) began his career as a realist painter depicting scenes of rural labor, Dutch village life, and the countryside, by the turn of the century, his paintings had evolved into colorful images of bourgeois life and leisure that critics associated with French impressionism.