Bøger i The Manchester Spenser serien

When Sir Philip Sidney died in 1586, he was widely believed to have been one of the greatest English writers - despite the fact that most of his contemporaries had never read any of his works, which had only circulated in manuscript. This changed in 1590, with the publication of the New Arcadia - the revised version of his pastoral romance The Countess of Pembroke's Arcadia, which introduced him to a broader audience and served to confirm his reputation as a brilliant stylist in prose as well as in verse. Doubtless part of the New Arcadia's appeal consisted - and still consists - in the plot it largely shares with the Old Arcadia, involving shipwrecked princes going to great lengths to woo princesses who are jealously (if unsuccessfully) guarded by an overprotective father and a foolish shepherd, heroic and mock-heroic battles, various forms of intrigue, and rather a lot of poetry. But it was probably the features that set it apart from its Old cousin that accounted for the New Arcadia's popularity: its elaborate, beautifully crafted style, which prompted numerous imitators, and its revisions to the narrative that deliberately sacrifice linearity for a heightened sense of drama. This edition of the New Arcadia is the first in nearly four decades. It preserves the text of Victor Skretkowicz' celebrated 1987 edition, while supplementing it with a substantially expanded scholarly commentary, an updated glossary, and additional long notes on the book's history in print and Sidney's use of rhetorical devices.

This book explores the English response to the sudden and devastating 1598 revolt against the Munster colony through two anonymous texts that have been associated with the poet and planter Edmund Spenser.Set against the background of nationwide unrest in Ireland and the ongoing Anglo-Spanish conflict, both the Brief Discourse and longer Supplication display huge vitriol against the untrustworthy Irish and their Catholic conspiracies and demand rapid action by the state in London to save the beleaguered colonists and England's control of Ireland as a whole. The more extreme, propagandistic and providentialist Supplication wanted revenge and was openly contemptuous of Queen Elizabeth for not doing her duty as a godly prince to defend those striving with their own blood and treasure to make Ireland a more civilized place.As well as contextualizing the documents and exploring the mentalities, themes and literary influences involved, this study also explores the problems of their authorship looking at a variety of English colonists, clergy and officials in Ireland in addition to Spenser himself. Eventually the laborious process of stylometric testing was used to compare the two anonymous texts against 21 other contemporary writings. The tests established Spenser as author of the Brief Discourse, which was already odds on, but discovered an entirely unexpected author for The Supplication who was not known to have been in Munster in 1598.These important texts have been fully annotated and are presented to the public in modernized English.

Comic Spenser explains how the deep-rooted cultural bias against humour has skewed interpretation of The Faerie Queene since its first publication. As well as bringing a comic perspective to new areas of the poem, this study explores profound connections between humour, faith, and allegory. -- .

A novel account of Edmund Spenser as a moral theorist, Spenser's ethics situaties his ethics in the contexts of early modern moral philosophy and the English colonization of Ireland. -- .

Edmund Spenser and the romance of space seeks to gauge the roles that aesthetic subjectivity and the imagination play in early modern spatial and textual practices. -- .

This volume updates current assumptions about the early modern English sonnet and its reception and inclusion in poetic collections. It deals both with major (Shakespeare, Sidney, Spenser) and minor (Harvey, Barnes) sonneteers, and includes the first modern edition of a 1603 printed miscellany, The Muses Garland. -- .

Recontextualizing Edmund Spenser's Shepheardes Calender in relation to book history, this study analyses the first edition of 1579 as a material text, and provides the first clearly detailed facsimile available as a book. By illuminating the 1579 Calender's development, this volume much advances understanding of Spenser and Elizabethan culture. -- .

European Erotic Romance casts new light on the publication, translation and politicisation of three ancient Greek novels, Daphnis and Chloe, Leukippe and Kleitophon and An Ethiopian Story, and their impact in Renaissance England. -- .

John Derricke¿s Image of Irelande, with a Discoverie of Woodkarne is one of the best and least known works produced in England on Tudor Ireland. This collection¿s sixteen essays examine the work¿s political and historical meaning, print history, iconographic elements, paratexts, literary and artistic influences and cultural archaeology. The collection will appeal to scholars of many disciplines.

The Art of The Faerie Queene offers a new approach to Spenser's massive Elizabethan epic, presenting it is as a formally radical and innovative text. Where previous criticism has presented Spenser as a conservative technician, this book explores his unexpected experiments with form in the service of its complex allegories. -- .

Brink shows that Spenser began as the protege of churchmen, who expected him to take holy orders and that the Shepheardes Calender signaled his transition from shepherd-priest to shepherd-poet. A -- .

The first full-length study to be devoted to Una, the beleaguered but ultimately triumphant heroine of Book One of The Faerie Queene -- .

An engaging study that offers new and provocative re-readings of Spenser's pastoral poems, with a focus on Spenser's acknowledged debt to Virgil and his Eclogues. Reception studies, politics and classical studies are interweaved to provide a greater understanding of both poets. -- .

English Literary Afterlives is a study about the ways in which readers and publishers reshaped (or even created) early modern authorial careers in the wake of the authors' deaths. Through a series of case-studies it presents a counter-narrative to the established idea of authorial self-fashioning. -- .

William Shakespeare's The Rape of Lucrece and John Donne's Holy Sonnets are read against the background of concepts of the soul during the early modern period. This approach provides new insights into concepts of interiority and performance as well as a new understanding of the soliloquy in both poetry and drama. -- .

An essential supplement to Pastoral poetry of the English Renaissance: An anthology. The full-length introduction offers a historical and critical analysis of the pastoral tradition and the circulation of texts. -- .

Spenser and Shakespeare both wrote with epic scope, a comprehensive view of human nature, but their characters and plots sprung from radically distinct psychologies. Renaissance psychologies explores this polarity, questioning the very distinct concepts of these two great poets and how they are related. -- .

A detailed study of Spenser's poetic legacy, focusing on his reputation as a satirist and his influence on satirical poetry written by his contemporaries. -- .

Critical analysis of the importance and influence of Elizabethan biblical typology on Spenser and the composition of the Faerie Queene. -- .

Situates the poem in its political and religious context while offering a full textual analysis. -- .

The first ever book-length account of Spenser's monsters and their relation to the poetic imagination in the Renaissance. -- .

This book is the first to examine life in the leading province of Elizabeth I's nascent empire, an Ireland of colonizing English farmers and an imported Protestant elite living in fortified manors and medieval castles

Innovative approach and study of Spenser's literature. Original ideas and perspectives methodolodgy when studying Spenser. Will appeal to wide market of Renaissance students.

This volume updates current assumptions about the early modern English sonnet and its reception and inclusion in poetic collections. It deals both with major (Shakespeare, Sidney, Spenser) and minor (Harvey, Barnes) sonneteers, and includes the first modern edition of a 1603 printed miscellany, The Muses Garland. -- .

Rereading Chaucer and Spenser: Dan Geffrey with the New Poete offers dynamic new approaches to the relationship between the works of Geoffrey Chaucer and Edmund Spenser. Contributors draw on current and emerging preoccupations in contemporary scholarship and offer new perspectives on poetic authority, influence, and intertextuality. -- .

This edited collection of essays, part of The Manchester Spenser series, brings together leading Spenser and Donne scholars to challenge the traditionally dichotomous view of these two major poets and to shift the critical conversation towards a more holistic, relational view of the two authors' poetics and thought. -- .

The volume's broad focus and extended timeline offer an unprecedented and comprehensive consideration of the features of renaissance that may be traced to the city from the fifteenth to the seventeenth century.

This collection of essays covers a wide range of topics about Ralegh's diversified career and achievements. The essays shed light on less familiar facets such as Ralegh as a father and his representation in the Arts; others re-examine him as poet, historian, and figure of controversy. -- .

A meticulous study of a significant early modern manuscript. -- .

An invaluable, unique collection that combines classic texts with little-known material. This book will give a uniquely full picture of one of the most fashionable and dynamic areas of Renaissance poetry. -- .