Bøger i The New Middle Ages serien

Old Norse texts offer different ideas about what it is to be female, presenting women in diverse social and economic positions. This book analyzes female characters in medieval Icelandic saga literature, and demonstrates how they engaged with some of the most contested values of the period, revealing the anxieties of both the authors and audiences.

This book is concerned with our ideological, technical and emotional investments in reclaiming medieval for contemporary popular culture. The authors illuminate both medieval and contemporary popular culture in surprising and productive ways while interrogating the many ways in which metamedievalism reinterprets and reconceptualises the medieval.

This book seeks to understand the music of the later Middle Ages in a fuller perspective, moving beyond the traditional focus on the creative work of composers in isolation to consider the participation of performers and listeners in music-making.

Medieval Irish texts reveal distinctive and unexpected constructions of gender. Constructing Gender in Medieval Ireland illuminates these ideas through its fresh and provocative re-readings of a wide range of texts, including saga, romance, legal texts, Fenian narrative, hagiography, and ecclesiastical verse.

Bringing the skills of a literary historian to the subject, Brian Moloney considers the genesis of Saint Francis of Assisi's Canticle of Brother Sun to show how it works as a carefully composed work of art. The study examines the saint's life and times, the structure of the poem, the features of its style, and the range of its possible meanings.

Providing new and challenging ways of understanding the medieval in the modern and vice versa, this volume highlights how medieval aesthetic experience breathes life into contemporary cinema. Engaging with the subject of time and temporality, the essays examine the politics of adaptation and our contemporary entanglement with the medieval.

Addressing the myriad ways in which heresy accusations could fulfill political aims during the Middle Ages, this collection shows acts of heresy were not just influenced by religion. Essays examine individual cases, in addition to the close relationship of orthodoxy and political dominance in medieval games of power.

Drawing from theatre, English studies, and art history, among others, these essays discuss the challenges and rewards of teaching medieval and early modern texts in the 21st-century university. Topics range from the intersections of race, religion, gender, and nation in cross-cultural encounters to the use of popular culture as pedagogical tools.

This book analyzes the interaction between gender and species in Chaucer's poetry and strives to understand his adaptation of medieval discourse through an ecofeminist lens. Works that either speak of animals, or those with animals speaking, give new insights into the medieval textual handling of the 'others' of society.

This collection fills that gap: it outlines the full reception history from the extant manuscripts to the present day, looking at Julian in devotional cultures, in modernist poetry and present-day popular literature, and in her iconography in Norwich, both as a pilgrimage site and a tourist attraction.

This book examines the scholarly construction of Geoffrey Chaucer in different historical eras, and challenges long-standing assumptions to enhance the theoretical dialogue on Chaucer's historical reception.

Contributors demonstrate how the tools of various intellectual disciplines can be used to examine what we now know about the story of Saint Francis in his own era and how that story has been appropriated in our period.

Women often appear invisible in what is widely perceived as the male-oriented society of Islam. Women in the Medieval Islamic World seeks to redress the balance with a series of original essays on women in the pre-modern phase of Islamic history. The reader will encounter here a colorful portrait gallery of rulers, politicians, poets and patrons, as well as some larger than life fictitious females from the pages of Arabic, Persian and Turkish literature. No less authentic are the accounts of quiet or troubled lives of ordinary women preserved in the court records of Mamluk Egypt and Ottoman Turkey, reminders that historical research can resuscitate the lives of subaltern as well as elite women from the past. For people who believe that Muslim women, especially medieval Muslim women, have no history, this book demonstrates the ways in which research by twenty international scholars - sometimes working in their own distinct fields and sometimes in overlapping areas - can bring into focus the role and contribution of women in the development of Islamic history. There will no longer be an excuse for their exclusion.

Heloise, the twelfth-century French abbess and reformer, emerges from this book as one of history's most extraordinary women, a thinker-writer of profound insight and skill.

Chaucer s Pardoner and Gender Theory, the first book-length treatment of the character, examines the Pardoner in Chaucer s Canterbury Tales from the perspective of both medieval and twentieth-century theories of sex, gender, and erotic practice.

While scholarship in lesbian/gay studies, queer studies, and studies of gender and sexuality has had an enormous impact on medieval studies, little attention has been paid thus far to women who chose to live according to same-sex affectivity and desire.

Women often appear invisible in what is widely perceived as the male-oriented society of Islam. Women in the Medieval Islamic World seeks to redress the balance with a series of original essays on women in the pre-modern phase of Islamic history. The reader will encounter here a colourful portrait gallery of rulers, politicians, poets and patrons, as well as some larger than life fictitious females from the pages of Arabic, Persian and Turkish literature. No less authentic are the accounts of quiet or troubled lives of ordinary women preserved in the court records of Mamluk Egypt and Ottoman Turkey, reminders that historical research can resuscitate the lives of subaltern as well as elite women from the past. For people who believe that Muslim women, especially medieval Muslim women, have no history, this book demonstrates the ways in which research by twenty international scholars - sometimes working in their own distinct fields and sometimes in overlapping areas - can bring into focus the role and contribution of women in the development of Islamic history. There will no longer be an excuse for their exclusion.

This book examines the broad varieties of religious belief, religious practices, and the influence of religion within medieval society.

Exploration of the emotionologies of several medieval, romance emotional communities through both fictional and non-fictional narratives. The contributors analyze texts from different linguistic traditions and different periods, but they all focus on women characters.

Exploring the relation between sexuality and cosmology in a variety of literary texts from the tenth to the sixteenth centuries, the essays reveal that medieval authors, whether lay or religious, Christian or Jewish, were grappling with the same sets of questions about sexuality as people are today.

The Anglo-Scottish Border and the Shaping of Identity, 1350-1600 explores the roles that Scotland and England play in one another's imaginations. This collection of essays brings together eminent scholars and emerging voices from the frequently divergent fields of English and Scottish medieval studies.

Providing new and challenging ways of understanding the medieval in the modern and vice versa, this volume highlights how medieval aesthetic experience breathes life into contemporary cinema. Engaging with the subject of time and temporality, the essays examine the politics of adaptation and our contemporary entanglement with the medieval.

This book is concerned with our ideological, technical and emotional investments in reclaiming medieval for contemporary popular culture. The authors illuminate both medieval and contemporary popular culture in surprising and productive ways while interrogating the many ways in which metamedievalism reinterprets and reconceptualises the medieval.

This collection of essays uncovers a wide array of medieval writings on cosmopolitan ethics and politics, writings generally ignored or glossed over in contemporary discourse. Medieval literary fictions and travel accounts provide us with rich contextualizations of the complexities and contradictions of cosmopolitan thought.

This collection fills that gap: it outlines the full reception history from the extant manuscripts to the present day, looking at Julian in devotional cultures, in modernist poetry and present-day popular literature, and in her iconography in Norwich, both as a pilgrimage site and a tourist attraction.

Key scholars in the field of lesbian and sexuality studies take part in an innovative conversation that offers a radical new methodology for writing lesbian history and geography, drawing new conclusions on the important and often overlooked work being done on female same-sex desire and identity in relation to premodern cultures.

This book uses the methodologies of cultural studies and the history of the book to show how editors and readers of the Sixteenth through the early Nineteenth century successively remade Piers Plowman and its author according to their own ideologies of the Middle Ages.

The medieval film genre is not, in general, concerned with constructing a historically accurate past, but much analysis nonetheless centers on highlighting anachronisms.

This study explores the extraordinary afterlife of the Spanish legend of King Roderick and La Cava in plays, poems, novels and operas from the Eighth century to the present day.

This book examines marvels as tangible objects in the literary, courtly, and artisanal cultures of medieval England, but these clever devices, neither wholly semiotic nor purely positivist objects, are imbued with diverse cultural significance that illuminates in new ways the familiar literature of the Ricardian period.