Bøger i Toposophia: Sustainability, Dwelling, Design serien

This book is a phenomenological investigation of the interrelations of tradition, memory, place and the body. Drawing upon philosophers such as Husserl, Heidegger, Merleau-Ponty, Gadamer, and Ricoeur, Janet Donohoe uses the idea of a palimpsest to argue that layers of the past are carried along as traditions, through places and bodies, such that we can speak of memory as being written upon place and place as being written upon memory. In dialogue with theorists such as Jeff Malpas and Ed Casey, Donohoe focuses on analysis of monuments and memorials to investigate how such deliberate places of collective memory can be ideological, or can open us to the past and different traditions. The insights in this book will be of particular value to place theorists and phenomenologists in disciplines such as philosophy, geography, memory studies, public history, and environmental studies.

Arguing that the universe is absolutely directioned and that there exist spatial (directional) relations that Leibniz overlooked, H. Scott Hestevold formulates a new relationalist theory of space, exploring its implications for the Special Composition Question, reductivism regarding boundaries and holes, and the nature of spacetime.

Reading the Islamic City offers insights into the implications the practices of the Maliki school of Islamic law have for the inhabitants of the Islamic city, the madinah. The problematic term madinah fundamentally indicates a phenomenon of building, dwelling, and urban settlement patterns that evolved after the 7th century CE in the Maghrib (North Africa) and al-Andalusia (Spain). Madinah involves multiple contexts that have socio-religious functions and symbolic connotations related to the faith and practice of Islam, and can be viewed in terms of a number of critiques such as everyday lives, boundaries, utopias, and dystopias. The book considers Foucault's power/knowledge matrix as it applies to an erudite cadre of scholars and legal judgments in the realm of architecture and urbanism. It acknowledges the specificity of power/knowledge insofar as it provides a dominant framework to tackle property rights, custom, noise, privacy, and a host of other subjects. Scholars of urban studies, religion, history, and geography will greatly benefit from this vivid analysis of the relevance of the juridico-discursive practice of Maliki Law in a set of productive or formative discourses in the Islamic city.

Environmental Dilemmas focuses on the ethical problems and dilemmas that emerge in place-based professional practices-architecture, landscape architecture, planning, engineering, and construction management. Mugerauer and Manzo connect decision-making to major ethical theories, principles, and rules, and professional codes of ethics.

Geographical works, as socially constructed texts, provide a source for historians and historians of science investigating the social institution of patronage, and the governmental initiatives and support for the science. This work also shows how for two centuries (1594-1789), the Bourbon dynasty developed patron-client relations with mapmakers.

Drawing upon the massive redevelopment catalyzed by the government-led urban renewal in Hong Kong in the past two decades, Shu-Mei Huang recharges the story of post-colonial Hong Kong through care, displacement, and how care is displaced in urban governance. Theorizing ';carescapes' as a heuristic device, Huang tracks how care is displaced, undervalued and even exploited in transforming urban landscape.In a rather counter-intuitive way, Urbanizing Carescapes of Hong Kong: Two Systems, One City considers the post-colonial picturing of ';One Country, Two Systems' as insufficient if not misleading in understanding the city of Hong Kong and its changing ties with the world. Huang illustrates the way in which each urban citizen is propelled to be a self-enterprising subject and local urban initiatives are becoming cross-border investments upon global mobility. In an era when putatively both the talents and capital are moving toward Asia, the book illuminates how dynamism of colonialism is sustained rather than disappears within the two systems in one city.

Mapping and Charting for the Lion and the Lily: Map and Atlas Production in Early Modern England and France is a comparative study of the production and role of maps, charts, and atlases in early modern England and France, with a particular focus on Paris, the cartographic center of production from the late seventeenth century to the late eighteenth century, and London, which began to emerge (in the late eighteenth century) to eclipse the once favored Bourbon center. The themes that carry through the work address the role of government in map and chart making. In France, in particular, it is the importance of the centralized government and its support for geographic works and their makers through a broad and deep institutional infrastructure. Prior to the late eighteenth century in England, there was no central controlling agency or institution for map, chart, or atlas production, and any official power was imposed through the market rather than through the establishment of institutions. There was no centralized support for the cartographic enterprise and any effort by the crown was often challenged by the power of Parliament which saw little value in fostering or supporting scholar-geographers or a national survey.This book begins with an investigation of the imagery of power on map and atlas frontispieces from the late sixteenth century to the seventeenth century. In the succeeding chapters the focus moves from county and regional mapping efforts in England and France to the ';paper wars' over encroachment in their respective colonial interests. The final study looks at charting efforts and highlights the role of government support and the commercial trade in the development of maritime charts not only for the home waters of the English Channel, but the distant and dangerous seas of the East Indies.

Is there an allure of spoiled places? Spoil islands are overlooked places that combine dirt with paradise, waste-land with ';brave new world,' and wildness with human intervention. Although they are mundane products of dredging, these islands form an uninvestigated archipelago that demonstrates the potential value and contested re-valuation of landscapes of waste. To explore these islands, Spoil Island: Reading the Makeshift Archipelago navigates a course along the U.S. east coast, moving from New York City to Florida. Along the way, a general populace squats, picnics, and reflects on the islands, while other forces are also at work. New York City parks commissioner Robert Moses first deplores then adopts Hoffman and Swinburne Islands, UN Secretary General U Thant meditates on the East River's Belmont Island, businessman John D. MacArthur rejects the purchase of Peanut Island, artist Christo surrounds Miami's spoil islands, Key Westers debate the futures of two spoil islands that mark their sunset view, and artist Robert Smithson augments this archipelago materially and conceptually. Historical and contemporary stories highlight each island's often contradictory ecologies that pair nature with infrastructure, public concerns with private development, rationalized urbanism with artistic impulse, and order with disorder. Spoil islands put you in places you normally wouldn'tand perhaps shouldn'tbe. To examine these marginalized topographies is to understand emergent concerns of twenty-first-century place-making, public space, and natural and artificial infrastructure. Today, spoil islands constitute an unprecedented public commons, where human agency and nature are inextricably linked.Spoil Island will be of interest to anyone working in the areas of architecture, cultural history, cultural geography, environmental studies, or environmental philosophy. Linking the islands with their environmental aesthetics, Charlie Hailey provides a lively and critical topography of places that play a part in current events and local situations with global implications.

This book shows that a concept of activity timespace drawn from the work of Martin Heidegger provides new insights into the nature of activity, society, and history. Although the book is a work of theory, it has significant implications for the determination and course, not just of activity, but of sociohistorical change as well. Drawing on empirical examples, the book argues (1) that timespace is a key component of the overall space and time of social life, (2) that interwoven timespaces form an essential infrastructure of important social phenomena such as power, coordinated actions, social organizations, and social systems, and (3) that history encompasses constellations of indeterminate temporalspatial events. The latter conception of history in turn yields a propitious account of how the past exists in the present. In addition, because the concept of activity timespace highlights the teleological character of human action, the book contains an extensive defense of the teleological character of such allegedly ateleological forms of activity as emotional and ceremonial actions. Since, finally, the book's ideas about timespace and activity as an indeterminate event derive from an interpretation of Heidegger, the work furthers understanding of the relevance of his thought for social and historical theory.

Mysticism and Architecture: Wittgenstein and the Palais Stonborough is a multi-disciplinary study of the Viennese palais that the philosopher Ludwig Wittgenstein helped design and build for his sister shortly after he abandoned philosophy for more practical activities and during the period that supposedly separates his 'early' from his 'late' philosophy. Weaving together discussions of a number of social, political, and cultural developments that helped to give fin-de-si_cle Vienna its character - including the late modernization of Austrian society, industry, and economy; the construction of Vienna's Ringstrasse; the slow decay of the Hapsburg monarchy; and the failure of Austrian liberalism; as well as Tolstoy's religiously-based ethical views; Adolf Loos's critique of architectural ornament; Karl Kraus's analysis of Vienna's decadence; Kierkegaard's and Nestroy's views on the importance of indirect communication; Otto Weininger's theory of the nature and duty of genius; Camillo Sitte and Otto Wagner's dispute over good urban form; Schopenhauer's aesthetic theories and his 'Eastern' philosophy of life; and Russell and Frege's philosophical and logical theories - the book presents a philosophical biography of Wittgenstein reminiscent of, but substantially different from, Janik and Toulmin's Wittgenstein's Vienna. This philosophical biography underpins a new interpretation of the house which argues that the house belongs to neither architectural Modernism, nor Postmodernism, but is instead caught between those two movements. This analysis of the house, in turn, grounds a new interpretation of Wittgenstein's philosophical works that emphasizes their mystical nature and practical purpose. Finally, this interpretation shows the unity of these works while simultaneously suggesting an underlying flaw; namely, that they arise from two fundamentally-opposed worldviews present in Vienna during Wittgenstein's youth, 'aesthetic modernism' and 'critical modernism.'