Bøger i Wiley-Blackwell Manifestos serien

After Kenneth W. Warren's What Was African American Literature?, Margo N. Crawford delivers What is African American Literature?The idea of African American literature may be much more than literature written by authors who identify as "Black". What is African American Literature? focuses on feeling as form in order to show that African American literature is an archive of feelings, a tradition of the tension between uncontainable black affect and rigid historical structure. Margo N. Crawford argues that textual production of affect (such as blush, vibration, shiver, twitch, and wink) reveals that African American literature keeps reimagining a black collective nervous system.Crawford foregrounds the "idea" of African American literature and uncovers the "black feeling world" co-created by writers and readers. Rejecting the notion that there are no formal lines separating African American literature and a broader American literary tradition, Crawford contends that the distinguishing feature of African American literature is a "moodscape" that is as stable as electricity. Presenting a fresh perspective on the affective atmosphere of African American literature, this compelling text frames central questions around the "idea" of African American literature, shows the limits of historicism in explaining the mood of African American literature and addresses textual production in the creation of the African American literary tradition.Part of the acclaimed Wiley Blackwell Manifestos series, What is African American Literature? is a significant addition to scholarship in the field. Professors and students of American literature, African American literature, and Black Studies will find this book an invaluable source of fresh perspectives and new insights on America's black literary tradition.

Christianity is the world's largest religious grouping. It has undergone massive change in the 20th century, and seems poised to undergo major transformations in the next. This text examines these changes, and their implications for the future.

This manifesto traces the genealogy of "true religion" in the western world. It charts changes in our understanding of the term from Shakespeare to Salmon Rushdie, pointing out how closely linked those changes are to secularism, liberalism, and the development of capitalism.

Focuses on discriminating different meanings of culture, as a way of introducing the debates around it. This book offers a critique of postmodern 'culturalism', arguing instead for a more complex relation between Culture and Nature, and trying to retrieve the importance of such concepts as human nature from a non-naturalistic perspective.

Addresses anxieties about theory and claims that it still has a crucial role to play. This book sketches its genealogy, particularly its relation to surrealism, philosophy, and the hard sciences. It proposes that theory, like hysteria, consistently points out the inadequacies of official, serious and 'masterful' knowledge.

In this manifesto, distinguished critic Wayne Booth claims that communication in every corner of life can be improved if we study rhetoric closely. aeo Written by Wayne Booth, author of the seminal book, The Rhetoric of Fiction (1961). aeo Explores the consequences of bad rhetoric in education, in politics, and in the media.

This important Manifesto argues that we still need a concept of society in order to make sense of the forces which structure our lives.

Presents the history of the idea of popular culture. This book traces the invention and reinvention of the concept of popular culture from the eighteenth-century 'discovery' of folk culture to accounts of the cultural impact of globalization. It argues that the idea of popular culture is an invention of intellectuals.

* Asks what literary criticism should do in the post--theory era. * Articulates the case for a theoretically aware but textually centred literary studies. * Controversial in its privileging of texts over readings and in its insistence on the rehumanisation of literary studies.

In this major contribution to debates about English identity, leading theorist Robert J.C. Young argues that Englishness was never really about England at all. In the nineteenth century, it was rather developed as a form of long-distance identity for the English diaspora around the world.

Argues that it is only at the turn of the 21st century that the powerful lessons of the avant-garde - an avant-garde cruelly disrupted by the Great War and subsequent political upheavals - were learned. This book offers readings of T S Eliot, Gertrude Stein, Marcel Duchamp, and Velimir Khlebnikov. It examines various related poetic concerns.