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In 1301, fifteen-year-old Thom Wakefield stood in the northeast turret of Chillingham Castle looking out over the landscape spread before him. His family owns this land as far as the eye can see.
"Girolamo Savonarola was a Dominican friar living in Florence at the end of the fifteenth century. An anti-corruption campaigner, his hellfire preaching increasingly spilled over into tirades against all luxuries that tempted his followers toward sin. ... Mina brings a modern take to this ... historical story, drawing parallels between the febrile atmosphere of medieval Florence and the culture wars of the present day. In dramatizing the life and last days of Savonarola, she explores the downfall of the original architect of cancel culture"--Publisher marketing.
"Artemisia Gentileschi, growing up in a family of all-male painters, dreams of becoming a great artist in 1611 Rome and completes lesson after lesson until a mysterious tutor threatens her honor and virtue and she is put on trial"--]cProvided by publisher.
In Courtly Mediators, Leah R. Clark investigates the exchange of a range of materials and objects, including metalware, ceramic drug jars, Chinese porcelain, and aromatics, across the early modern Italian, Mamluk, and Ottoman courts. She provides a new narrative that places Aragonese Naples at the center of an international courtly culture, where cosmopolitanism and the transcultural flourished, and in which artists, ambassadors, and luxury goods actively participated. By articulating how and why transcultural objects were exchanged, displayed, copied, and framed, she provides a new methodological framework that transforms our understanding of the Italian Renaissance court. Clark's volume provides a multi-sensorial, innovative reading of Italian Renaissance art. It demonstrates that the early modern culture of collecting was more than a humanistic enterprise associated with the European roots of the Renaissance. Rather, it was sustained by interactions with global material cultures from the Islamic world and beyond.
A great mind and a formidable personality, Brahe is also the world's most illustrious noseless man of his time. Told by Brahe and his assistants-a filthy cast of characters-Sublunar is both novel and almanac. Alongside sexual deviancy, spankings, ruminations on a new nose-flesh, wood, or gold?-Brahe (a choleric and capricious character) and his peculiar helpers ("I would rather watch her globes tonight than icy stars") take painstainking measurements that will revolutionize astronomy, long before the invention of the telescope. Meanwhile the plague rages in Europe...The second in Voetmann's triptych of historical novels, Sublunar is as visceral, absurd, and tragic as its predecessor Awake, but with a special nocturnal glow and a lunatic-edged gaze trained on the moon and the stars.
An important reference work on the Flemish and Dutch art of drawing from the sixteenth to the eighteenth century, with masterly drawings from the collection of the Royal Library of Belgium (KBR)
This beautiful book brings you the very best of art throughout history - using a truly innovative timeline-led approach. Savour iconic paintings such as Leonardo da Vinci's Last Supper and Monet's Waterlilies, and discover less well-known artists, styles, and movements the world over - from Indigenous Australian art to the works of Ming-era China. And explore recurring themes, such as love and religion, and important genres from Romanesque to Conceptual art, along the way. Timelines of Art provides detailed analysis of the works of key artists, showing details of their technique - such as Leonardo's use of light and shade. It tells the story of avant-garde works like Manet's Le Déjeuner sur l'herbe (Lunch on the Grass), which scandalised society, and it traces how certain artists, genres or movements informed the works of others - showing how the Impressionists were inspired by Gustave Courbet, for example, or how Van Gogh was influenced by Japanese prints.Comprehensive, accessible, and lavishly illustrated throughout, Timelines of Art is an essential guide to the pantheon of world art, so dive straight into discover: - An overview of each movement, including the social and cultural background of the period, grounds the works of art in the spirit of their times.- Turning-point paintings that triggered or epitomised each artistic movement are identified and explained, against a backdrop of influences - the technical advances, admired techniques of an earlier artist, and changes in society that enabled new directions in art.- Glossary of technical terms and comprehensive index help make this an indispensable work of reference for any art-lover.Timelines of Art is the perfect art history book for students of art and/or history, proving ideal for families, schools and libraries and doubling up as a great gift for the art lover in your life.
Early modern views of nature and the earth upended the depiction of land. Landscape emerged as a site of artistic exploration at a time when environments and ecologies were reshaped and transformed. This volume historicizes the contingency of an ever-changing elemental world, reframing and reimagining landscape as a mediating space in the interplay between the natural and the artificial, the real and the imaginary, the internal and the external. The lens of the "unruly" reveals the latent landscapes that undergirded their conception, the elemental resources that resurfaced from the bowels of the earth, the staged topographies that unsettled the boundaries between nature and technology, and the fragile ecologies that undermined the status quo of human environs. Landscape and Earth in Early Modernity: Picturing Unruly Nature argues for an art history attentive to the vicissitudes of circumstance and attributes the regrounding of representation during a transitional age to the unquiet landscape.
"Mix-ups and mishaps befall Athens and its people when suddenly everyone is in love with the wrong person, and Fairy King Oberon does his best to untangle the mess"--
"When three witches foretell that Scottish general Macbeth will be king, he and his wife decide to fulfill the prophecy by murdering the present king in his sleep"--
After the death of Denmark's King Hamlet, his ghost appears and tells his son, also called Hamlet, to avenge his wrongful death, which leads to more tragedy. Includes discussion prompts, fun facts, a short biography of Shakespeare, and famous phrases from the play. Aligned to Common Core standards and correlated to state standards. Graphic Planet is an imprint of Magic Wagon, a division of ABDO.
Quinten Massys' An Old Woman ('The Ugly Duchess') is one of the Renaissance's most famous faces. In a fresh review of the iconic image, this book unveils the painting's original context: its status as a pioneering work of satirical art, its debt to Leonardo da Vinci's grotesque drawings, and what it tells us about the period's complex attitudes towards women, age and normative beauty. The painting and its partner, An Old Man, are parodic portraits that mock the supposed lust and vanity of older women. Yet a closer look also reveals a figure defiantly flouting conventions and a painter subverting artistic expectations. The publication traces the eventful afterlife and enduring power of this seminal image: how she gained her nickname 'The Ugly Duchess' and inspired John Tenniel's much-loved illustrations of Lewis Carroll's Alice's Adventures in Wonderland (1865), capturing the imagination of generations of readers. Exhibition: National Gallery, London, UK (16.03.2023-11.06.2023).
"This is the first comprehensive and interdisciplinary study of sympathy in the early modern period, providing an extensive and deeply researched examination of its development in Anglophone literature and culture"--
"La mejor de las novelas de Mario Conde: el asesinato de un exdirigente cubano en el momento de mâaxima efervescencia en Cuba con la visita de Barack Obama." --
Examines the function of violence in the making of the anatomical image during the early modern era, exploring its effects on the production of knowledge and on concepts of the body.
Explores sacred portraits in early modern Spain and Latin America and their use in mediating an individual's relationship to the divine, emphasizing the role of the spectator in the production of meaning.
"Examines internet virality as a critical framework for considering early modern artworks' global mobility and replication. Explores the role of artistic labor, gatekeepers, infrastructures, and social networks to reassess art's role in processes of globalization"--
Baroque depictions of violence are often dismissed as `over the top¿ and `excessive¿. Their material richness and exciting visual complexity, together with the visceral engagement they demand from beholders, are usually explained in literature as reflecting the presumed violence of early modern society. This book explores the intersection between materiality, excess, and violence in seventeenth-century paintings through a close analysis of some of the most iconic works of the period. Baroque paintings expose or reference their materiality by insisting on various physical changes wrought through violence. This study approaches violence as the work of materiality, which has the potential to analogously stage pictorial surfaces as corporeal surfaces, where paint becomes flayed flesh, canvas threads ruptured skin, and red paint spilt blood.
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