Bøger om År 1500 til 1599

Great European planetary festival in Dresden: a serial killer sends out poison horoscopes.Police student Max, severely disturbed by combat missions in Afghanistan, and his Evi, a petty criminal bakery clerk from Upper Lusatia, go in search of clues. While she hunts poisoners in the pulsating Florence on the Elbe, he accompanies the star astrologer Scultetus as a bodyguard to the end of the world.Art Nouveau palace in Prague, Chinese pagoda on the Canary Islands, heavenly priests of the Sahara, Istanbul horoscope scholars, alpine castle with scary witch, planetary avenues on the Atlantic, Scottish druid circles, star hall in Øresund, secret studies in Warsaw, examination by granite-headed lodge brothers and odyssey through the Zittau mountains, escape and return to Dresden.Showdown on the roof of the European Central Bank in Frankfurt am Main. And on, on and on, to the city of dawn in distant India.

This volume charts alternative courses through history via the physical conditions and artisanal ecologies in which cultural artifacts were created in Europe from roughly 1400 to 1700. Maker Space: Creative Environments in Early Modern Europe asks how spatial considerations initiated, supported, and thwarted creative activities and highlights points of intersection and overlap across practices that we otherwise tend to think of as separate. Scholars have long had an interest in, for instance, the workshop, laboratory, studiolo, or Kunstkammer as distinct places of production--named coordinates that situate social and technical actions in a defined context. The essays in this volume use the less fixed notion of space to break open such typologies, emphasizing the fluid, improvisational, and idiosyncratic aspects of creative work. They demonstrate how the ever-shifting array of tools, materials, environmental conditions, and bodies involved in artisanal production redirects our attention to the shared conditions that unite various enterprises of intellection, imagination, experimentation, and making. The book comprises a series of short case studies and extended meditations on particular sites where the work of the mind and hand coincided, from mines, arsenals, theaters, and imagined hermitages to tailors' shops, artists' workshops, the home, and even the space of a chemist's notebook. This format of short and long essays animates the story of early modern making and thinking practices at various scales. The specifics of these case studies move us away from either totalizing or categorical views that would gloss over the fluid, messy, and insistently material conditions of daily work--that is, the raw material of history. These essays also suggest fundamental shared concerns--from environmental and moral control to the conditions necessary for the mental demands of making--that supersede distinct makers or creative practices.

An original survey of the Renaissance painter's life and work. This book is a concise survey of the life of the Florentine painter Piero di Cosimo (1462-1522) within his social and cultural surroundings. Delving into the artist's deliberately idiosyncratic life, the book shows how di Cosimo chose to live in squalor--eating nothing but boiled eggs cooked fifty at a time in his painting glue. Sarah Blake McHam shows how the artist became a favorite among sophisticated patrons eager for pagan artworks featuring Greco-Roman mythological subjects as well as orthodox, but never ordinary, religious altarpieces and private devotional paintings. The result is a newly accessible introduction to the life of this important Renaissance artist.

The outcome of a scientific conference organized in November 2021, this volume aims to provide a picture of how the aristocratic political class of France and Moldavia sought to challenge monarchical power and how the latter tried to reassert itself in face of this turbulent nobility, in the context of the endemic civil wars that plagued both countries during the chosen period. For this purpose, this volume tries to analyze both the ideological issues involved in these endemic struggles, as they appear in the propaganda of the period, and the practical aspects and consequences (political intrigues or military developments) of the conflictual relationship between the rulers of these countries and their discontented nobles. Divided into two sections, one dedicated to the case of France during the Wars of Religion, the other to Moldavia from the beginning of the sixteenth century to the end of the seventeenth century, this volume is also the result of a collaborative work between French and Romanian academics, who thus tried to bridge what seemed like a (large) geographical gap in order to benefit from different perspectives and thus gain a better insight into different (but maybe not so different) models of early modern European political cultures. In the end, despite the distance between them, in early modern France and Moldavia, to effectively challenge the authority of the king or prince, one had to take up arms: and the nobility, who imagined itself first and foremost as a military order, did exactly that. But there is more to this clash between ruler and rebels than a mere contest of military strength. Despite the apparent political and cultural differences between early modern France and Moldavia, there is one common feature that influenced the behaviour of the rebels in both countries: the need for a justification of the revolt. Since the rebels operated in a political environment where the king (or the prince) was the source of all legitimacy (in particular, the nobility was beholden to the traditional aristocratic ethos of loyalty towards the ruler) and this common mentality of politics shaped the actions of the ruling class, they had to persuade the public opinion (domestic or international) of the righteousness of their cause.

The first fully comprehensive biography of the young Elizabeth I in over twenty years, drawing on a rich variety of primary sources from both Elizabeth herself and those closest to her during her tumultuous youth.

Early modern printmakers trained observers to scan the heavens above as well as faces in their midst. Peter Apian printed the Cosmographicus Liber (1524) to teach lay astronomers their place in the cosmos, while also printing practical manuals that translated principles of spherical astronomy into useful data for weather watchers, farmers, and astrologers. Physiognomy, a genre related to cosmography, taught observers how to scrutinize profiles in order to sum up peoples' characters. Neither Albrecht Dürer nor Leonardo escaped the tenacious grasp of such widely circulating manuals called practica. Few have heard of these genres today, but the kinship of their pictorial programs suggests that printers shaped these texts for readers who privileged knowledge retrieval. Cultivated by images to become visual learners, these readers were then taught to hone their skills as observers. This book unpacks these and other visual strategies that aimed to develop both the literate eye of the reader and the sovereignty of images in the early modern world.

Lily Thornton waited two long years for the return of her beloved husband, the Earl of Arnsbury. But the man she married in secret has no memory of her.After being tortured in India, Matthew Larkspur can hardly return to a normal existence. He cannot sleep at night, and he knows he is not the man Lily needs. A haunted darkness festers inside him, turning him into a beast who does not deserve the love of a beauty.But beneath his tormented scars lies the man Lily has loved all her life. And she refuses to give up on him, especially when his wildness stirs her blood...

"A rollicking ... romp that tells the true story of an obsessive quest [by the English courtier and explorer Sir Walter Raleigh] to find El Dorado, set against the backdrop of Elizabethan political intrigue and a competition with Spanish conquistadors for the legendary city's treasure"--

FATE CAN BE CHANGED.CURSES CAN BE BROKEN.In a shabby house in the new capital of Madrid, Luzia Cotado uses scraps of magic to get through her days of endless toil. But when her scheming mistress discovers her scullion is hiding a talent for little miracles, she demands Luzia use those gifts to win over the royal court.Determined to seize this chance to better her fortunes, Luzia plunges into a world of power-hungry nobility, desperate kings, holy men and seers, where the lines between magic, science and fraud blur. With the pyres of the Inquisition burning, she must use every bit of her wit and resilience to win fame and hide the truth of her ancestry - even if that means enlisting the help of an embittered immortal familiar, whose own secrets could cost her everything.From Sunday Times bestselling author comes a bewitching novel, brimming with peril in a world where a woman's ambition can prove deadly.PRAISE FOR LEIGH BARDUGO''S BOOKS''Impossible to put down'' - Stephen King'A pacey read with electric prose' Independent'Crackling dialogue and sumptuous description. Bardugo dives deep into this world... if you're not careful, it'll steal all your time' New York Times'A master of fantasy' Huffington Post'Sultry, sweeping, picturesque' USA Today

Henri de Rohan (1579-1638) war eine facettenreiche Persönlichkeit: Militärführer und Publizist. Hochadliger und Hugenotte. Loyal und oppositionell. Er stiftete Unruhen in Frankreich und ging später in Richelieus Auftrag gegen die ¿Spanish Road¿ im Veltlin vor. Sein Traktat De l¿intérêt des princes et des Etats de la chrétienté wurde für den Interessen-Diskurs wegweisend. Erstmals geht eine geschichtswissenschaftliche Studie zahlreichen Veröffentlichungen und Briefen Rohans systematisch nach. Sie arbeitet sein Denken und Handeln quellenbasiert heraus und ordnet es in all seiner Widersprüchlichkeit in den Zusammenhang des Dreißigjährigen Krieges ein. Die Wechselwirkungen von Konfessionalisierung und Staatsbildung spielen dabei die entscheidende Rolle.

In 1519, at the Chateau Clos Luce in France, Anne Boleyn is the formal apprentice of Leonardo da Vinci. Leonardo is now an old man and working feverishly to build a clock that will end Anne's dark curse. Set upon her by the Goddess years ago when Anne unknowingly dabbled in black magic, the power of her curse has magnified. The terrible suffering that threatens Anne Boleyn now extends beyond her own timeline to a great great great granddaughter, some 500 years in the future.In present day, Ellie Bowlan, a history academic specializing in 16th century France, has worked herself to the bone and her relationship with John Chelsea is strained. John is the love of her life, but their careers have gotten in the way, and she is left feeling lost and betrayed. When Ellie's best friend asks her to attend his wedding at a medieval castle in France, she realizes this may be her chance to set things right. Until Ellie and John arrive at the wedding and discover something menacing about the owners of the Chateau Clos Luce.Leonardo and Anne are desperate to design the da Vinci clock, a device so ingenious it exists at the edge of science and magic itself. When it is built, the clock will not only be capable of keeping time, but also of bending it. But when Leonardo dies before the great invention is completed, Anne must act alone to find a way to finish the clock so she can find the girl in the future and save them both from a terrifying fate. For fans of time travel romance and historical fantasy, this tale embodies the atmosphere of Outlander with the setting of Tudor England. If you like Melanie Karsak, Diana Gabaldon, Philippa Gregory, and Alison Weir, you'll love this historical fiction and contemporary crossover.

This book provides a general overview of the daily life in a vast empire which contained numerous ethnic, linguistic, and religious communities.The Ottoman Empire was an Islamic imperial monarchy that existed for over 600 years. At the height of its power in the 16th and 17th centuries, it encompassed three continents and served as the core of global interactions between the east and the west. And while the Empire was defeated after World War I and dissolved in 1920, the far-reaching effects and influences of the Ottoman Empire are still clearly visible in today's world cultures.Daily Life in the Ottoman Empire allows readers to gain critical insight into the pluralistic social and cultural history of an empire that ruled a vast region extending from Budapest in Hungary to Mecca in Arabia. Each chapter presents an in-depth analysis of a particular aspect of daily life in the Ottoman Empire.

A history of two centuries of interactions among the areas bordering the western Indian Ocean, including India, Iran, and Africa.