Bøger om Abstrakt ekspressionisme

Dass Beck's art traces an "invisible thread" across cultural boundaries--the human need to discover, contemplate, and communicate via art. Part I focuses on non-Indian content, e.g. American and African, Part II on comparable Indian arts.

Der österreichische Maler Herbert Brandl hat sich mitseinen großformatigen, gestisch expressiven Arbeitenals einen der wichtigsten Vertreter der zeitgenössischenMalerei etabliert. Seine Bilder oszillieren zwischenAbstraktion und Gegenständlichkeit, Beobachtungen derNatur stehen häufig im Mittelpunkt seiner Arbeiten. Seinunbändiger Schaffensprozess und ein kraftvoller und experimentellerUmgang mit Farbe zeichnen sein faszinierendesWerk aus.Die Publikation dokumentiert Herbert Brandls AusstellungSpirit Lead Me in der Wiener Galerie nächst St. StephanRosemarie Schwarzwälder. Ein Interview von Hans UlrichObrist mit dem Künstler und die Beiträge von CathérineHug und Thomas D. Trummer vertiefen die Auseinandersetzungmit Brandls Werk.HERBERT BRANDL (*1959, Graz) zählt zu den bedeutendstenösterreichischen Künstlern der Gegenwart. Von 2004 bis 2019lehrte er als Professor an der Kunstakademie in Düsseldorf.2007 vertrat er Österreich bei der Venedig-Biennale und nahmneben zahlreichen internationalen Ausstellungen 1992 an derDocumenta IX in Kassel und 1989 an der São Paulo Biennale teil.

je te prie de passer chaque ta vie avec moi mais j'en ai malheureusement qu'une"Mélange de tragédie grotesque et de tentation ironique."Ce recueil ravive des sentiments mitigés ainsi qu'une nostalgie fantôme.

From today's perspective, Leon Polk Smith's dynamic, geometric abstractions can be understood as a missing link in art history. His work connects the European avant-garde with the American Abstract Expressionism of the 1940s and 1950s via references to the work of Piet Mondrian. Smith's pioneering role in the hard-edge style with its neat monochromatic fields of color as well as his shaped canvases are in turn developments that transpired from America to Europe. Departing from the rectangular canvas allowed Smith to conceive new interrelations between his sophisticated two-color compositions and the spatial context. Most notably, his unique Constellations series, created between 1967 and 1975, marks the high point of his career, and won him artistic acclaim beyond America's borders. Alongside the early compositions from the 1940s and the multi-part shaped canvases, this book features collages, reliefs and painted objects and proposes a new reception of Smith's decades-spanning oeuvre.LEON POLK SMITH (1906 - 1996) is one of the most important representatives of geometric abstraction. Born in Chickasha in the then called Indian Territory, later to become Oklahoma, his first paintings, created in the 1930s, are rooted in the indigenous culture that surrounded him. Smith moved to New York in 1944, where he came into contact with the works of Mondrian and De Stijl.

Marguerite Saegesser (1922-2011) achieved fame in the US, her adopted country for many years, where her prints and paintings were repeatedly shown in group and solo exhibitions in California and New York over a period of two decades. In her native Switzerland, however, the artist and her multifaceted oeuvre are yet to be discovered. This book fills this gap, featuring Saegesser's art with a special focus on the monotype, a printing technique developed in the 17th century and producing only a single original at a time. It also demonstrates how Saegesser, who initially studied sculpture in Lausanne, found her artistic destiny in America. Key to her evolution was San Francisco's lively art scene of the late 1970s, and in particular the painter Sam Francis, an outstanding representative of action painting and abstract expressionism, who became her friend and precursor. His fascination with the monotype quickly transferred to Saegesser, who soon achieved mastery in it and made a significant contribution to the revival of the historic technique.

American Bauhaus creates a space for the history of Black Mountain College, which provided a new creative home for many World War II refugees in Europe from 1933 to 1957 and allowed the Bauhaus to live on in the United States. A unique place of freedom and creativity that became home to some of the most important artists of the 20th century!In 1992, todays Partner and Creative Director at studio1500 Erik Schmitt attended the reunion of Black Mountain College in San Francisco. The school is credited with shaping some of the greatest artists in American history: Willem de Kooning, John Cage, Merce Cunningham, Buckminster Fuller, Franz Kline, and Robert Rauschenberg among them. Schmitt was invited because his two aunts and their family friend Ruth Asawa attended BMC. He took extensive notes that day and took photographs at the cocktail party after the event at Ruth Asawa's home. Those quotes and photographs are the foundation of the book American Bauhaus.

The first monograph on the overlooked American modernist whose delicate geometric abstractions made brilliant and innovative use of stringBalance, motion, suspension and tension form the guiding principles of the work of Sue Fuller (1914-2006), one of the most innovative artists in the field of geometric abstraction in the postwar United States. Initially a prominent figure in Stanley William Hayter's famous New York print workshop Atelier 17, Fuller developed an interest in geometric abstraction in the mid-1940s, which led her to adopt string as a tool to create three-dimensional compositions in a range of colors and varying densities across a light framing structure. Fuller is also known for her use of unconventional materials sourced from industrial sectors, including fishing lines and synthetic surfaces such as Lucite, which conserve the compositions' delicate tension and vivid color schemes in pristine condition to this day. Sue Fuller: Into the Composition is the first monographic study of Fuller's work and includes contributions by art historians Alex J. Taylor and Christina Weyl.

This exhibition catalogue presents around a hundred original works by Joan Miró (paintings, gouaches, drawings, ceramics, sculptures, etc.), from prestigious international public and private collections.

The bestselling and critically acclaimed monograph on one of the most influential painters of the twentieth century Willem de Kooning was a leading exponent of Abstract Expressionism. MoMA's 2011 de Kooning retrospective drew record crowds, and his prodigious achievements continue to provoke and inspire subsequent generations of artists such as Cecily Brown, Rebecca Warren, and Jonathan Lasker. This is the most wide-ranging and comprehensive monograph available on this artist. Sumptuously illustrated and produced, the book encompasses his major works and periods, including his controversial 'Woman' paintings, as well as a wealth of accompanying sketches and preparatory drawings. An illustrated chronology maps de Kooning's life, career, and work, with photographs from the artist's archive interspersed throughout the book, enriching the reader's understanding of the wider art-historical context of his paintings. Judith Zilczer's critically acclaimed monograph is an essential addition to the libraries of a new audience of readers and de Kooning enthusiasts, offering an unprecedented and compelling examination of his body of work.

An intensely intellectual painter, Robert Motherwell is renowned for his distinctive Abstract Expressionist style. The seminal artist permeated his gestural works with an expressionism and austerity reflective of the human psyche; at the same time his oeuvre addressed political and humanitarian themes.Robert Motherwell: Pure Painting is an in-depth exploration of his artistic practice. Leading art scholars examine the American artist's turn from Surrealism to abstraction and analyze the major series that developed over his fifty-year career. The catalogue studies the dialogue between Motherwell's art and the nineteenth-century French painting tradition, investigates his relationship to Spanish techniques and processes, with an emphasis on their underlying political significance, and delves into Motherwell's use of ochre pigment, with its evocation of both deep geological time and avant-garde practices.In 1940s New York City ROBERT MOTHERWELL (*1915, Aberdeen, WA-1991, Provincetown, MA) entered a milieu of artists whose radical new style of painting came to be known as Abstract Expressionism. A theorist of this informal group - including artists such as Mark Rothko, Jackson Pollock, and Willem de Kooning - he taught throughout his life.

78 vibrant colored illustrations jump off the page, stimulating the visual senses. To conclude the book, the reader counts globes scattered on each page, a coloring activity (Hardback ONLY), and journaling which is a form of self-expression!

The drunkenness of colors, traits and forms, has given rise to urban and alternative lifestyles, always in motion, and likely to be renewed. When she combines with the beauty of an iconoclastic and sober improvisation, she embellishes our vision of the sacred, in an unexpected way. The word 'Dervish' is a Persian word. It expresses the idea of a life that is based on humility, and on a blossomed interiority, in hatching. It is from this angle that, AKA Louis, proposes to us his second major opus of colorful sketches and paintings, giving us a glimpse of what can be a positive life, drawn with perseverence, in response of great difficulties of life, face to exclusion, stigma, and margin.It is by making the difference, an originality, that one come out of the flawed trap of the urban and modern world, that one finds, slowly but surely his path to light and peace.With the help of liners, alcohol felt pens and Indian Ink, watercolor soluble inks, and colorex, AKA Louis, proposes with 'Dervish/es', more than 63 color sketches, approaching, the multiple facets of existence, under the mode of an inner and ambitious voyage. The book also contains 7 poetic texts from the author, around the revisited theme of Dervishism, and Drunkenness. A very nice book to obtain urgently. Satisfaction garantee.

An exploration of Kasimir MalevichâEUR(TM)s Black Square and its precursors.

"Herin lies the confrontation with the dark soul of memorabilia & defeated short-liveliness. Those writings are imaginable somehow, & if imagined something like an discussion in old form, like talking to one's inner self with lots of desirable creed. In some kind of brainstorming the author snatched-up sentences which are only his willingness to keep a clear thought behind all the words he wrote off in a spell of charismatic fear & pain."

"This book will excite and inspire watercolor artists of all abilities to experiment and take a more dynamic approach to their painting ... Explore new mediums such as crackle paste, metallic leaf, and gilding flakes [and] play with print, modeling paste, stamping, and stencils"--

This volume documents a solo exhibition of paintings by French artist Fabienne Verdier (b.1962) at the Musee Unterlinden in Colmar, an inspired dialogue between her work and works in the permanent collection. Text in English and French.

A bristling and brilliant memoir of the mid-twentieth-century New York School of painters and their times by the renowned artist and critic Edith Schloss, who, from the early years, was a member of the group that shifted the center of the art world from Paris to New YorkThe Loft Generation: From the de Koonings to Twombly; Portraits and Sketches, 1942-2011 is an invaluable account by an artist at the center of a landmark era in American art. Edith Schloss writes about the painters, poets, and musicians who were part of the postwar movements and about her life as an artist in New York and later in Italy, where she continued to paint and write until her death in 2011.Schloss was born in Germany and moved to New York City during World War II. She became part of a thriving community of artists and intellectuals that included Elaine and Willem de Kooning, Larry Rivers, John Cage, and Frank O'Hara. She married the photographer and filmmaker Rudy Burckhardt. She was both a working artist and an incisive critic, and was a candid and gimlet-eyed witness of the close-knit community that was redefining the world of art. In Italy she spent time with Giorgio Morandi, Cy Twombly, Meret Oppenheim, and Francesca Woodman.In The Loft Generation, Schloss creates a rare and irreplaceable up-close record of an era of artistic innovation and the colorful characters who made it happen. Her canny observations are indispensable reading for all critics and researchers of this vital period in American art.