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This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

PrefaceIn writing the series of historical narratives to which the present work pertains, it has been the object of the author to furnish to the reading community of this country an accurate and faithful account of the lives and actions of the several personages that are made successively the subjects of the volumes, following precisely the story which has come down to us from ancient times. The writer has spared no pains to gain access in all cases to the original sources of information, and has confined himself strictly to them. The reader may, therefore, feel assured in perusing any one of these works, that the interest of it is in no degree indebted to the invention of the author. No incident, however trivial, is ever added to the original account, nor are any words even, in any case, attributed to a speaker without express authority. Whatever of interest, therefore, these stories may possess, is due solely to the facts themselves which are recorded in them, and to their being brought together in a plain, simple, and connected narrative.About the authorJacob Abbott (November 14, 1803 - October 31, 1879) was an American writer of children's books. On November 14, 1803, Abbott was born in Hallowell, Maine to Jacob Abbott II and Betsey Chandler. He attended the Hallowell Academy. Abbott graduated from Bowdoin College in 1820. At some point during his years there, he supposedly added the second "t" to his surname, to avoid being "Jacob Abbot the 3rd" (although one source notes he did not actually begin signing his name with two t's until several years later).Abbott studied at Andover Theological Seminary in 1821, 1822, and 1824. He taught in Portland academy and was tutor in Amherst College during the next year. From 1825 to 1829 Abbott was professor of mathematics and natural philosophy at Amherst College; was licensed to preach by the Hampshire Association in 1826; founded the Mount Vernon School for Young Ladies in Boston in 1829, and was principal of it in 1829-1833; was pastor of Eliot Congregational Church (which he founded), at Roxbury, Massachusetts in 1834-1835; and was, with his brothers, a founder, and in 1843-1851 a principal of Abbott's Institute, and in 1845-1848 of the Mount Vernon School for Boys, in New York City.He was a prolific author, writing juvenile fiction, brief histories, biographies, religious books for the general reader, and a few works in popular science. He wrote 180 books and was a coauthor or editor of 31 more. He died in Farmington, Maine, where he had spent part of his time after 1839, and where his brother, Samuel Phillips Abbott, founded the Abbott School.His Rollo Books, such as Rollo at Play, Rollo in Europe, etc., are the best known of his writings, having as their chief characters a representative boy and his associates. In them Abbott did for one or two generations of young American readers a service not unlike that performed earlier, in England and America, by the authors of Evenings at Home, The History of Sandford and Merton, and The Parent's Assistant. To follow up his Rollo books, he wrote of Uncle George, using him to teach the young readers about ethics, geography, history, and science. He also wrote 22 volumes of biographical histories and a 10 volume set titled the Franconia Stories. (wikipedia.org)

An excellent biography not just of Julius Caesar but of the times he was born into, raised during, and which ultimately lead to his ascension and demise. I've read more than a few books regarding this time period and this is the most excellent and the most concise. Anyone curious of the rise and fall of the man should not miss out on this one. (Will Arbaugh) About the author: Jacob Abbott (November 14, 1803 - October 31, 1879) was an American writer of children's books. On November 14, 1803, Abbott was born in Hallowell, Maine to Jacob Abbott II and Betsey Chandler. He attended the Hallowell Academy. Abbott graduated from Bowdoin College in 1820. At some point during his years there, he supposedly added the second "t" to his surname, to avoid being "Jacob Abbot the 3rd" (although one source notes he did not actually begin signing his name with two t's until several years later).Abbott studied at Andover Theological Seminary in 1821, 1822, and 1824. He taught in Portland academy and was tutor in Amherst College during the next year. From 1825 to 1829 Abbott was professor of mathematics and natural philosophy at Amherst College; was licensed to preach by the Hampshire Association in 1826; founded the Mount Vernon School for Young Ladies in Boston in 1829, and was principal of it in 1829-1833; was pastor of Eliot Congregational Church (which he founded), at Roxbury, Massachusetts in 1834-1835; and was, with his brothers, a founder, and in 1843-1851 a principal of Abbott's Institute, and in 1845-1848 of the Mount Vernon School for Boys, in New York City.He was a prolific author, writing juvenile fiction, brief histories, biographies, religious books for the general reader, and a few works in popular science. He wrote 180 books and was a coauthor or editor of 31 more. He died in Farmington, Maine, where he had spent part of his time after 1839, and where his brother, Samuel Phillips Abbott, founded the Abbott School.His Rollo Books, such as Rollo at Play, Rollo in Europe, etc., are the best known of his writings, having as their chief characters a representative boy and his associates. In them Abbott did for one or two generations of young American readers a service not unlike that performed earlier, in England and America, by the authors of Evenings at Home, The History of Sandford and Merton, and The Parent's Assistant. To follow up his Rollo books, he wrote of Uncle George, using him to teach the young readers about ethics, geography, history, and science. He also wrote 22 volumes of biographical histories and a 10 volume set titled the Franconia Stories. (wikipedia.org)

¿¿¿ A Practical Guide to Applying Stoicism ¿¿¿This fully adapted and rewritten edition of "The Discourses (Book 1)" offers a comprehensive update to meet the needs of contemporary readers. Key features of this edition include:Complete rewriting of the text to ensure its relevance and accessibility to modern readers.Introduction of unique discussions in the form of "Lesson to Action!" segments, allowing readers to easily apply the invaluable Stoic teachings of Epictetus to their own lives."From lesson" sections that distill the core message of each Stoic teaching into concise and impactful statements."To action!" sections that provide clear, concise, and practical directives for immediate application in our daily lives.A comprehensive index featuring important terms and definitions throughout the text, facilitating easy and efficient navigation.A visually appealing layout designed to enhance the reading experience and ensure a seamless flow of information.With these enhancements, this edition offers a powerful and transformative reading experience, bridging the gap between ancient wisdom and the demands of modern life.Stoic Wisdom Unleashed: Ancient Teachings for Modern MindsAdapted to bridge ancient wisdom and today's reader habits, this is a profound and transformative book that beautifully aligns ancient Stoic philosophy with the needs and challenges of modern readers. Drawing on the timeless teachings of Epictetus, one of the most influential Stoic philosophers, this guide offers a fresh perspective on applying Stoic principles to everyday life.In this book, the author skillfully presents Epictetus' timeless wisdom and practical advice in a way that resonates with contemporary readers. The Discourses (Book 1), written by Epictetus, serves as the foundation for the teachings in this guide. Through a careful adaptation and insightful analysis, the author explores the essential Stoic principles, providing readers with valuable guidance on how to lead a more meaningful and virtuous life.Timeless Wisdom Presented in an Accessible WayThe book delves deep into Epictetus' teachings, exploring topics such as the power of acceptance, the importance of understanding what is within our control and what isn't, the pursuit of self-mastery, and the practice of gratitude. By illuminating these concepts with relatable examples and relaying them in a conversational and accessible style, the author ensures that readers can easily grasp and implement Stoic principles in their daily lives.A Practical Guide to Applying StoicismMoreover, the discussion goes beyond simply explaining the philosophy; it encourages readers to take action. Throughout the book, the author offers practical exercises and prompts, providing readers with the tools to internalize Stoic teachings and develop their own Stoic mindset. These thought-provoking exercises guide readers on a journey of self-reflection and self-improvement, empowering them to uncover their true potential and live a more fulfilling life.Bridging Ancient Wisdom with Modern LifeAs a thoughtfully adapted Stoicism guide, this book not only serves as an introduction to Epictetus' teachings, but also bridges the ancient wisdom with the demands and habits of today's readers. This text stands as a modern-day companion, offering timeless wisdom and practical techniques for those seeking to navigate life's challenges with clarity, purpose, and tranquility.

Perfect for fans of Percy Jackson, the Furious Legacy series is an urban fantasy adventure filled with creatures from Greek mythology and midwest lore. It has unforgettable characters and one lovable hellhound. After a daring escape from the Underworld, Erin's family is more splintered than ever and her life is in turmoil. Helios, the Titan sun god is free from his prison and getting stronger every day. When he starts on a path of revenge, the Furies are under the gun to stop him. If they fail, they'll be exiled and Erin will lose her family forever.To stop Helios, Erin must bring her family together. She helps forge an uneasy alliance with Apollo, who has destructive plans of his own. When she finds out just how far Apollo will go to get what he wants, loyalties are tested and Erin must decide who to trust.In the fight that follows, only one sun god can remain. Which one will Erin get behind? If she doesn't choose correctly, she'll lose everything.

"The Three Golden Apples" is a story within Nathaniel Hawthorne's collection titled "A Wonder-Book for Girls and Boys," which was first published in 1852. This collection retells classic Greek myths, adapting them for a young audience. "The Three Golden Apples" is based on the myth of the Hesperides and the Golden Apples.Key features of "The Three Golden Apples":Narrative Style: Hawthorne's prose in "The Three Golden Apples" is rich, evocative, and characterized by a fairy-tale-like quality. The language is accessible for young readers while maintaining a sense of enchantment and mystery.Mythological Inspiration: The story draws from Greek mythology, incorporating elements from the myth of Hercules and his quest for the golden apples of the Hesperides. Hawthorne weaves his own imaginative elements into the narrative, making it both a retelling of a classic tale and a unique creation.Characters: The central character in this story is Hercules, the legendary hero of Greek mythology. The narrative introduces readers to other mythical figures, such as Atlas, who holds up the sky, and the Hesperides, nymphs guarding the golden apples.Quest and Adventure: Like many Greek myths, the story revolves around a quest. Hercules embarks on a journey to retrieve the golden apples as part of his Twelve Labors. The challenges he faces and the lessons he learns contribute to the moral and thematic depth of the narrative.Moral and Philosophical Themes: As with much of Hawthorne's work, "The Three Golden Apples" explores moral and philosophical themes. The story delves into the consequences of ambition, the pursuit of knowledge, and the balance between fate and free will.Allegorical Elements: Hawthorne often included allegorical elements in his works, and "The Three Golden Apples" is no exception. The story can be interpreted as a reflection on the human condition, virtue, and the consequences of meddling in divine affairs.Educational and Entertaining: "A Wonder-Book for Girls and Boys" was intended to be both educational and entertaining. Hawthorne's retelling of classical myths aimed to introduce young readers to the world of Greek mythology while providing moral and ethical lessons."The Three Golden Apples" is a captivating and imaginative contribution to children's literature, blending mythology, adventure, and moral reflection in a way that has made it a timeless piece of storytelling for generations.

Has Boudicca's battle site finally been found?In AD 61 Queen Boudicca led an army of over 100,000 that revolted against Rome and ransacked Camulodunum (Colchester) Londinium (London) and Verulamium (St Albans) killing everyone in their path. Thousands of people were said to have been slaughtered before her vast army was stopped by General Suetonius Paulinus and his legions. Peter takes a look at the many battle site suggestions and argues that the battle could not possibly have occurred in the midlands as some scholars suggest and argues that the battle must have taken place near to Verulamium. (St Albans)Peter Sweeney argues that the battle almost certainly took place on the Dunstable Downs in Bedfordshire, at the crossroads where Watling Street meets with the Icknield Way and just 12 miles from St Albans.In his concise book Peter opens up an interesting debate as to whether this is the actual battle field or not and invites an organised archaeological dig to be carried out to ascertain if it is indeed the place of the battle.

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" Lorsqu'à trente ans de distance on parcourt les écrits qui ont fait la renommée de Lamennais, on ne se trouve point toujours dans le passé. Et d'abord, à n'en regarder que la partie politique, il est clair qu'elle renferme tous les éléments de la révolution profonde qui travaille aujourd'hui Rome. Chose singulière, dans les évolutions successives de sa seule pensée, Lamennais a tour à tour formulé et personnifié la signification des trois partis qui se disputent sous nos yeux l'état pontifical, ce sanctuaire déjà rétréci et encore menacé du monde catholique. Dans sa première période, il était le théoricien de ce qu'on pourra désormais appeler l'ancien régime romain. Un pouvoir spirituel absolu tenant sous sa main les princes absolus comme ses ministres pour le bien, dirigeant de haut la politique dans l'intérêt de la religion, réprimant l'hérésie par le concours de la loi civile, et constituant ainsi, par le dogme appuyé sur la force, l'unité des esprits dans les états chrétiens, tel était l'idéal du moyen âge, que l'auteur de l'Essai sur l'Indifférence se proposait alors de perfectionner pour l'avenir, et c'est bien là l'esprit du régime qui succombe en ce moment. - Dans sa seconde période, désabusé des rois et de l'efficacité de la force,..."

"...Mais que parlons-nous d'aujourd'hui ? Ce moment est déjà loin de nous ; cette poussière est tombée. Une autre question s'est posée d'elle-même : pourquoi, tandis que l'Angleterre, avec sa constitution informe et vigoureuse, semble braver toutes les secousses, sommes-nous en France impuissants à soutenir nos institutions, si bien conçues en apparence, si rationnelles et si symétriques ? Aussitôt on se met à discuter l'aptitude des Français aux libertés politiques. Sur ce sujet, des traits cuisants pour l'amour-propre national nous sont encore tous les jours décochés à plaisir de l'autre côté de toutes nos frontières. Parmi nous, le fâcheux problème s'agite dans la presse, dans les livres, dans la chaire même, et la plupart le résolvent contre nous, les uns avec joie et ironie, comme un beau résultat, les autres avec l'amertume du regret. À peine posée toutefois, cette question, comme les autres, remonte dans l'histoire et y cherche son explication. Est-il donc vrai que nous soyons tout à fait incapables du plus noble privilège de la nature humaine, de celui qui fait son excellence, de celui qui, dans l'ordre politique, correspond au libre arbitre dans l'ordre moral ? Qui nous a infligé cette déchéance ? Faut-il en vouloir à l'esprit niveleur et centralisateur de la monarchie, qui, dès avant 1789, avait étouffé tous les germes des libertés anciennes avec les usages et les habitudes qui en faisaient la vie ? Faut-il s'en prendre à l'esprit exclusif de la noblesse et aux vues étroites du tiers-état, qui n'ont point su s'associer contre les envahissements de l'administration royale et se fondre dans un même intérêt ?..."

" ...D'où a pu venir aux Américains cette confiance extrême en une vocation particulière, cette conviction, si bizarre en présence de leurs faits actuels, qu'ils sont comme un peuple choisi par la Providence pour régénérer les nations ? Elle est provenue d'un faux enseignement historique, longtemps seul répandu parmi eux. Ils s'étaient habitués à considérer leur république comme une création de l'intelligence, comme l'expression d'une théorie de liberté rationnelle et d'égalité morale conçue et réalisée par leurs ancêtres. On comprend en effet que, lorsqu'une nation se fonde dans une fermentation à la fois politique et religieuse, comme ce fut le cas des colonies américaines, formées par l'alliance du calvinisme avec l'élément communal et républicain de l'Angleterre, les deux causes s'unissent et s'entrelacent avec force par leur besoin mutuel et leur danger commun. L'état alors se formule volontiers, au milieu de ses premières épreuves, comme l'expression terrestre de l'église invisible. Plus tard, les orateurs, les prédicateurs et les panégyristes, parlant à la foule aux jours de fêtes et aux anniversaires nationaux, donnent, par un pur besoin oratoire, aux hommes du vieux temps des proportions surhumaines, et à leurs institutions les plus nécessaires et les plus naturelles des raisons idéales..."

" ...Mais c'est dans Sophocle qu'il nous faut chercher la plus haute expression du drame grec : Eschyle, pénétrant dans les arcanes du sanctuaire, y avait saisi la pensée religieuse, et l'avait traînée au grand jour de la vie profane, où la liberté philosophique et artistique s'en emparait. C'était, aussi bien que dans Sophocle, l'esprit d'Homère, esprit novateur, rival du sacerdoce, auquel il retirait l'autorité d'interprétation pour la livrer à tout le monde. Cependant l'¿uvre d'Eschyle ne fut qu'un sublime essai ; ses pièces, extrêmement simples, ne sont en réalité que des épisodes, comme on les appelait, intercalés dans les ch¿urs ; en outre, le merveilleux occupe encore une grande place ; des scènes aussi fantastiques que celles du Prométhée et des Euménides annoncent que le mythe exerce encore une grande influence. Sophocle apparaît, et, comme Neptune, en trois pas il franchit une immensité. Chez lui, le merveilleux, le gigantesque, ne se montrent presque plus sur la scène ; quand des personnages divins s'y présentent accessoirement, comme dans Ajax et dans Philoctète, ils sont rapprochés de l'humanité ; les dieux de Sophocle sont aux dieux d'Eschyle ce que les dieux de Phidias sont aux statues de l'école d'Égine..."

" Qu'Aristophane ait été de son temps une puissance, c'est ce qu'on devrait présumer à le lire, lors même que ses contemporains ne l'auraient point positivement attesté. Un pamphlétaire dramatique (car la plupart de ses pièces sont des pamphlets de circonstance mis en scène, et ne contiennent qu'en germe ce que nous appelons comédie), un pamphlétaire dramatique qui pouvait impunément, dans une ville tiraillée par des partis, des intrigues et des révolutions, assaillir du haut du théâtre les chefs les plus populaires, déchirer la démocratie régnante, insulter aux dieux au milieu de leurs fêtes, dire toutes sortes de vérités déshonorantes aux passions exaspérées, un tel homme assurément s'imposait plutôt qu'il n'était accepté. Aussi dit-il lui-même, avec un légitime orgueil, qu'il s'est fait une réelle importance par son audace à démasquer tous les mensonges des adulateurs du peuple : c'est pourquoi les Lacédémoniens le haïssent, parce qu'il est de leur intérêt que le peuple athénien continue à se laisser flatter et tromper ; c'est pourquoi le roi de Perse, quand il veut savoir la situation des Grecs, s'informe de leur marine premièrement, et en second lieu de l'effet des comédies d'Aristophane..."

" Y a-t-il une philosophie dans Homère ? Trouve-t-on, dans cette poésie grande et simple, les éléments de la fonction rationaliste que la Grèce exerça dans l'histoire ? Y trouve-t-on l'origine intellectuelle de la lutte de l'Europe progressive contre l'Orient enterré dans ses symboles ; lutte continuée, souvent par les armes, toujours par les idées, à travers la monarchie d'Alexandre, l'empire romain et la chrétienté du moyen-âge, jusqu'au temps présent, qui paraît appelé à la finir par la victoire définitive de la civilisation européenne ? Cette question reste encore à traiter.Il faut d'abord signaler dans Homère les traces d'un fait fondamental, reproduit depuis dans la formation des sociétés modernes, mais qui, au temps où nous nous reportons, était nouveau dans le monde, et détermina la destinée toute spéciale de la nation des Hellènes. Je veux parler de la lutte séculaire entre la cité théocratique et la tribu conquérante, entre une autorité de tradition et de pensée, et une liberté d'instinct, de nature, de force ; en un mot, entre le sacerdoce et l'ordre militaire..."

" ...Après Homère, c'est Eschyle qu'il faut interroger sur l'esprit de la Grèce. Moins simple et moins vaste, plus moderne et plus intense, il s'appuie, avec une attitude plus prononcée et un regard plus austère, sur la même pensée fondamentale. L'étude que nous en essayons n'étant point purement littéraire, nous renoncerons, quoique à regret, à nous arrêter sur la considération du style, sur la puissance expressive d'Eschyle, et cependant, chez lui surtout, le langage est l'explosion de la pensée ; on dirait que son émotion comprimée brise la langue d'Homère pour en réunir les débris en mots nouveaux compliqués connue des symboles, et dont l'image multiple se présente comme un groupe de marbre. Sculpture, peinture, musique, mouvement, le relief, la ligne, le rythme, je dirais presque la danse sacrée de sa parole, rendent admirablement, par toutes les ressources de l'expression humaine, la nature et la vie particulière de ses ouvrages. D'une simplicité élémentaire dans la composition du drame, il le remplit quelquefois presque tout entier de lamentations lyriques, longues, obscures, monotones, - et telle est néanmoins la vibration magique qui tremble sur toutes ces cordes, qu'on se sent ému en même temps qu'étourdi, parce que sous le mot rude ou éclatant, sous la vétusté du mythe, sous l'image qui rayonne en passant, il y a toujours ou une prière, ou une indignation, ou une pitié..."

" ... Ainsi, en Toscane comme ailleurs, un antagonisme déjà très animé entre le pouvoir civil et la puissance ecclésiastique se manifestait de lui-même ; un ordre nouveau cherchait spontanément à se dégager de l'ordre ancien. Si les vues particulières des princes lorrains donnaient plus d'activité à cette fermentation, longtemps étouffée par les grands-ducs de la maison de Médicis, il y avait aussi une opinion indigène déjà formée, et qui soufflait dans le même sens. Les ministres de François ne manquaient pas d'ailleurs de rattacher leurs projets à une tradition déjà ancienne, quoique interrompue par les événements, à des actes qui remontaient aux plus beaux temps de la république. Ils rappelaient que, dès 1346, les magistrats s'étaient déjà fatigués de rencontrer trop souvent sur leur chemin une puissance indépendante de l'état, qui s'ingérait dans, les affaires purement civiles, et qu'ils avaient puni sévèrement les agents du saint office pour arrestation arbitraire. On avait même fait alors un règlement remarquable qui limitait les pouvoirs de l'inquisition, supprimait une partie de ses agents, fermait ses prisons, et, pour rendre ces dispositions statues, fondait un corps spécial et permanent de magistrats nommés les quatorze défenseurs de la liberté, chargés d'examiner tous les actes de juridiction émanés de la puissance ecclésiastique..."

Margot is on the quest to uncover and reassemble an ancient?and cursed?vase, with the help of a boy who went missing in 1932, because it's the only way to put back together her broken heart in this standalone adventure rom-com, perfect for fans of What the River Knows and The Lost City.