Bøger om Australien

Our Sunburnt Country is the story of Australia's heritage from Aboriginal settlement to the present. A best seller when first published, this edition has been updated and expanded. It includes original illustrations and an index.

Cross My Werewolf Heart: Hope Not to Die is the second book in the hilarious, impossible to put down, paranormal romantic comedy, featuring the misadventures of Clarissa Hunt, and the Patrons of Order, set in Melbourne, Australia.

A compact map of Tasmania for touring throughout the state with a distance grid and index for planning and reference. Marked on the mapping are highways, major and minor roads, camping and rest areas, 24-hour fuel, information centres, picnic areas, caravan parks, and lookouts.

Das Thema der Faulheit wird im Mittelalter und in der frühen Neuzeit anhand von Zeichnungen, Graphiken, Gemälden, Wandteppichen und Skulpturen behandelt, die zumeist im Zusammenhang der sieben Todsünden stehen. Sie entstammen der Hand von Künstlern wie Dürer, Cranach, Goltzius, Bruegel u.a. Oftmals handelt es sich dabei um Illustrationen zentraler Texte von Prudentius, Dante, Sebastian Brant und Christine de Pizan, die vor allem ein Ziel haben, nämlich die Trägen aufzuwecken. Damit steht Faulheit in einem sozialgeschichtlichen Kontext, welcher sowohl in der Analyse der Texte als auch durch die Deutung der Bilder herausgearbeitet wird. Letztere fügen den literarischen Vorlagen mit ihrem strengen didaktischen Impetus mitunter eine humorvoll-ironische Note hinzu. erstmalige monographische Beschreibung von Faulheit, Acedia und Müßiggang Darstellungen der Faulheit von bekannten und unbekannten Künstlern Analyse von bekannten und unbekannten Dichtungen zum Thema Faulheit

¿This edited book explores stories of linguistic and spiritual identity in the urban and rural Australian landscape. It is an innovative mix of thirty six personal narratives and eleven research studies, which together offer accounts of the intersection of languages, religion and spirituality in people¿s lives. Teachers of Indigenous languages speak of the critical connection between language revitalization, the spirituality of Country, and well-being. Both new and long-established diaspora individuals speak of the often complex but vital joint role of language and faith in belonging and heritage. The new dimension which the book brings to multilingualism is relevant to all complex global societies. Language and Spirit is ideal for both the general reader interested in community languages and interfaith issues, and academics in global intercultural studies and Applied Linguistics study wishing to gain a nuanced insight into the Language and Spirit intersection.

"In April 1964, Michelangelo's Renaissance sculpture, the Pietáa, embarked on its perilous transatlantic voyage from Rome to New York to become the blockbuster of the World's Fair, accomplished only through the cooperation of two of New York's most powerful men, Robert Moses and Francis Cardinal Spellman"--

This book takes a timely look at histories of radical Jewish movements, their modes of Holocaust memorialisation, and their relationships with broader anti-colonial and anti-racist struggles. Its primary focus is Australia, where Jewish antifascism was a major political and cultural force in Jewish communities in the 1940s and early 1950s. This cultural and intellectual history of Jewish antifascism utilises a transnational lens to provide an exploration of a Jewish antifascist ideology that took hold in the middle of the twentieth century across Jewish communities worldwide. It argues that Jewish antifascism offered an alternate path for Jewish politics that was foreclosed by mutually reinforcing ideologies of settler colonialism, both in Palestine and Australia.

Highlighting the creativity and symbolism of covered portraits, this volume explores an intriguing but largely unknown aspect of Italian and Northern European Renaissance art

"The Untamed Thread takes you inside Fleur Woods' contemporary fibre art studio in rural Aotearoa New Zealand, where her practice is as untamed as the natural landscape that inspires her -- free of rules, guided by intuition and joy in the process. Embracing stitch's slow, contemplative nature, connect with your creative spirit through her tips, hints and techniques to reimagine embroidery as a contemporary tool for mark-making.Taking you on a journey through colour, texture, flora, textiles and stitch, alongside the magical moments, happy accidents, perfect coincidences and ridiculous randomness of the artistic process, this is a book for anyone wanting to connect with their inner creative self"--Provided by publisher.

Ende der Sechzigerjahre lebt Ute, die schon früh ihr Heimatdorf am Niederrhein verlassen hat, in der Schweiz. In Luzern fühlt sie sich zu Hause, doch eine wachsende Unrast weckt in ihr den Wunsch nach einem Neuanfang fern von ihrer gewohnten Umgebung. Sie träumt von den USA, kann aber das Geld für den Flug nicht aufbringen. Als sie erfährt, dass Australien jungen Einwanderern aus Europa die Reise ins Land bezahlt, entschließt sie sich, dorthin auszuwandern. Voller Erwartung macht sie sich auf den Weg in ein neues Leben.

Rembrandt's Lost Secret is a testament to the power of technique to shape artistic expression. Follow master painter Peter Layne Arguimbau on his journey to expose Jan van Eyck's "invention of oil painting" dating back to 1410. This 'invention', Flemish Technique, led to the Golden Age of Dutch Art, ending with the death of the Old Masters and their precious formulas. Over the course of his painting career, Arguimbau searched high and low for the original formulas-- testing period recipes and meticulously comparing his exacting copies to the historical record. Finally, after decades of research, a seemingly miraculous act of God transpired. The result being the recipes outlined in this book for a modern-day equivalent of the Old Master recipes to be shared with the public for the first time. Beyond his enduring search for these lost formulas, this book also positions the development of the Flemish Technique as an overarching metaphor for how innovations in craft drove stylistic inventions for design in Renaissance art. Arguimbau's message is universal: that technology, abstract design and culture are inextricably intertwined. Rembrandt's Lost Secret is a treasure trove of celebratory engagement with that three-centuries-long story of cultural evolution. A master historical work, it will be a manual for painters, an instructive read for the art community, and the curious to experience the Luminist quality of light of the Dutch Masters.

This richly illustrated publication examines the last 25 years of the influential Toioho ki Apiti programme at Massey University, its global indigenous pedagogical reach, and its ongoing impacts on national and international contemporary art and cultural sectors. Toioho ki Apiti's transformative and kaupapa Maori-led programme and its pedagogical model is structured around Maori notions of Mana Whakapapa (inheritance rights), Mana Tiriti (treaty rights), Mana Whenua (land rights) and Mana Tangata (human rights) and is unique in Aotearoa. Its staff and graduates, who include Bob Jahnke, Shane Cotton, Brett Graham, Rachael Rakena, Kura Te Waru-Rewiri, Israel Birch and Ngatai Taepa, are some of the most exciting, powerful and influential figures in contemporary art in Aotearoa New Zealand. Through a series of intimate conversations, Ki Mua, Ki Muri describes the unique environment that has helped form them. Professor Ngahuia Te Awekotuku and Nigel Borell write the forewords.

In this comprehensive catalogue of the work of the 15th-century painter and draftsman, Stefano da Verona (1375-ca. 1438), Karet reviews past scholarship and corrects old misunderstandings that produced an inconsistent, heterogeneous and misinformed corpus. Her attributions are based on stylistic arguments, technical analysis, and the relationship of the drawings to a limited number of secure paintings by this important Late Gothic North Italian painter. The restricted but sound body of works Stefano da Verona executed is compiled in rich catalogue entries that include discussions of style, iconography, patronage, paper and sketchbook analysis, important issues of workshop production and of the history of drawings and collectionism.

Knocking The Top Off: A People's History of Alcohol in Australia explores the changing nature of drinking in Australia and the role it has played in social and economic life over several generations. From the early days of colonisation through to the contemporary moment this heavily illustrated collection chronicles the ways in which alcohol consumption has impacted on, and been shaped by, changing patterns and notions of class, sexuality, gender, race, and culture. Stripping back dated stereotypes and defying received ideas, more than 20 contributors provide histories, essays and memoirs offering insights into the role of alcohol in creating, and at times derailing, contestation and change. Via short expositions and deep dives into incidents, periods, groups and individuals Knocking The Top Off looks at developments in Australian history from the vantage point of workers and marginalised communities, the exploited and oppressed. Alcohol's often contradictory place as a method of recreation, a means of social control, a symbol of equality and liberation, and a sharp point of debate concerning morality, commerce and health is explored. Similarly, the role of pubs, clubs and other alcohol based venues in fostering trends in music, art, and politics is uncovered, as well as their role as places in which exploitation and discrimination has been both reinforced and challenged. In exploring the who, what, where and why of intoxication this collection delivers an inclusive and incisive alternative history of Australia.

Falset kort i målestokken 2,5 mio. med afmærkning af campingpladser, 24 timers tankstationer, nationalparker, seværdigheder, afstandstabeller samt indeks.

'Darkly funny, astute, timely' Sofie Laguna, author of The Eye of the Sheep'Powerful, restless, irresistible' Laura Jean McKay, author of The Animals in That CountryA black comedy, set in suburbia, about one woman's struggle to be free.When Winona Dalloway begins her day - in the peaceful early hours before her children, that 'tiny tornado of little hands and feet', wake up - she doesn't know that by the end of it, everything in her world will have changed.On the outside, Winona is a seemingly unremarkable young mother: unobtrusive, quietly going about her tasks. But within is a vivid, chaotic self, teeming with voices - a mind both wild and precise.And meanwhile, a storm is brewing ...

Awakened in Australia is a short travel memoir recounting Lisa Rosmeissl's, owner of Boomerang Escapes, first visit to Australia. Her tale shares her experiences and the people she met over ten days in Australia, from her arrival in Sydney to her departure in Melbourne. This tale will inspire you to visit this destination and travel more.

Biography of Joseph Jenkins (1818-98) who left his family and successful farm in Wales to travel Australia as a farm labourer. His self-improvement through reading led to prizes for his poetry, and his diary is one of the most celebrated sources of information about life in rural Australia then.

This book focuses on twentieth-century Australian leprosaria to explore the lives of indigenous patients and the Catholic women missionaries who nursed them. Distinguished from previous historical studies of leprosy, the book examines the care and management of the incarcerated, enabling a broader understanding of their experience, beyond a singular trope of banishment, oppression and death. From the 1930s until the 1980s, respective governments appointed the trained sisters to four leprosaria across remote northern Australia, where almost two thousand people had been removed from their homes and detained under law for years - sometimes decades. The book traces the sisters¿ holistic nursing from early efforts of amelioration and palliation to their part in the successful treatment of leprosy after World War II. It reveals the ways the sisters stepped out of their assigned roles and attempted to shape the institutions as places of health and hygiene, of European culture and education, and of Christianity. Making use of accounts from patients, doctors; bureaucrats; missionary men; and Indigenous families and communities, the book offers fresh perspectives on two important strands of history. First, its attention to the day-to-day work of the Australian sisters helps to demystify leprosy healthcare by female missionaries, generally. Secondly, with the sisters specifically caring for Indigenous people, this book exposes the institutional practices and goals specific to race relations of both the Australian government and Catholic missionaries. An important and timely read for anyone interested in Indigenous history, medical history and the connections between race, religion and healthcare, this book contextualizes the twentieth-century leprosy epidemic within Australia's broader colonial history.

¿This book examines whether Australiäs constitution should be reformed so as to enable the country to fulfil its obligations under the United Nations Declaration on the Rights of Indigenous Peoples, which it ratified in 2009. The book surveys the history of the constitutional status of Australiäs Indigenous peoples from the time of colonisation through to the current debate on ¿Indigenous constitutional recognition¿. However, it argues that the term ¿Indigenous constitutional recognition', implying that mere acknowledgement of the existence of Indigenous peoples is sufficient to meet their legitimate expectations, misrepresents the nature of the project the country needs to engage in. The book argues that Australia should instead embark upon a reform programme directed towards substantive, and not merely symbolic, constitutional change. It argues that only by the inclusion in the constitution of enforceable constitutional rights canthe power imbalance between Indigenous Australians and the rest of society be addressed. Taking a comparative approach and drawing upon the experience of other jurisdictions, the book proposes a comprehensive constitutional reform programme, and includes the text of constitutional amendments designed to achieve the realisation of the rights of Australiäs Indigenous peoples. It ends with a call to improve the standard of civics education so as to overcome voter apprehension towards constitutional change.

This volume charts alternative courses through history via the physical conditions and artisanal ecologies in which cultural artifacts were created in Europe from roughly 1400 to 1700. Maker Space: Creative Environments in Early Modern Europe asks how spatial considerations initiated, supported, and thwarted creative activities and highlights points of intersection and overlap across practices that we otherwise tend to think of as separate. Scholars have long had an interest in, for instance, the workshop, laboratory, studiolo, or Kunstkammer as distinct places of production-named coordinates that situate social and technical actions in a defined context. The essays in this volume use the less fixed notion of space to break open such typologies, emphasizing the fluid, improvisational, and idiosyncratic aspects of creative work. They demonstrate how the ever-shifting array of tools, materials, environmental conditions, and bodies involved in artisanal production redirects our attention to the shared conditions that unite various enterprises of intellection, imagination, experimentation, and making. The book comprises a series of short case studies and extended meditations on particular sites where the work of the mind and hand coincided, from mines, arsenals, theaters, and imagined hermitages to tailors' shops, artists' workshops, the home, and even the space of a chemist's notebook. This format of short and long essays animates the story of early modern making and thinking practices at various scales. The specifics of these case studies move us away from either totalizing or categorical views that would gloss over the fluid, messy, and insistently material conditions of daily work-that is, the raw material of history. These essays also suggest fundamental shared concerns-from environmental and moral control to the conditions necessary for the mental demands of making-that supersede distinct makers or creative practices.