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In this classic work of American music writing, renowned critic Albert Murray argues beautifully and authoritatively that "the blues as such are synonymous with low spirits. Not only is its express purpose to make people feel good, which is to say in high spirits, but in the process of doing so it is actually expected to generate a disposition that is both elegantly playful and heroic in its nonchalance." In Stomping the Blues Murray explores its history, influences, development, and meaning as only he can. More than two hundred vintage photographs capture the ambiance Murray evokes in lyrical prose. Only the sounds are missing from this lyrical, sensual tribute to the blues.
The Glitter. The THEATRICS. The EXCESS. The Music.The true story of the gender-bending artists who changed rock and roll.Simon Reynolds has been hailed as ?the foremost popular music critic of this era? (Times Literary Supplement [UK]), ?unassailable? (New York Times), and ?the most provocative pop music writer of his generation? (Boston Globe). Now, the acclaimed author of Rip It Up and Start Again and Retromania delivers the definitive cultural history of glam and glitter rock, celebrating its outlandish fashion and outrageous stars and tracking its vibrant legacy in contemporary pop.Reacting against the drab, denim-clad long-hair bands of the hippie era, glam rock was the first true teenage rampage of the Seventies. Pioneered by David Bowie, Alice Cooper, T. Rex, New York Dolls and Roxy Music, this new look and sound reveled in artifice and spectacle over earnestness and authenticity. In Shock and Awe, Simon Reynolds takes you on a deeply researched and wildly entertaining cultural tour through the glam explosion?a period defined by glitzy costumes and alien makeup, thrilling music, and larger-than-life personas. Shock and Awe offers a fresh look at the glam phenomenon, placing it the context of the era's social upheaval and political disillusion. Probing the genre's major themes?fame, androgyny, decadence, apocalypse?Reynolds traces glam's influence as it reverberates across subsequent decades, from art-pop aesthetes like Kate Bush, Prince and Morrissey in the Eighties to contemporary pop icons such as Lady Gaga, Nicki Minaj and Beyoncé. Shock and Awe reveals how the original glam artists' obsessions and provocations continue to ripple through our culture today.
An exciting lineage of women singers-originating with Ma Rainey and her protégée Bessie Smith-shaped the blues, launching it as a powerful, expressive vehicle of emotional liberation. Along with their successors Billie Holiday, Etta James, Aretha Franklin, Tina Turner, and Janis Joplin, they injected a dose of reality into the often trivial world of popular song, bringing their message of higher expectations and broader horizons to their audiences. These women passed their image, their rhythms, and their toughness on to the next generation of blues women, which has its contemporary incarnation in singers like Bonnie Raitt and Lucinda Williams (with whom the author has done an in-depth interview). Buzzy Jackson combines biography, an appreciation of music, and a sweeping view of American history to illuminate the pivotal role of blues women in a powerful musical tradition. Musician Thomas Dorsey said, "The blues is a good woman feeling bad." But these women show by their style that he had it backward: The blues is a bad woman feeling good.
"Traveling across the Mississippi Delta, Bo Willie searches blues landmarks like Dockery Farms and Beale Street for his missing dog"--
Seit dem Frühjahr 2018 gestaltet der in Halle (Saale) lebende Literaturwissenschaftler, Autor und Liedermacher Paul Bartsch die monatliche Rundfunksendung "LiveRillen" auf Radio Corax, in der er ausgewählte Ausschnitte aus Konzert-LPs und Live-Alben direkt vom Plattenteller serviert und kommentiert.Die mit viel Liebe zum Detail ausgearbeiteten Sendemanuskripte bilden die Grundlage für diese originelle Publikationsreihe, deren vierter Band hiermit erscheint. Ein unterhaltsames Lesevergnügen für alle, die Freude an guter Musik haben und mehr über deren Hintergründe und Protagonisten erfahren wollen.Themen dieses Bandes sind unter anderem:* Rockmuziek uit Nederland* Live from Canada - So steppt der Grizzly* Krautrock* Abschied von The Band* Male Guitars And Female Voices* Glam Rock* Joe Bonamassa* Markante Riffs der Rockmusik
Long John Baldry is considered the father of the '60s British blues movement. Drawing on intimate anecdotes from Baldry's legendary friends, lovers, and peers, author Paul Myers uncovers the man behind the mythic persona. An entire generation of British rock legends flourished under Baldry's tutelage, and "It Ain't Easy" features exclusive personal recollections from artists such as Sir Elton John, Rod Stewart, Eric Clapton, Sir Paul McCartney, John Mayall, and Mick Fleetwood, as well as interviews with renowned music industry insiders like songwriter/producer Tony Macaulay, Yardbirds manager Giorgio Gomelsky, ex-Rolling Stones manager Andrew Loog Oldham, filmmaker Cameron Crowe, and others. Extensively researched, "It Ain't Easy" traces Baldry's extraordinary life from his birth during the London Blitz, to his discovery of black American music, to the sexual revolution, to the musical and social upheaval of the 1960s and '70s, and to his eventual happy retreat to the tranquility of Canada's Pacific Coast.
In this jaunty and intimate collection, Kevin Young invents a language as shimmying and comic, as low-down and high-hearted, as the music from which he draws inspiration. With titles such as "Stride Piano,” "Gutbucket,” and "Can-Can,” these poems have the sharp completeness of vocalized songs and follow a classic blues trajectory: praising and professing undying devotion ("To watch you walk / cross the room in your black / corduroys is to see / civilization start”), only to end up lamenting the loss of love ("No use driving / like rain, past / where you at”). As Young conquers the sorrow left on his doorstep, the poems broaden to embrace not just the wisdom that comes with heartbreak but the bittersweet wonder of triumphing over adversity at all. Sexy and tart, playfully blending an African American idiom with traditional lyric diction, Young's voice is pure American: joyous in its individualism and singing of the self at its strongest.
Learn lead guitar in the styles of Albert Collins, Eric Clapton, Albert King, B.B. King, Freddie King, Stevie Ray Vaughan and T-Bone Walker! This unique book/CD pack examines the solo concepts of each of these masters. The CD features full demos and rhythm-only tracks, and the book includes phrase-by-phrase performance notes and tips on bending strings, vibrato, tone, note selection and much more. Includes notes and tablature. A must for any blues guitarist!
With John Lee Hooker's death in June 2001 the world lost one of the last great Mississippi Delta bluesmen. Acclaimed writer Charles Schaar Murray's Boogie Man is the authorized and authoritative biography of this musician whose extraordinary career spanned over fifty years and included over one-hundred albums and five Grammy Awards. Murray was given unparalleled access to Hooker, and lets him tell his own story in his own words, from life in the Deep South to San Francisco, from the 1948 blues anthem "Boogie Chillen" to the Grammy-winning album The Healer nearly a half-century later. Boogie Man is far more than merely a brilliant biography of one man; it also gives the story of the music that inspired him. "When I die," Hooker said, they'll bury the blues with me. But the blues will never die." Here is the book that does him and his music full justice.
(Berklee Labs). Learn to play the blues in several styles jazz, Latin, fusion, rock and funk in all keys with step-by-step instructions, practice tips and play-along audio tracks. Even if you are a complete beginner, this easy-to-understand instructional guide will help you develop essential reading, technique, rhythmic syncopation, performance and composing skills, and get you improvising in no time! The audio is accessed online using the unique code inside each book and can be streamed or downloaded. The audio files include PLAYBACK+, a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right. Jeff Harrington is an assistant professor in the Woodwind Department at Berklee College of Music. He received his B.M. from Berklee and his M.M. from the New England Conservatory of Music. Harrington is a tenor saxophonist and recording artist, and has performed internationally with artists including Ricky Ford, Milt Hinton, Toots Thielemans and Makoto Ozone.
"A must for all who would more knowledgeably appreciate and better comprehend America's most popular music." ? Langston Hughes"The path the slave took to 'citizenship' is what I want to look at. And I make my analogy through the slave citizen's music?through the music that is most closely associated with him: blues and a later, but parallel development, jazz... [If] the Negro represents, or is symbolic of, something in and about the nature of American culture, this certainly should be revealed by his characteristic music."So says Amiri Baraka (previously known as LeRoi Jones) in the Introduction to Blues People, his classic work on the place of jazz and blues in American social, musical, economic, and cultural history. From the music of African slaves in the United States through the music scene of the 1960's, Baraka traces the influence of what he calls "negro music" on white America?not only in the context of music and pop culture but also in terms of the values and perspectives passed on through the music. In tracing the music, he brilliantly illuminates the influence of African Americans on American culture and history.
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