Bøger om Central Italy

This intriguing book describes the Romans' formidably warlike enemies in modern Romania and Bulgaria - their 'most illustrated' opponents, thanks to friezes on Trajan's Column and carvings on Trajan's Adamklissi monument.Formidable warriors, able to field tens of thousands of infantry and cavalry and led by a military aristocracy, the Dacians and Getae presented a real threat to Rome's north-eastern frontier. They inflicted several defeats on Rome, crossing the Danube to invade the province of Moesia, and later stubbornly resisting counter-invasions from their strong mountain fortresses. Historians believe that the Dacians and Getae were essentially the same group of tribes during successive periods, related to Thracian tribes from territory south of the Carpathian Mountains, but their exact relationship in place and time is a subject for debate. Those called the 'Getae' by ancient Greek sources were actively expanding by at least the 4th century BC; some enlisted as mercenaries in Roman armies during the 1st century BC, and others later clashed with the army of Augustus, fighting alongside the Sarmatians. The people whom the Romans called the 'Dacians' are best known from wars against the emperors Domitian in AD 85-89 and Trajan in 101-106. At their peak, the Dacians and Getae defeated neighbouring peoples stretching from modern Slovakia to southern Ukraine and it is believed that the effectiveness of their weapons caused modifications in Roman infantry armour. Although most direct ancient sources have been lost to us, enough references remain to reconstruct a picture of their society and culture. Using previously unseen photos of archaeological finds with colour illustrations showing the appearance and weaponry of their warrior kings, noblemen, infantry and cavalry, this detailed book draws upon the latest literary and archaeological research to provide a complete account of these fascinating fighters.

The first comprehensive study of Pliny the Elder's economic thought-and its implications for understanding the Roman Empire's constrained innovation and economic growthThe elder Pliny's Natural History (77 CE), an astonishing compilation of 20,000 "e;things worth knowing,"e; was avowedly intended to be a repository of ancient Mediterranean knowledge for the use of craftsmen and farmers, but this 37-book, 400,000-word work was too expensive, unwieldy, and impractically organized to be of utilitarian value. Yet, as Richard Saller shows, the Natural History offers more insights into Roman ideas about economic growth than any other ancient source. Pliny's Roman Economy is the first comprehensive study of Pliny's economic thought and its implications for understanding the economy of the Roman Empire.As Saller reveals, Pliny sometimes anticipates modern economic theory, while at other times his ideas suggest why Rome produced very few major inventions that resulted in sustained economic growth. On one hand, Pliny believed that new knowledge came by accident or divine intervention, not by human initiative; research and development was a foreign concept. When he lists 136 great inventions, they are mostly prehistoric and don't include a single one from Rome-offering a commentary on Roman innovation and displaying a reverence for the past that contrasts with the attitudes of the eighteenth-century encyclopedists credited with contributing to the Industrial Revolution. On the other hand, Pliny shrewdly recognized that Rome's lack of competition from other states suppressed incentives for innovation. Pliny's understanding should be noted because, as Saller shows, recent efforts to use scientific evidence about the ancient climate to measure the Roman economy are flawed.By exploring Pliny's ideas about discovery, innovation, and growth, Pliny's Roman Economy makes an important new contribution to the ongoing debate about economic growth in ancient Rome.

Featuring four amazing road trips, plus up-to-date advice on the destinations you'll visit along the way, you can taste wine in Montalcino, be enchanted by medieval Siena and find the freshest produce at San Gimignano's weekly market - all with your trusted travel companion. Jump in the car, turn up the tunes, and hit the road! Inside Lonely Planet's Tuscany Road Trips: Lavish colour and gorgeous photography throughout Itineraries and planning advice to pick the right tailored routes for your needs and interests Get around easily - easy-to-read, full-colour route maps, detailed directions Insider tips to get around like a local, avoid trouble spots and be safe on the road - local driving rules, parking, toll roads Essential info at your fingertips - hours of operation, phone numbers, websites, prices Honest reviews for all budgets - eating, sleeping, sight-seeing, hidden gems that most guidebooks miss Useful features - including Stretch Your Legs, Detours, Link Your Trip Covers Florence, Arezzo, Cortona, Pisa, Siena, Chianti, San Gimignano, Montalcino, Montepulciano, Lucca, Rome, Lazio, and more.

The ancient Romans were responsible for many remarkable achievements—Roman numerals, straight roads—but one of their lesser-known contributions was the creation of the tourist industry. The first people in history to enjoy safe and easy travel, Romans embarked on the original Grand Tour, journeying from the lost city of Troy to the Acropolis, from the Colossus at Rhodes to Egypt, for the obligatory Nile cruise to the very edge of the empire. And, as Tony Perrottet discovers, the popularity of this route has only increased with time.Intrigued by the possibility of re-creating the tour, Perrottet, accompanied by his pregnant girlfriend, sets off to discover life as an ancient Roman. The result is this lively blend of fascinating historical anecdotes and hilarious personal encounters, interspersed with irreverent and often eerily prescient quotes from the ancients—a vivid portrait of the Roman Empire in all its complexity and wonder.

Discover Gaeta's hidden archaeological gems and secret sites through engaging photographs and narratives. Uncover a side of Gaeta far from the crowds.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

* 23 routes (car and walk)* 16 site descriptions* Where to watch birds information* Finding butterflies, wildflowers&orchids, reptiles, etc.* Detailed background information on landscape and ecology

Humorvoll, unterhaltsam, spannend - der Auftakt der beliebten Cosy-Crime Reihe der USA Today Bestseller-Autorin Beate Boeker.Eine halbe Stunde vor der Hochzeit ihrer Cousine Emma finden Carlina und Emma ihren Großvater tot in seiner Wohnung in der Altstadt von Florenz. Carlina merkt schnell, dass Emma nicht bereit ist, ihre Hochzeit wegen des plötzlichen Todesfalls abzusagen - ein natürlicher Tod liegt ja auch nahe. Also lässt sich Carlina überreden, ihren toten Opa in seinem Bett zu verstecken und jedem zu erzählen, dass er sich nicht gut genug fühlte, um an der Hochzeit teilzunehmen. Nicht ahnend, dass dies dramatische Folgen haben wird: Am nächsten Morgen finden die Familienangehörigen die Leiche - und rufen die Polizei. Tatsächlich stellt sich heraus, dass Carlinas Opa vergiftet wurde. Und plötzlich ist sie die Hauptverdächtige des attraktiven Commissario Stefano Garini ...

In this dazzling portrait of Rome's first imperial dynasty, Tom Holland traces the astonishing century-long story of the rise and fall of the Julio-Claudians-Augustus, Tiberius, Caligula, Claudius, and Nero. Capturing both the brilliant allure of their rule and the blood-steeped shadows cast by their crimes, Dynasty travels from the great capital rebuilt in marble to the dank and barbarian forests of Germany. Populated by a spectacular cast: murderers and metrosexuals, adulterers and Druids, scheming grandmothers and reluctant gladiators, it vividly recreates the world of Rome after Julius Caesar. A tale of rule and ruination, Dynasty is the story of a family that transformed and stupefied the western world and that continues to cast a mesmerizing spell across the millennia.

Between 1532 and 1536/37, the Dutch artist Maarten van Heemskerck traveled to Rome, strolled through the city, visited art collections and antique gardens, made pilgrimages to the holy sites, and filled his sketchbook with drawings. Most of the sheets created there and now kept in Berlin come from a sketchbook whose original binding has been lost. The latest art-technological investigations at the Berlin Kupferstichkabinett have now largely reconstructed the original sequence of the book's pages. This forms the basis of the present facsimile. In his fascinating studies, Van Heemskerck captured ancient sculptures and ruins, the admired art of Michelangelo and Raphael, and Roman cityscapes. In doing so, he demonstrated a special flair for composition and perspective as well as an extraordinary drawing sensibility. In the sketchbook, the artist found his personal field of experimentation and at the same time created a valuable pool of motifs from which he would draw throughout his life. Tatjana Bartsch has been Deputy Head of the Photographic Collection at the Bibliotheca Hertziana - Max Planck Institute for Art History since 2011. Christien Melzer has been curator for Dutch and English art before 1800 at the Kupferstichkabinett of the Staatliche Museen zu Berlin since 2020.

Born in Italy and arriving in Australia in 1951 aged 10, Australian artist and frequent traveler Bruno Leti revisited Florence in 2019 and was captivated once again by the trio of ancient buildings clustered at the city-center.His photographic details of the distinctive, geometrically patterned stonework of the Cathedral, Baptistry and Campanile have inspired a stunning series of twenty large abstract prints, produced in editions of five, which are featured in this publication. The book also includes a history of the buildings and sketchbook images made by Leti during his most recent visit to beautiful, historic Fiorenza.

Wenn eine Strumpfhose zum Mordinstrument wird, geraten die Festlichkeiten ins StrauchelnDas Weihnachtsfest rückt mit großen Schritten näher und Carlina hat in ihrem Lingeriegeschäft Temptation in Florenz alle Hände voll zu tun. Auch ihr bester Kunde, der Casanova Trevor Accanto, ist wie jedes Jahr wieder in der Stadt und kauft Dessous für seine neueste Affäre. Als Carlina erfährt, dass seine diesjährige Auserwählte ihre Cousine Annalisa ist, warnt sie Annalisa vor dem Herzensbrecher. Kurz darauf wird Trevor tot aufgefunden - offenbar wurde er mit einer Strumpfhose aus Carlinas Laden erwürgt. Das ruft den attraktiven Commissario Garini auf den Plan. Während Carlina verzweifelt versucht, den Mörder zu finden und ihre Cousine zu entlasten, muss sie nun auch noch ihren Gefühlen für den charmanten Commissario widerstehen ...

Ein Mord an der malerischen Küste der ToskanaDie Familie Mantoni fährt zum alljährlichen Familienurlaub in das malerische Forte dei Marmi am Ligurischen Meer. Auch Carlina und Commissario Stefano Garini sind mit von der Partie. Doch kaum sind sie im Hotel angekommen, wird der unsympathische Hotelmanager erschossen aufgefunden. Der lokale Commissario übernimmt den Fall und verdächtigt sofort Carlinas Cousin Ernesto. Das kann der Mantoni-Clan natürlich nicht hinnehmen und bestürmt Stefano, die Untersuchung zu übernehmen. Dieser hatte sich seinen ersten gemeinsamen Urlaub mit Carlina wahrlich anders vorgestellt, willigt aber ein, Ernesto zu helfen. Auch die Mantonis mischen kräftig mit, halten jedoch brisante Informationen zurück. Schon bald weiß Stefano nicht mehr, wem er noch glauben kann -- und das schließt Carlina mit ein.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

In this remarkable dual biography of the two great lovers of antiquity, preeminent historian Goldsworthy goes beyond myth and romance to create a nuanced and historically acute portrayal of his subjects, set against the political backdrop of their time.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

In her international bestseller SPQR, Mary Beard told the thousand-year story of ancient Rome, from its slightly shabby Iron Age origins to its reign as the undisputed hegemon of the Mediterranean. Now, drawing on more than thirty years of teaching and writing about Roman history, Beard turns to the emperors who ruled the Roman Empire, beginning with Julius Caesar (assassinated 44 BCE) and taking us through the nearly three centuries-and some thirty emperors-that separate him from the boy-king Alexander Severus (assassinated 235 CE).Yet Emperor of Rome is not your typical chronological account of Roman rulers, one emperor after another: the mad Caligula, the monster Nero, the philosopher Marcus Aurelius. Instead, Beard asks different, often larger and more probing questions: What power did emperors actually have? Was the Roman palace really so bloodstained? What kind of jokes did Augustus tell? And for that matter, what really happened, for example, between the emperor Hadrian and his beloved Antinous? Effortlessly combining the epic with the quotidian, Beard tracks the emperor down at home, at the races, on his travels, even on his way to heaven.Along the way, Beard explores Roman fictions of imperial power, overturning many of the assumptions that we hold as gospel, not the least of them the perception that emperors one and all were orchestrators of extreme brutality and cruelty. Here Beard introduces us to the emperor's wives and lovers, rivals and slaves, court jesters and soldiers, and the ordinary people who pressed begging letters into his hand-whose chamber pot disputes were adjudicated by Augustus, and whose budgets were approved by Vespasian, himself the son of a tax collector.With its finely nuanced portrayal of sex, class, and politics, Emperor of Rome goes directly to the heart of Roman fantasies (and our own) about what it was to be Roman at its richest, most luxurious, most extreme, most powerful, and most deadly, offering an account of Roman history as it has never been presented before.

Whether you want to tour Brunelleschi's Dome, marvel at artwork in the Galleria degli Uffizi, or explore charming hill towns, the local Fodor's travel experts in Florence and Tuscany are here to help! Fodor's Florence and Tuscany guidebook is packed with maps, carefully curated recommendations, and everything else you need to simplify your trip-planning process and make the most of your time. This new edition has been fully redesigned with an easy-to-read layout, fresh information, and beautiful color photos. Fodor's Florence and Tuscany travel guide includes:AN ILLUSTRATED ULTIMATE EXPERIENCES GUIDE to the top things to see and doMULTIPLE ITINERARIES to effectively organize your days and maximize your timeMORE THAN 30 DETAILED MAPS and a FREE PULL-OUT MAP to help you navigate confidentlyCOLOR PHOTOS throughout to spark your wanderlust!HONEST RECOMMENDATIONS FROM LOCALS on the best sights, restaurants, hotels, nightlife, shopping, performing arts, activities, wineries, and morePHOTO-FILLED “BEST OF” FEATURES on “What to Eat and Drink,” “10 Best Museums in Florence,” “Best Hilltop Villages in Tuscany and Umbria,” “Free Things to Do in Florence,” and moreTRIP-PLANNING TOOLS AND PRACTICAL TIPS including when to go, getting around, beating the crowds, and saving time and moneyHISTORICAL AND CULTURAL INSIGHTS providing rich context on the local people, politics, art, architecture, cuisine, music, and moreSPECIAL FEATURES on “Who's Who in Renaissance Art,” “The Duomo,” “Santa Croce,” “The Pleasures of Tuscan Wine,” Piazza del Campo,” “The Goodness of Tuscan Food,” and “Assissi's Basilica di San Francesco.” LOCAL WRITERS to help you find the under-the-radar gemsITALIAN LANGUAGE PRIMER with useful words and essential phrasesUP-TO-DATE COVERAGE ON: Florence, Tuscany, Chianti, Siena, Pisa, Arezzo, Umbria, and more.Planning on visiting other destinations in Italy? Check out Fodor's Essential Italy, Fodor's Amalfi Coast, Naples & Capri, Fodor's Rome, and Fodor's Venice.*Important note for digital editions: The digital edition of this guide does not contain all the images or text included in the physical edition. ABOUT FODOR'S AUTHORS: Each Fodor's Travel Guide is researched and written by local experts. Fodor's has been offering expert advice for all tastes and budgets for over 80 years. For more travel inspiration, you can sign up for our travel newsletter at fodors.com/newsletter/signup, or follow us @FodorsTravel on Facebook, Instagram, and Twitter. We invite you to join our friendly community of travel experts at fodors.com/community to ask any other questions and share your experience with us!

Whether you want to tour the Roman Forum, explore the Vatican, or marvel at the Colosseum, the local Fodor's travel experts in Rome are here to help! Fodor's Rome guidebook is packed with maps, carefully curated recommendations, and everything else you need to simplify your trip-planning process and make the most of your time. This new edition has been fully updated with an easy-to-read layout, fresh information, and beautiful color photos. Fodor's Rome travel guide includes:AN ILLUSTRATED ULTIMATE EXPERIENCES GUIDE to the top things to see and doMULTIPLE ITINERARIES to effectively organize your days and maximize your timeMORE THAN 20 DETAILED MAPS and a FREE PULL-OUT MAP to help you navigate confidentlyCOLOR PHOTOS throughout to spark your wanderlust!HONEST RECOMMENDATIONS FROM LOCALS on the best sights, restaurants, hotels, nightlife, shopping, performing arts, activities, side-trips, and morePHOTO-FILLED “BEST OF” FEATURES on “Best Museums,” “Best Ancient Sites,” “Best Churches,” “Under-the-Radar Things to Do in Rome,” and moreTRIP-PLANNING TOOLS AND PRACTICAL TIPS including when to go, getting around, beating the crowds, and saving time and moneyHISTORICAL AND CULTURAL INSIGHTS providing rich context on the local people, politics, art, architecture, cuisine, music, geography, and moreSPECIAL FEATURES on “The Sistine Chapel Ceiling,” “Ancient Rome Wasn't Built in a Day,” and “Life in the Campo de' Fiori.” LOCAL WRITERS to help you find the under-the-radar gemsITALIAN LANGUAGE PRIMERS with useful words and essential phrasesUP-TO-DATE COVERAGE ON: Vatican City, the Roman Forum, the Colosseum, St. Peter's Basilica, the Pantheon, Trastevere, Trevi Fountain, the Spanish Steps, and more.Planning on visiting other destinations in Italy? Check out Fodor's Essential Italy; The Amalfi Coast, Capri & Naples; Venice; and Florence &Tuscany.*Important note for digital editions: The digital edition of this guide does not contain all the images or text included in the physical edition.ABOUT FODOR'S AUTHORS: Each Fodor's Travel Guide is researched and written by local experts. Fodor's has been offering expert advice for all tastes and budgets for over 80 years. For more travel inspiration, you can sign up for our travel newsletter at fodors.com/newsletter/signup, or follow us @FodorsTravel on Facebook, Instagram, and Twitter. We invite you to join our friendly community of travel experts at fodors.com/community to ask any other questions and share your experience with us!

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The Aeneidis a Latin epic poem, written by Virgil between 29 and 19 BC, that tells the legendary story of Aeneas, a Trojan who fled the fall of Troy and travelled to Italy, where he became the ancestor of the Romans. It comprises 9,896 lines in dactylic hexameter. The first six of the poem's twelve books tell the story of Aeneas' wanderings from Troy to Italy, and the poem's second half tells of the Trojans' ultimately victorious war upon the Latins, under whose name Aeneas and his Trojan followers are destined to be subsumed.The hero Aeneas was already known to Greco-Roman legend and myth, having been a character in the Iliad. Virgil took the disconnected tales of Aeneas' wanderings, his vague association with the foundation of Rome and his description as a personage of no fixed characteristics other than a scrupulous pietas, and fashioned the Aeneid into a compelling founding myth or national epic that tied Rome to the legends of Troy, explained the Punic Wars, glorified traditional Roman virtues, and legitimized the Julio-Claudian dynasty as descendants of the founders, heroes, and gods of Rome and Troy.The Aeneid is widely regarded as Virgil's masterpiece and one of the greatest works of Latin literature. (wikipedia.org)

Revised versions of papers presented at the Nickle Conference, held in the Nickle Arts Museum of the University of Calgary, Oct. 19-23, 1981.