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Patrik, who sometimes calls himself "the patient," is a literary researcher living in present-day Berlin. The city is just coming back to life after lockdown, and his beloved opera houses are open again, but Patrik cannot leave the house and hardly manages to get out of bed. When he shaves his head, his girlfriend scolds him, "What have you done to your head? I don't want to be with a prisoner from a concentration camp!" He is supposed to give a paper at a conference in Paris, on the poetry collection Threadsuns by Paul Celan, but he can't manage to get past the first question on the registration form: "What is your nationality?" Then at a café (or in the memory of being at a café?), he meets a mysterious stranger. The man's name is Leo-Eric Fu, and somehow he already knows Patrik...In the spirit of imaginative homage like Roberto Bolaño's Monsieur Pain, Antonio Tabucchi's Requiem, and Thomas Bernhard's Wittgenstein's Nephew, Yoko Tawada's mesmerizing new novel unfolds like a lucid dream in which friendship, conversation, reading, poetry, and music are the connecting threads that bind us together.
Five years ago, thirteen-year-old Bart attended a Japanese public school with a female friend he's now keen to avoid. He wonders why he isn't in the advanced Japanese class in his new international school in the same city, Kyoto, and if it has to do with his headmaster, a mercurial Englishman who lost his right eye playing rugby.As winter gives way to spring, Bart and his younger brother, Quinn, enroll in judo. Summer finds them jogging barefoot to Nanzenji Temple in preparation for the citywide judo tournament, and climbing Mount Fuji, coated in volcanic ash.Readers will enjoy these adventures and many more in My Japanese Sabbatical, a debut memoir by Oregon author, Bart Aikens.
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