Bøger om Konstruktivisme

der essay "mythos der form: vom bauhaus zur autarken kunst" war bereits 1988 im ehemaligen ost-berlin, hauptstadt des einstigen östlichen staates deutscher nation, als beitrag für die mail art operation "bauhaus 1919-1989", circolo pickwick, alessandria, italien, geschrieben worden.er reflektiert den eigenen weg im bildnerischen konträr zur doktrin des sozialistischen realismus' über 20 jahre und den einfluss des bauhaus-erbes dabei..zunächst führt es die schöne mär von einer ach so allumfassenden bauhaus-rezeption im ehemaligen ost-deutschland endgültig ad absurdum. diese rezeption war nur sehr begrenzt und in der wirkung stark begrenzend - was die geschichtsschreibung offensichtlich noch immer zu verdrängen oder gar zu verdecken sucht.sodann belegt er die unbedingte tragfähigkeit des kunstkonzeptes vom mythos der form als einheit aus geometrie und farbe gepaart mit vision, in der folge von bauhaus, de stijl und russischem konstruktivismus, von allem anderen weitgehend unabhängig: also autarke kunst - manifestiert bereits 1979.schlißlich kündet er mit dem angefügten arbeit-und-leben-an-orten-zu-zeiten von der weiterentwicklung und lebendigkeit, mithin von der aktualität dieses kunstkonzeptes//the essay "the myth of form: from the bauhaus to the autarchic art" was written in the former east berlin, capital of the erstwhile eastern state of the german nation, as a contribution to the mail art operation "bauhaus 1919-1989" at circolo pickwick, alesandria, italy.it reflects the own path controrary to the doctrine of socialist realism and the influence of the bauhaus over 20 years.first of all, it shows up the fairytale of an oh-so-universal bauhaus reception in the former east germany as ultimately absurd. this reception was only a limited and effectively very limiting one, which historiographers seem to want to repress or indeed cover up, even today. than, tis essay, with the included figures of sculptures and pictures, documents the unconditional viability of my concept of the myth of form as an entity of geometry and color, paired with my subjective vision, in the wake of the bauhaus, de stijl, and russian constructivism but largely independent from everything else: thus autarchic art - as established in my 1079 manifesto.finaly, the appended work ans life in places at times bears witness to the further development and vitality, and thus of the currency of this artistic concept.

The Masters of Concrete Shells Concrete shell construction started to become popular in the mid-20th century. Technically advanced designs with conspicuous expressiveness began to appear all over the world. With three typical protagonists - Félix Candela (1910-1997), Heinz Isler (1926-2009), and Ulrich Müther (1934-2007) - the book examines this construction method. Their work - primarily in Mexico, Switzerland, and the former GDR - was carried out under very different political, economic, social, and cultural conditions. The authors analyze the buildings and projects against the background of developments in architecture and engineering at that time. The focus is on mutual influence, shared aspects and differences in the design processes, the structural design, and the execution. In addition, the book examines how the work was received and today's application of the building method. Learning from Félix Candela, Heinz Isler, and Ulrich Müther and their historic shell construction buildings Unknown material from the drawing archives With abstracts in English, German and Spanish