Bøger om Latinamerika

"Day of the Dead is a holiday when families celebrate their loved ones who have died. Learn all about the customs of this holiday"--

A fascinating new history of America, told through the stories of a diverse cast of ten extraordinary--and often overlooked--adventurers, from Sacagawea to Matthew Henson to Sally Ride, who pushed the boundaries of discovery and determined our national destiny.The archetype of the American explorer, a rugged white man, has dominated our popular culture since the late eighteenth century, when Daniel Boone's autobiography captivated readers with tales of treacherous journeys. But our commonly held ideas about American exploration do not tell the whole story--far from it.The Explorers rediscovers a diverse group of Americans who went to the western frontier and beyond, traversing the farthest reaches of the globe and even penetrating outer space in their endeavor to find the unknown. Many escaped from lives circumscribed by racism, sexism, poverty, and discrimination as they took on great risk in unfamiliar territory. Born into slavery, James Beckwourth found freedom as a mountain man and became one of the great entrepreneurs of Gold Rush California. Matthew Henson, the son of African American sharecroppers, left rural Maryland behind to seek the North Pole. Women like Harriet Chalmers Adams ascended Peruvian mountains to gain geographic knowledge while Amelia Earhart and Sally Ride shattered glass ceilings by pushing the limits of flight.In The Explorers, readers will travel across the vast Great Plains and into the heights of the Sierra Nevada mountains; they will traverse the frozen Arctic Ocean and descend into the jungles of South America; they will journey by canoe and horseback, train and dogsled, airplane and space shuttle. Readers will experience the exhilarating history of American exploration alongside the men and women who shared a deep drive to discover the unknown.Across two centuries and many thousands of miles of terrain, Amanda Bellows offers an ode to our country's most intrepid adventurers--and reveals the history of America in the process.

An epic novel of the construction of the Panama Canal, casting light on the unsung people who lived, loved, and labored there, by Cristina Henríquez, acclaimed author of The Book of Unknown Americans It is said that the canal will be the greatest feat of engineering in history. But first, it must be built. For Francisco, a local fisherman who resents the foreign powers clamoring for a slice of his country, nothing is more upsetting than the decision of his son, Omar, to work as a digger in the excavation zone. But for Omar, whose upbringing was quiet and lonely, this job offers a chance to finally find connection.Ada Bunting is a bold sixteen-year-old from Barbados who arrives in Panama as a stowaway alongside thousands of other West Indians seeking work. Alone and with no resources, she is determined to find a job that will earn enough money for her ailing sister's surgery. When she sees a young man?Omar?who has collapsed after a grueling shift, she is the only one who rushes to his aid.John Oswald has dedicated his life to scientific research and has journeyed to Panama in single-minded pursuit of one goal: eliminating malaria. But now, his wife, Marian, has fallen ill herself, and when he witnesses Ada's bravery and compassion, he hires her on the spot as a caregiver. This fateful decision sets in motion a sweeping tale of ambition, loyalty, and sacrifice. Searing and empathetic,The Great Divide explores the intersecting lives of activists, fishmongers, laborers, journalists, neighbors, doctors, and soothsayers?those rarely acknowledged by history even as they carved out its course.

Ever since Vampirita left her home in Lima, Peru for Sunny City, California, her life has been dull and gloomy--and not the chilly air, moldy tombstones, and scurrying cockroaches kind of gloomy. There's not a single creaky floorboard in her new house; no one at school eats cricket and worm empanadas; and the next-door neighbors, August and Molly, are annoyingly nice. All her mom wants is for them to blend in, but Vampirita would give anything to be back in Peru digging tombs with her abuevampiritos. With help from reluctant friends, she hatches a plan to get her family chased out of town pitchforks-and-torches style. Will her scheme work, or will she find some spookiness in Sunny City?

From a legendary cult figure in Latin American literature, the story of a writer who obsessively observes his own handwriting in search of answers about his identity.

From British explorer and internationally bestselling author Levison Wood, Walking the Americas is an inspiring and perceptive account of Wood's 1,800-mile walk from Mexico to Colombia, chronicling the history, landscapes, and cultures he encounters along the way

An author visiting Jerusalem is pulled into a stranger's mysterious death in this gripping, moving novel by one of Colombia's major literary voices.Winner of the La Otra Orilla Literary AwardUpon recovering from a prolonged illness, an author is invited to a literary gathering in Jerusalem that turns out to be a most unusual affair. In the conference rooms of a luxury hotel, as war rages outside, he listens to a series of extraordinary life stories: the saga of a chess-playing duo, the tale of an Italian porn star with a socialist agenda, the drama of a Colombian industrialist who has been waging a longstanding battle with local paramilitaries, and many more. But it is José Maturana-evangelical pastor, recovering drug addict, ex-con-with his story of redemption at the hands of a charismatic tattooed messiah from Miami, Florida, who fascinates the author more than any other. Maturana's language is potent and vital, and his story captivating. Hours after his stirring presentation to a rapt audience, however, Maturana is found dead in his hotel room. At first it seems likely that he has taken his own life. But there are a few loose ends that don't support the suicide hypothesis, and the author is moved by Maturana's life story to discover the truth about his death, in a literary mystery from "one of the most interesting Latin American writers . . . his most ambitious novel yet" (La Nación)."A modern Decameron."-La Liberté

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

On May 14, 2003, a familiar risk-filled journey, taken by hopeful Mexican immigrants attempting to illegally cross into the United States, took a tragic turn. Inside a sweltering truck abandoned in Texas, authorities found at least 74 people packed into a "human heap of desperation." After months of investigation, a 25-year-old Honduran-born woman named Karla Chavez was found responsible for leading the human trafficking cell that led to this grisly tragedy in which 19 people died.Through interviews with survivors who had the courage to share their stories and conversations with the victims' families, and in examining the political implications of the incident for both U.S. and Mexican immigration policies, Jorge Ramos tells the story of one of the most heartbreaking episodes of our nation's turbulent history of immigration.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

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The 100th anniversary edition of a classic.A classic of twentieth-century Latin American literature, José Eustasio Rivera's The Vortex follows the young poet Arturo Cova and his lover Alicia as they elope from Bogotá and embark on an adventure through Colombia's varied and magical landscapes, with their rich biodiversity. After becoming separated from Alicia in the rainforest, Arturo witnesses the appalling conditions of the workers forced or tricked into tapping rubber trees. Newly translated for its 100th anniversary, The Vortex is both a denunciation of the horrific human-rights abuses that took place during the Amazonian rubber boom, and one of most enduring renderings of the natural environment in Latin American literature.

Les gémissements poétiques de ce siècle ne sont que des sophismes. Les premiers principes doivent être hors de discussion. J¿accepte Euripide et Sophocle ; mais je n¿accepte pas Eschyle. Ne faites pas preuve de manque des convenances les plus élémentaires et de mauvais goût envers le créateur. Repoussez l¿incrédulité : vous me ferez plaisir. Il n¿existe pas deux genres de poésies ; il n¿en est qüune. Il existe une convention peu tacite entre l¿auteur et le lecteur, par laquelle le premier s¿intitule malade, et accepte le second comme garde-malade. C¿est le poète qui console l¿humanité ! Les rôles sont intervertis arbitrairement. Je ne veux pas être flétri de la qualification de poseur. Je ne laisserai pas des Mémoires. La poésie n¿est pas la tempête, pas plus que le cyclone. C¿est un fleuve majestueux et fertile. Ce n¿est qüen admettant la nuit physiquement, qüon est parvenu à la faire passer moralement. Ô Nuits d¿Young ! vous m¿avez causé beaucoup de migraines !