Bøger om Russisk

Mr. Ward! Mr. Ward! Er Christine og Mandy prostituerede? Er De alfons for dem? Hvem har betalt Deres kaution? Er De russisk spion? Hvilken dom håber De på? Hvor begynder en historie? Jeg må helt tilbage til begyndelsen, men jeg har ikke megen tid. Når retfærdigheden har talt i morgen, er det forbi … Doktor Stephen Ward er osteopat og har mange patienter fra den engelske overklasse. Han har sin gang i samfundets øverste cirkler, hvor han fester og deltager i seksuelle eskapader. Da han møder den unge, ambitiøse danser Christine Keeler, tager han hende under sine vinger. Men snart hvirvler dette forhold ham ind i et net af intriger og forræderi, som får katastrofale følger. Både den engelske krigsminister Profumo og en russisk spion står i forhold til hende, og da det kommer for en dag, er skandalen en realitet. Samfundets elite har brug for en syndebuk, og midt i begivenhederne står den engang så feterede Stephen Ward …

Russian Cursive Writing for kids and adults is a practical textbook for students who want to learn Russian cursive script or transition from writing in block letters to cursive writing. It has been tested in a classroom with kids and adult learners and can also be used by anyone who wants to improve their Russian cursive writing. It offers step-by-step and easy to follow instructions with lots of examples, teaches how to connect letters for efficient writing and introduces fun facts and practical information. Current edition is suitable for students of all levels of Russian.

Embark on a gripping journey through the gritty streets of London, where thirteen-year-old Justin Blackstock's life takes a harrowing turn. While on a trip with his father, Justin bears witness to the chilling murder of a young Russian girl. But the danger doesn't end there - desperate to protect his son, Justin's father, Rob, becomes entangled in the treacherous web of London street gangs, which ultimately leads to the unthinkable: the abduction of his own daughter. Rob finds himself thrust into a shadowy world he never anticipated, confronting secrets that should have remained buried. Now, he must navigate the treacherous landscape of organized gangs and corrupt police officers, who are under the enigmatic command of a figure known only as The Inspector. Unbeknownst to them all, they are in a fierce race against the notorious Russian Mafia, each vying to secure a gemstone rumoured to hold the key to uncovering the long-lost Russian Crown Jewels. As Rob's family teeters on the edge of destruction, he becomes their last hope. Determined to save his loved ones, Rob embarks on a perilous quest to unmask The Inspector and retrieve the priceless jewel himself. Along the way, he encounters the captivating Susan Williams, an ex-military crime investigator whose courage and tenacity match his own. Together, they delve deeper into the heart of darkness, pursuing The Inspector across the treacherous landscapes of Russia, until they finally confront the menacing leaders of the Russian Mafia.

Diese Monographie ist das Ergebnis der langjährigen Arbeit des Autors, die sich mit der Untersuchung der Sprache und des Stils von Texten der Massenmedien des frühen 21. Jahrhunderts gewidmet ist. Die Studie enthält eine Analyse verschiedener Ausdrucksmittel der russischen Sprache, die es ermöglichen, die dominante Funktion der modernen Massenmedien - die Beeinflussung - zu realisieren; sie zeigt die Mechanismen der Schaffung des Ausdrucks einer Zeitungsnachricht, enthüllt die Wege der Bildung des axiologischen Paradigmas in Massenmedientexten. Die Monographie implementiert einen umfassenden Ansatz zur Untersuchung der ausdrucksstarken lexikalischen Ressourcen der Sprache der Massenmedien, was ihre Analyse in den folgenden Aspekten impliziert: Klassifizierung (Beschreibung des Systems der lexikalischen Mittel der Schaffung von Ausdruck); funktional (Definition der lexikalischen Mittel der Schaffung von Ausdruck); funktional (Definition der lexikalischen Ressourcen der Massenmedien) .

This monograph is the result of the author's long-term work devoted to the study of language and style of mass media texts of the early 21st century. The study contains the analysis of various expressive means of the Russian language, which allow to realize the dominant function of modern mass media - the influencing one, the mechanisms of creating the expression of a newspaper message are shown, the ways of forming the axiological paradigm in mass media texts are revealed. The monograph implements a comprehensive approach to the study of expressive lexical resources of the mass media language, which implies their analysis in the following aspects: classification (description of the system of lexical means of creating expression); functional (definition of the lexical means of creating expression); functional (definition of the lexical resources of the mass media) .

Tapping into the emergence of scholarly comedy studies since the 2000s, this collection brings new perspectives to bear on the Dostoevskian light side. Funny Dostoevksy demonstrates how and why Dostoevsky is one of the most humorous 19th-century authors, even as he plumbs the depths of the human psyche and the darkest facets of European modernity. The authors go beyond the more traditional categories of humor, such as satire, parody, and the carnivalesque, to apply unique lenses to their readings of Dostoevsky. These include cinematic slapstick and the body in Crime and Punishment, the affective turn and hilarious (and deadly) impatience in Demons, and ontological jokes in Notes from Underground and The Idiot. The authors - (coincidentally?) all women, including some of the most established scholars in the field alongside up-and-comers - address gender and the marginalization of comedy, culminating in a chapter on Dostoevsky's "funny and furious" women, and explore the intersections of gender and humor in literary and culture studies. Funny Dostoevksy applies some of the latest findings on humor and laughter to his writing, while comparative chapters bring Dostoevsky's humor into conjunction with other popular works, such as Chaplin's Modern Times and Lin-Manuel Miranda's Hamilton. Written with a verve and wit that Dostoevsky would appreciate, this boldly original volume illuminates how humor and comedy in his works operate as vehicles of deconstruction, pleasure, play, and transcendence.

В России около тысячи политических заключенных. Этих отважных людей лишили права жить и действовать на свободе.Но оказалось, что их невозможно лишить ни внутренней свободы, ни права высказывать собственное мнение. Их голоса - самые свободные голоса внутри сегодняшней России. Они звучат из залов судов, в письмах, блогах, социальных сетях. Им не страшна цензура. И точно так же, как мы перечитываем письма и речи советских политзаключенных, следующие поколения будут перечитывать слова узников российского режима.В этой книге представлены письма, интервью, посты и выступления Ильи Яшина - политика в стране, где не осталось политики.

This is the first volume to reconstruct and examine Soviet engagement with world literature from multiple institutional and disciplinary perspectives (intellectual history; literary history and theory; comparative literature; translation studies; diaspora studies); the book is a vital contribution to current debates on world literature in and beyond the field of Slavic and East European Studies.

This book demonstrates how the Russian thought and literature of the 18th ? 19th centuries influenced Jewish thought and Hebrew literature. Absorption of ideological influences is a universal phenomenon that is instrumental to progress and cultural development, and it is accepted in Jewish culture as well.

СОДЕРЖАНИЕПоездка в Соловецкий монастырь Печорский князь Берестяная книга БиографияСергей Васильевич Макси́мов (25 сентября (7 октября) 1831 - 3 (16) июня 1901) - русский этнограф-беллетрист. Брат писателя Николая и хирурга Василия Максимовых. Публиковался с 1853 г., преимущественно в Библиотеке для чтения. Начинал с очерков из народного быта. Ободрённый Тургеневым, Максимов в 1855 году предпринимает литературно-этнографическую экскурсию - пешеходное странствование по Владимирской губернии, посещает затем Нижний Новгород, Вятскую губернию. Этот опыт изучения народного быта отразился в очерках Крестьянские посиделки Костромской губернии, Извощики, Швецы (то есть портные), Сергач (вожак медведя), Вотяки, Нижегородская ярмарка, Соцкой, Булыня (скупщик льна), Маляр, Кулачок, Повитуха, Колдун и др., впоследствии вошедших в книгу Лесная глушь (СПб., т. 1-2, 1871).Когда по мысли великого князя Константина Николаевича морским ведомством был организован целый ряд этнографических экспедиций в различные края России (1855), Максимову достался Север он отправился к Белому морю, добрался до Ледовитого океана и Печоры и напечатал ряд статей в Морском сборнике, Библиотеке для чтения и Сыне Отечества, составивших затем книгу Год на Севере (1859, СПб.; 3 изд., 1871). Это произведение отмечено малой золотой медалью Императорского русского географического общества....(ru.wikipedia.org)

A 208-page guideA Russian conversation guide for English speakers.This guide provides the basics of grammar, vocabulary and set phrases (with a Latin transcription) as well as information on the Russians and their customs. In short, everything you need to know before a short stay in Russia!