Bøger om South Atlantic islands

This aviation/travel journal is an account of the author's experiences in 59 years of travelling the globe. His half-Scottish roots may have something to do with his yearning for a desire to visit a number of cold-weather countries that many of us might stay away from, but might like to read about! There are some tropical visits and temperate ones too, but the latest tally has been 21 landings or take-offs within the Arctic Circle, and photos included in the book show Greenland, Iceland, Faroes, Svalbard (sometimes called Spitzbergen), The Falklands and Antarctica amongst others, but there are some in warmer temperature zones! Over those years of travel 124 separate trips have been made involving over 450 different flights. In the early years, many were propeller aircraft and then later jet transport but over that period 64 different types have been flown, and each is supported in the book by brief technical notes and a photo. The author's work in airline operations and then later in the travel agency sector allowed him the opportunity to extensively travel the world and see these sights. Later in retirement, the travel bug has continued. Interspersed into the timeline of the book is the author's autobiography of his time spent in the three countries he has lived in during his working life.

Unknown to many, Niko Pirosmani is revered as a legend in his native Georgia. Conveying a sense of poignant empathy, his portraits, animal paintings, landscapes and scenes from everyday life painted around 1900 in a flourishing Tbilisi draw on medieval iconography and testify to a deeply felt sense of belonging. At the same time, the avant-garde recognised a novel and radically new form of painting in his work. Like Henri Rousseau or Marc Chagall, Pirosmani is one of the exceptional yet difficult to categorize proponents of early modern art. This catalogue demonstrates Pirosmani's qualities in numerous illustrations, showing how his rapid brushstrokes on black oilcloth give the sparsely applied colors a glow as if coming from a dark depth. Pirosmani was a master of concentration¿and a storyteller. As expertly explained in the catalogue by a selection of Georgian art historians, he was a unique artist, a contradictory figure and an important part of the art scene in Tbilisi, then considered the "Paris of the East." Born into a peasant family, NIKO PIROSMANI (1862 - 1918) arrived in Tbilisi in 1870. Painting portraits and tavern signs for room and board, he came to the attention of the Georgian and Russian avant-garde in 1912, who presented him a year later as the "Rousseau of the East" in the Moscow exhibition Mischén alongside works of Natalia Goncharova, Mikhail Larionov, Kazimir Malevich and Marc Chagall. An exhibition in Paris was planned, yet never to happen due to the First World War. Pirosmani died impoverished in 1918. Today he is Georgia's most celebrated artist.

This book examines British and Argentine media output in the prelude to and during the 1982 Falklands/Malvinas Conflict and acknowledges the aftermath and legacies of the media response.