Bøger om Vestlige Canada

An eighty-year overview of wood and argillite carving by Indigenous women artists on the Northwest Coast.Though women of the Northwest Coast have long carved poles, canoes, panels, and masks, many of these artists have not become as well known outside their communities as their male counterparts. These artists are cherished within their communities for helping to keep traditional carving practices alive, and for maintaining the dances, songs, and ceremonies that are intertwined with visual art production. This book, and an associated exhibition at the Audain Art Museum, gathers a range of sculptural formats by Indigenous women in order to expand the discourse of carving in the region.Both the exhibition and publication are co-curated by Dana Claxton, artist, filmmaker and head of the University of British Columbia’s Department of Art History, Visual Art and Theory; and Dr. Curtis Collins, the AAM’s Director & Chief Curator. Commentaries by Skeena Reece, Claxton, and Marika Swan, and interviews with artists Dale Campbell and Mary Anne Barkhouse are presented alongside more than one hundred artworks from public and private collections across North America, including several newly commissioned pieces.Featured artists include:Ellen Neel (Kwakwaka'wakw, 1916–1966)Freda Diesing (Haida, 1925–2002)Doreen Jensen (Gitxsan, 1933–2009)Susan Point (Musqueam, b. 1952)Dale Campbell (Tahltan, b. 1954)Marianne Nicolson (Kwakwaka’wakw, b. 1969)Arlene Ness (Gitxsan, b. 1970s)Melanie Russ (Haida, b. 1977)Marika Swan (Nuu-chah-nulth, b. 1982)Morgan Asoyuf (Ts’msyen, b. 1984)Cori Savard (Haida, b. 1985)Cherish Alexander (Gitwangak, b. 1987)Stephanie Anderson (Wetsuwet’en, b. 1991)Veronica Waechter (Gitxsan, b. 1995)

An in-depth exploration of how a transportation company created a vision for a burgeoning nation and played a leading role driving immigration to the Canadian West.

Throughout her remarkable career as a gallery director, curator, and author, Patricia Bovey has been a tireless champion for the work of Canadian artists. Western Voices in Canadian Art brings this lifelong passion to a crescendo, delivering the most ambitious survey of Western Canadian Art to date.

Rose Addams is hitting her sixties, but these days it feels like they're starting to hit back... Her daughter, Morgan, has ditched her thesis program and moved back home to Vancouver, while her son Jason's partner has never seen eye to eye with his mother. Her husband Charles has decided to take early retirement from the university to work on his long-gestating book, and his rakish best friend Garnet has a new mistress who is way too young for their social circle. When Rose encounters a young man panhandling outside of her library office though, a chain of events is set in motion whereby Rose will have to confront all the facets of her rapidly-complicating life...Recalling the work of Caroline Adderson, Krista Foss, and Marie-Renée Lavoie, Margie Taylor's Rose Addams is an insight into the life of a woman who is in the process of beginning her third act, an empathetic and incisive look at the problems of those just exiting middle age while attempting to keep up with a rapidly-changing world.

Canada's most famous example of class conflict, the Winnipeg General Strike, redefined conversations around class, politics, region, ethnicity, and gender. For a Better World interrogates types of commemoration, current legacies of the Strike, and its ongoing influence.

A devastating novel about broken relationships, the promises we're unable to keep and living with the ghosts of your past

Born in Scotland and trained as a sugar broker in England, Sir George Simpson was appointed as governor of Rupert's Land and the Indian territories in 1820. By his friendliness, strict discipline, and vigorous and constant travel, he brought peace and prosperity to the vast empire under his control.