Bøger om West Africa

- Jan Strybol examines the sculptural traditions of a number of peoples in central Nigeria. In addition to wood sculptures, he also pays attention to objects in bronze, iron, terracotta and other materials; art forms that have been very underexposed and have almost vanished In previous studies, Jan Strybol pointed out that - contrary to popular belief - sculpture flourished in northern Nigeria. Wood sculptures could be found just about everywhere, with the exception of part of the Far North. In this study, the author first examines the sculptural traditions of a number of peoples in central Nigeria, more specifically from the Jos Plateau and from the Middle Benue Valley to the source area of the Taraba River. These peoples can be described as non-centralized communities where art was mainly produced in perishable materials by part-time artists, in contrast to the centralized empires in the South (Ife, Benin) where full-time specialist sculptors created complex artefacts in durable materials (stone, bronze, iron). Perhaps the most familiar ethnic group in the Central Benue region to lovers of African art are the Mumuye. Since the end of the last century, as a result of the advance of world religions, the traditional rites of the Mumuye have rapidly disappeared and with them the Mumuye sculptural tradition so much admired in Europe and America. In addition to wood sculptures, Jan Strybol also pays attention to objects in bronze, iron, terracotta and other materials. These art forms have been very underexposed until now and have almost completely vanished. Finally, the author also delves into the artistic achievements of some little-known remnant groups within the Mumuye territory, which can boast of a rich art tradition.

'A living manual for the renaissance of an eminent African country!' Thabo Mbeki President of South Africa, 1999-2008A practical roadmap for transforming the largest economy in Africa.Reclaiming the Jewel of Africa is an insider's account of how to take Nigeria and Africa from potential to prosperity.Drawing on long experience in both the private sector and government, Olusegun Aganga provides practical and pragmatic insights that all Nigerians, and anyone concerned about the broader economic future of Africa, should consider.OLUSEGUN AGANGA CON is a Chartered Accountant with a professional career extending over four decades in the financial services industry and in the public service. A former MD at Goldman Sachs and Senior Director at Ernst & Young in London, he served first as Nigeria's Minister of Finance and Chairman of the Economic Management Team and then as its Minister of Industry, Trade and Investments. He was also the chairman of the World Bank and WTO.

'Sad, sonorous, occasionally hilarious, an extraordinary first novel' Washington Post'Striking . . . brings sexism and classism into equal focus' The Paris ReviewAdah is a single mother of five, living in a dank, crumbling housing estate for 'problem families', avoiding the rats and rubbish. It's not quite the new start in London she had planned. As she navigates the complicated welfare system that keeps her trapped in poverty, can she cling to her dream of a better life, and find somewhere that feels like home?Buchi Emecheta's scorching debut novel drew on her own experiences to paint a moving picture of hope, unexpected friendship, and survival.In the Ditch joins The Joys of Motherhood and Second-Class Citizen in Penguin Modern Classics, with a bespoke cover design from Turner Prize-winning artist Chris Ofili.'Buchi Emecheta was the foremother of black British women's writing' Bernardine Evaristo

In Mozambique and Guinea, the Portuguese colonial administration had to deal with Muslimcommunities of significant population expression and whose internal cultural differentiationspresented a complexity to which the administrative power was often unprepared.

This book brings together from four years of study on Nigerian contemporary art's internationalization. The monograph integrates voices of African (Nigerian) artists and art market players into the growing discourse on the emerging art markets in the global South. It explores the logic of competition and dynamics of power relations in the global markets, focusing on the internationalization of contemporary art forms from peripheral regions. The book confirms that the internationalization of contemporary art form from Nigeria is limited due to systematic marginalization in the artistic field, which in this case based on postcolonialism, and debilitating socio-economic factors such as outmoded art education, unstructured support system and weak mechanism for local validation, and an inefficient political framework for art governance.It will therefore be useful to students and researchers in the sociology of art, art market studies, art history and culture polity. 

Lagos, Life and Sexual Distraction is a collection of 12 short stories, mostly focused on the distinct character of life in Lagos--the commercial capital of Nigeria--but with two stories dedicated to the very different plight of people living in northern Nigeria, which suffers attacks from the Islamist insurgency Boko Haram. The book attempts to teleport the reader to Africa, to experience what an average Nigerian does to keep his or her dreams, hopes and aspirations alive. It also shows the tensions that exist between the generations, between the sexes and between different social classes and ethnicities.

Examines African debates on captivity, legal and illegal enslavement, and religious and ethnic identity in the era of West African jihads.

'A true artist. A brilliant writer. An original thinker' Chimamanda Ngozi AdichieYorùbá Boy Running charts Samuel Ajayi Crowther's miraculous journey from slave to liberator, boy to man, running to resisting'Run, Àjàyí, run!'The day the Malian slave traders invaded the Nigerian town of Òsogùn, thirteen-year-old Àjàyí's life was split in two.Before, there was his childhood, surrounded by friends and family, watched over by the ancient Yorùbá gods of forest and water, earth and sky. After: capture, slavery - and release, into the service of a new god, his own culture left far behind. So Àjàyí becomes Samuel Crowther - missionary, linguist, minister - and abolitionist: driven to negotiate against his own people to end the miserable trade in human beings which destroyed his family.Drawing on the prolific writings of Samuel Ajayi Crowther, Biyi Bándélé has created a many-voiced, kaleidoscopic portrait of an extraordinary man. From the heart-stopping drama of Àjàyí's last day of freedom to the farcical intrigue of the Òsogùn court; from a meeting with Queen Victoria; to his consecration as the first African Bishop of the Anglican Church, his journey, like all great odysseys, circles back to where he began. By turns witty, moving and quietly political, Biyi Bándélé's reimagining of Crowther's life is a brilliant tour de force.WITH AN INTRODUCTION FROM WOLE SOYINKA'Biyi Bándélé had a prolifically talented and creative mind, shown in everything he touched. Yorùbá Boy Running is no exception' Chiwitel EjioforCover artwork Chris Ofili, Blind Leading Blind, 2005 (c) The artist.

Die italienisch-senegalesische Künstlerin Adji Dieye beschäftigt sich in ihrer künstlerischen Praxis mit den Themen Postkolonialismus und Nationalstaatenbildung. Mit ihrer neuen, in Dakar (Senegal) produzierten Videoarbeit Aphasia («Sprachstörung») untersucht sie im Zusammenspiel von Fotografie, Video und Performance die Rolle der Sprache in der Formierung der senegalesischen Staatenbildung. Dabei befasst sich Dieye nicht nur mit alternativen Formen der Wissensproduktion, sondern geht auch autobiografische Verknüpfungen ein. Die Publikation übersetzt die Videoarbeit in eine Buchform und kontextualisiert die intermediale Praxis der Künstlerin anhand von zwei Textbeiträgen aus einer fototheoretischen Perspektive.Mit der neuen biennalen Reihe Photographic Encounters ermöglicht das Fotomuseum Winterthur in Zusammenarbeit mit dem Christoph Merian Verlag einem Fotografen oder einer Fotografin die Realisierung einer Ausstellung und einer Publikation.

In this edited collection, contributors analyze how the media is navigating Nigeria and its mediated democracy. Scholars of journalism, political communication, and media studies will find this book of particular interest.

This book considers the evolution and characteristics of Nigeria's third-generation literature, which emerged between the late 1980s and the early 1990s and is marked by expressive modes and concerns distinctly different from those of the preceding era.

"This book traces the emergence of secularism as a way of ordering religion-state relations in colonial and post-colonial Northern Nigeria. The book draws on extensive research in six archival repositories on two continents to provide a novel and comprehensive historiography"--

This book provides a detailed analysis of the process of political party financing in Nigeria from 1999 to the present. Babayo Sule links the party financing process with the electoral process and explores issues of democratic accountability, transparency, and corruption in Nigeria under democratic rule.

Offers expansive and intersecting understandings of erotic subjectivity, intimacy, and trauma in performance, in ethnography, and in institutional and disciplinary settings.

This book explores the drivers and impacts of sand mining in the coastal areas of Lagos Nigeria. Based on empirical evidence, sand mining activity is driven by a number of urbanization-related factors while sand mining impacts are underlined by a number of sustainability-related factors. Four urbanization components describe the drivers of sand mining and four sustainability components describe the impacts of sand mining in Lagos. This book concludes on the puzzling dilemma of sand mining that supports thriving urbanization but undermines environmental sustainability in Lagos. Of course, sand mining has strong implications for environmental sustainability in Lagos coastal areas. This book is of immense benefit to environmental planners, city administrators, students of environmental science and the general public who have regards for environmental management. 

This book examines women¿s participation in social, economic and political development in West Africa. The book looks at women from the premise of being active agents in the development processes within their communities, thereby subverting the dominate narrative of women as passive recipients of development.

This comprehensive and fully updated edition of Birds of Senegal and The Gambia is the ultimate guide for travellers and birdwatchers visiting one of Africa's richest birdwatching regions. The Gambia, together with the country that envelops it, Senegal, has an avifauna of more than 700 regularly occurring species, including many Western Palearctic migrants from September to April, and a significant list of highly sought-after resident West African birds, including the Egyptian Plover. This authoritative guide covers all species, including details of all residents, migrants and known vagrants. Senegal and The Gambia offer a true wealth of birdlife, including a fantastic selection of Sahel specialities that are far more easily seen here than anywhere else. Senegal has become a reliable locality for Golden Nightjar, Quail-plover and Cricket Warbler, and the near-endemic Mali Firefinch occurs in the southeast of the country. Birdwatchers in this region can also find Savile's Bustard, Adamawa Turtle Dove, Little Grey Woodpecker, Yellow Penduline Tit, Sudan Golden Sparrow and Exclamatory Paradise Whydah, while the Saloum delta's huge roost of tens of thousands of African Swallow-tailed Kites is one of the world's top birding spectacles. More than 140 stunning colour plates depict every species and also comprehensively cover all the distinct plumages and subspecies likely to be encountered. Concise species accounts describe key identification features, status, range, habitat and voice, with fully updated distribution maps for each species. This compact guide is an essential companion for any birder visiting this rich and varied area of Western Africa.

THE BOOK ALLOWS THE READER TO GAIN INSIGHT INTO THE DAY-TO-DAY ACTIVITIES OF A VILLAGE WORKER AS HE SUCCESSFULLY NEOGOIATES A FOREIGN CULTUTE AND LANGUAGE. THE SIX-MONTH RAINY SEASON PROVIDES CHALLEGENGES TO GAIN ACCESS TO CAMPUSES AND DELIVER SUPPLIES TO THE WORKERS

"Highlights the agency of local people in enabling transitional justice in post-conflict Sierra Leone. Moving past questions of institutional effectiveness, Laura S. Martin explores the diversity of post-conflict experiences and shows how individuals and communities enact justice on their own terms"--

Sorcery or Science? examines how two Sufi Muslim theologians who rose to prominence in the western Sahara Desert in the late eighteenth century, S¿di al-Mukht¿r al-Kunt¿ (d. 1811) and his son and successor, S¿di Müammad al-Kunt¿ (d. 1826), decisively influenced the development of Sufi Muslim thought in West Africa.Known as the Kunta scholars, Mukht¿r al-Kunt¿ and Müammad al-Kunt¿ were influential teachers who developed a pedagogical network of students across the Sahara. In exploring their understanding of "the realm of the unseen"-a vast, invisible world that is both surrounded and interpenetrated by the visible world-Ariela Marcus-Sells reveals how these theologians developed a set of practices that depended on knowledge of this unseen world and that allowed practitioners to manipulate the visible and invisible realms. They called these practices "the sciences of the unseen." While they acknowledged that some Muslims-particularly self-identified "white" Muslim elites-might consider these practices to be "sorcery," the Kunta scholars argued that these were legitimate Islamic practices. Marcus-Sells situates their ideas and beliefs within the historical and cultural context of the Sahara Desert, surveying the cosmology and metaphysics of the realm of the unseen and the history of magical discourses within the Hellenistic and Arabo-Islamic worlds. Erudite and innovative, this volume connects the Islamic sciences of the unseen with the reception of Hellenistic discourses of magic and proposes a new methodology for reading written devotional aids in historical context. It will be welcomed by scholars of magic and specialists in Africana religious studies, Islamic occultism, and Islamic manuscript culture.