Kunst: økonomiske aspekter

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THE RANT is an artistic reaction to the development of the blockchain technology based on Ejlerskov’s own practice. It is a vision that connects our physical and digital world and leads the way into a possible future, where our spirit and bodies are as much part of the technological revolution as the upcoming decentralized internet.Central banking and the history of money, reincarnation and astrology, art, tech, neo financing, and crypto, plus the possibilities of our existence being a simulation? I am willing to consider all possible angles on life at this point. There is nothing simple about the transitory era we are living in. It is all intertwined. The same technology that can save us all can enslave us if it is not handled wisely. - Ejlerskov

John Marshall (1862-1928) was an antiquities expert hired by the Metropolitan Museum of New York. An attentive observer of the antiquities trade, Marshall's archive, photographs and annotations on more than 1000 objects, shines light on the secretive world of art dealing and how objects arrived at the largest museums of Europe and North America.

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Vincent van Gogh war ein niederländischer Maler des Post-Impressionismus. Seine kraftvollen Werke, darunter "Sonneblumen" und "Die Sternennacht", prägen die moderne Kunst. Trotz eines tragischen Lebensendes beeinflusst van Gogh Künstler weltweit und bleibt eine Ikone der Kunstgeschichte.Nun gibt es neue Bilder aus dem Jenseits. Die Weltsensation!

The Valuation of Fine Art and Design provides a detailed analysis of the art and science of valuation, focussing on the process of assigning monetary values to artworks. The book sets out to educate art-world stakeholders in the nuances of pricing in the broadest sense. Construction of appropriate values requires an understanding of the international art market infrastructure in which these values will be applied; for this reason, the book explores the major sales venues in some detail. Additionally, it requires the appraiser to establish the importance of the work in question; to this end, the book presents fine and decorative-arts research sources. Finally, all value conclusions are based upon evidence derived from previous sales of similar items. The book concludes by demonstrating, through case studies, the impact on an artwork's value of factors including authenticity, style, artist's stature, publication and exhibition record, medium, rarity, and inclusion of related works in museum collections.

Written by an art advisor and former gallerist with an insider's perspective, this book provides a timely overview of the commercial-gallery sector at a moment of rapid change and expansion. More than any participant in the art market, galleries are seen as mysterious actors with an opaque code of conduct. This book offers a fascinating view of the gallery ecosystem, presenting a systematic diagnosis of key challenges and opportunities facing the sector today. Henry Little discusses the integration of bricks and clicks, addressing the tension between a gallery's physical premises and its online presence, further asking how the world's largest galleries have pulled so far ahead both in terms of their physical expansion and their digital offering. In an industry which increasingly rewards consolidation and brand recognition, the book asks how small and mid-tier galleries can hold their own and whether the traditional gallery model may be under threat in an increasingly digital future.

Based on a lecture given at the Manchester Royal Institution in 1883, Art, Wealth and Riches is a thought-provoking essay that considers art as having educative and aesthetic value that should be shared with the many, rather than financial value that should be hoarded by the few.

The author of the book lovingly calls it a naïve attempt to make the art world a little bit happier. After living and working in the art world for the past fifteen years, Christoph Noe brought pen to paper to gather some thoughts on how to navigate in the culture industry."It first developed foremost as a guide for myself as I continuously challenge the mission that I am on in the art world, asking myself why I am still doing what I am doing. Or sometimes, more dramatically, "If art is used in therapy, why do we almost need therapy when working in the art industry?" With a strong believe in the power of art and cultural creation and over multiple conversations and with the encouragement of my art- world crew, I came to the conclusion that these guidelines can function as a possible motivator, as a collection of thoughts or critical questions not only for myself but also for other people and collaborators working in the scene."Christoph NoeSomewhere in the art world, September 2022

Kaum ein künstlerischer Karriereweg lässt sich heutzutage ohne ein Residenzstipendium beschreiten. Unzählige Aufenthaltsprogramme sind mit ihren individuellen Ausrichtungen über den gesamten Globus verstreut. Sie ermöglichen Künstler:innen von heute, im regionalen wie internationalen Raum neue Eindrücke zu sammeln und die Weiterentwicklung der eigenen Praxis voranzutreiben.Ausgangspunkt des vorliegenden Buches ist die Residency von Lukas Zerbst in der sogenannten Villa Minimo in Hannover. Zerbst betitelte seine Stipendiums-Ausstellung Space Invader und machte diesen Namen wortwörtlich zum Programm. Über die Dauer von knapp zwei Monaten eignete er sich die institutionellen Räume als Domizil und Atelier an und schuf eine ganze Reihe von ortsspezifischen Installationen. Vor den Augen der Besucher:innen formte sich die Ausstellung so stetig weiter und ermöglichte einen ungewohnten und nahen Einblick in alltägliche Vorgänge des Kunstschaffens.Die Publikation stellt Zerbsts Projekt vor und liefert mit Hilfe von Textbeiträgen aus unterschiedlichen Disziplinen einen vielstimmigen Beitrag zur kontinuierlichen Diskussion um Arbeitsbedingungen im Kunstbetrieb.

This book spotlights the role that contemporary art will play in Saudi Arabia's new push for cultural diplomacy as well as sweeping reform in the country. As the Kingdom mobilises its vast resources behind the economic and social priorities of its Vision 2030 strategy and seeks new terms of engagement with the international community, art is set to take centre stage. This book looks at both the historic and contemporary contexts for this recent state-led focus on art in the Kingdom; at how its planned events and programmes stand apart, in resource, scale and ambition, from seemingly similar initiatives coming from that region; and at both the opportunities and pitfalls, not just for the burgeoning art world of Saudi Arabia, but for practitioners and professionals around the world.

For at forstå, hvordan nutidens billed- og scenekunst er flettet sammen med kapitalismen, må vi forstå forholdet mellem kunst og det moderne arbejdsliv. I Kunstner i arbejde undersøger Bojana Kunst kunstproduktionen som kritisk, projektorienteret og forandringsparat – egenskaber, der står i centrum af tidens værdiskabelse og arbejdsmarked. Kunst argumenterer for, at der sker en gennemgribende udbytning af menneskets kreative kræfter i det postindustrielle arbejdsliv, og diskuterer, hvordan kunsten alligevel kan hævde sig selv og sin plads i offentligheden. Bojana Kunst er performanceteoretiker og professor ved Institut for Anvendt Teatervidenskab ved Justus-Liebig-Universität i Giessen, Tyskland. Bibliotek for ny kunstteori er en bogserie med oversættelser af international kunst- og kulturteori udgivet i samarbejde mellem Ny Carlsbergfondet og Informations Forlag. Kunstner i arbejde er den sjette titel i serien. Tidligere er bøger af Eyal Weizman, Sianne Ngai, Jacques Rancière, Juliane Rebentisch og Hito Steyerl udkommet.

This book provides an in-depth exploration of two key aspects of managing cultural collaborations: managing the multiple identities of venture participants and managing the diverse images and brand relationships.There are a variety of books available on mergers and acquisitions in the corporate world, but cultural joint ventures have not been examined in detail, and there are significant differences to consider. Cultural joint ventures are emerging as an important organizational structure in the creative sector. This is largely due to uncertainties in public funding, increased competition for audiences, and the ongoing search for innovative programming. Although arts organizations need to understand and manage these economic aspects, other aspects including internal culture, identity, and brand image are vital to the successful management of cultural joint ventures. Taking a global view and covering a variety of creative collaborations, the authors present case studies from Scandinavia, Europe, North and South America, and New Zealand.From a managerial point of view, this book is valuable not only for a range of managers working in different types of cultural centres but also for managers working within various collaborative efforts in the creative industries more broadly. This will also be a valuable resource for researchers and scholars in the fields of arts management and marketing.

Are you a small potato, pursuing your creative passions without expectations of fame or fortune? This playful workbook is designed to help adults with years of creative experience explore unconsidered art forms, amp up your creative approach, and wrangle your personal triumphs into a sustained and fulfilling practice. Interactive exercises and assignments will inspire you to write, draw, sing, rhyme, craft, improvise, observe, engage, document and express yourself in every medium imaginable. Get out of your rut, embrace your inner child, and see which seeds will bear the fruit of larger projects. Prepare to discover fun ways to increase your creative visibility, live by the Golden Rule, and expand your community. Ayun Halliday, inveterate multidisciplinary creatress and author of Creative, Not Famous: The Small Potato Manifesto, made this exuberant, hilarious, and fun guide for anyone ready to subvert creative business and branding advice and realize a deeper relationship with their own uniquely weird and wonderful creativity.

“Reads like a mystery”—PBS News Hour“You’ll find it hard to put down.”—NPR, “Books We Love”When reclusive, millionaire artist Robert Indiana died in 2018, he left behind dark rumors and scandal, as well as an estate embroiled in lawsuits and facing accusations of fraud. Here, for the first time, are all the pieces to the bizarre true story of the artist’s final days, the aftermath, the deceptive world that surrounded him, and the inner workings of art as very big business.“I’m not a business man, I'm an artist,” Robert Indiana said, refusing to copyright his iconic LOVE sculpture in 1965. An odd and tortured soul, an artist who wanted both fame and solitude, Indiana surrounded himself with people to manage his life and work. Yet, he frequently changed his mind and often fired or belittled those who worked with him. By 2008, when Indiana created the sculpture HOPE—or did he?—the artist had signed away his work for others to exploit, creating doubt about whether he had even seen artwork sold for very high prices under his name.At the time of his death, Indiana left an estate worth millions—and unsettling suspicions. There were allegations of fraudulent artwork, of elder abuse, of caregivers who subjected him to horrendous living conditions. There were questions about the inconclusive autopsy and rumors that his final will had been signed under coercion. There were strong suspicions about the freeloaders who’d attached themselves to the famous artist. “In the final hours of his life,” the author writes, “Robert Indiana was without the grace of a better angel, as the people closest to him covered their tracks and plotted their defenses.”With unparalleled access to the key players in Indiana’s life, author Bob Keyes tells a fast-paced and riveting story that provides a rare inside look into the life of an artist as well as the often, too often, unscrupulous world of high-end art. The reader is taken inside the world of art dealers, law firms, and an array of local characters in Maine whose lives intersected with the internationally revered artist living in an old Odd Fellows Hall on Vinalhaven Island.The Isolation Artist is for anyone interested in contemporary art, business, and the perilous intersection between them. It an extraordinary window into the life and death of a singular and contradictory American artist—one whose work touched countless millions through everything from postage stamps to political campaigns to museums—even as he lived and died in isolation, with a lack of love, the loss of hope, and lots and lots of money.

Canvases and Careers Today brings together contributions from the eponymous conference organized by the Institut für Kunstkritik, Frankfurt am Main. Its goal is to provide deeper insights and more complexity to current debates on the relationship between criticism, art, and the market. "It was especially interesting for us to watch a kind of transatlantic divide happening. While the US-American participants mostly declared criticism as obsolete while hoping for turning its weakness into a strength, most European participants departed from the opposite diagnosis: that criticism has never been as strong as it is today, since it is now part of a knowledge-based economy." Isabelle Graw/Daniel Birnbaum

Do you love coloring or know someone that does? Then this coloring book is for you, or it will make a great gift idea for your family and friends.Coloring is an excellent way to relax and unwind. Recent studies have shown that adult coloring books can help reduce stress and promote mindfulness.The 30 pages in this doodle style coloring book have been drawn by an Artist that specialises in Adult coloring patterns to reduce stress.The pages in all of our books are printed single sided, this means you can trim them out if you're using markers. So pick up your favourite pencils or markers and settle down with this book for some relaxation. Happy coloring!

The Business of Being an Artist, now in its sixth edition, contains information on how artists may develop a presence in the art world that leads to sales.