Elektronisk kunst, holografi og videokunst

This collection focuses on 1970s films from a variety of countries, and from the marginal to the mainstream, which, by tackling various 'difficult' subjects, have proved to be controversial in one way or another. It is not an uncritical celebration of the shocking and the subversive but an attempt to understand why this decade produced films which many found shocking, and what it was that made them shocking to certain audiences. To this end it includes not only films that shocked the conventionally minded, such as hard core pornography, but also those that outraged liberal opinion - for example, Death Wish and Dirty Harry. The book does not simply cast a critical light on a series of controversial films which have been variously maligned, misinterpreted or just plain ignored, but also assesses how their production values, narrative features and critical receptions can be linked to the wider historical and social forces that were dominant during this decade. Furthermore, it explores how these films resonate in our own historical moment - replete as it is with shocks of all kinds.

Conservation of Time-based Media Art is the first book to take stock of the current practices and conceptual frameworks that define the emerging field of time-based media conservation, which focuses on contemporary artworks that contain video, audio, film, slides or software components.Written and compiled by a diverse group of time-based media practitioners around the world, including conservators, curators, registrars and technicians among others, this volume offers a comprehensive survey of specialized practices that have developed around the collection, preservation and display of time-based media art. Divided into 23 chapters with contributions from 36 authors and 85 additional voices, the narrative of this book provides both an overview and detailed guidance on critical topics, including the acquisition, examination, documentation and installation of time-based media art; cross-medium and medium-specific treatment approaches and methods; the registration, storage, and management of digital and physical artwork components; collection surveys and project advocacy; lab infrastructures, staffing and the institutional implementation of time-based media conservation.Conservation of Time-based Media Art serves as a critical resource for conservation students and for a diverse professional audience who engage with time-based media art, including conservation practitioners and other collection caretakers, curators, art historians, collectors, gallerists, artists, scholars and academics.

Since the 1970s, the medium of video and multimedia art practice has been closely linked to the subcultural and countercultural movements. Art and music videos in particular demonstrate great subversive potential: artists and musicians oppose traditional values, exploring and repeatedly transgressing social norms and gender stereotypes.This publication reviews artistic strategies in the context of a history of punk and its offshoots, combining scholarly opinions from the fields of art history, queer theory, media studies, gender studies, postcolonial studies, and cultural studies on an equal footing with field reports from the practice of alternative archives and artistic image essays.

Having initially been considered bourgeois, horror films emerged only under late socialism as the country underwent widespread social, cultural, and economic changes. In this book, Alexander Herbert examines those changes through the various fears and anx

Relive your favorite memories from the hit animated series The Legend of Korra Book Three - Spirits—created by Michael Dante DiMartino and Bryan Konietzko—the groundbreaking sequel to their blockbuster show Avatar: The Last Airbender!This limited edition hardcover, released to celebrate the anniversary of the original show’s airing, contains hundreds of art pieces created during the development of the show’s third season, alongside creator commentary from DiMartino and Konietzko. The book is packaged in a deluxe slipcase with a commemorative lithograph, celebrating this timeless series and the legacy it continues!

Ars Breve Vita Longa follows the author's decades-long odyssey through orchestras in the United States and Europe to describe the indelible characters he encountered on and off the screen and that, not just by coincidence, had a strong influence in developing his own character.

An in-depth examination of Italian collective ZimmerFrei's most recent film, wherein vision becomes a social act ZimmerFrei is known for multimedia work and documentary films that revolve around the ideas of identity politics, otherness and togetherness. This publication focuses on the collective's new trilogy of short films, LUMI, and includes the scripts and exhaustive visual documentation of the production of the series.

INCLUDES CODES GOOD FOR FIVE PACKS OF YEAR OF THE DRAGON HEARTHSTONE CARDS!A motley crew of singing villains. A ragtag team of adventurers. A conflict that could decide the fate of Azeroth itself. It's safe to say that Hearthstone's never looked so exciting!For the first time, Blizzard Entertainment's collectible card game told a complete, continuous story across three expansions. The Art of Hearthstone, Volume V: Year of the Dragon shows hundreds of fantastic illustrations created by dozens of artists for the game's cards, cinematics, and concept art, as well as diving deep into the creative process and pipeline that made the Year of Dragon one of Hearthstone's most ambitious.

I need to create; it's my breath of life. The work on each page is just as important as the last, old or new, it all has its place in weaving my inner being. This book shares with you my visual DNA, with each strand complimenting the next, but never whole since it's always changing and refining the stages of my life.

"In this truly beautiful book, Andrea Zanatelli combines his extraordinary artworks with a selection of classical love poetry by Anne Brontèe, William Blake, Christina Rossetti, Elizabeth Dickinson, Percy Shelley, and many more. Drawing its inspiration from the past, Love is Enough references the decorative arts of a bygone era, and is a combination of romantic imagery, antique fabrics, and allegorical illustrations mixed with poems and mottos. Often mistaken for real embroidery pieces, the artworks are in fact very detailed and intricate digital collages, made to look and feel like handcrafted works"--Amazon.com.

La tecnologia applicata alla biologia, il suo estendersi all'ecologia, il confluire del tutto nel paesaggio algoritmico si ritrovano in sperimentazioni artistiche riconosciute in generi come: nanoarte, bioarte, arte meteorologica ed ecologica, arte del network (net art e post-Internet). "Mind the Gap" rilegge i cambiamenti epocali che hanno seguito l'era informatica nello sguardo caleidoscopico dell'arte. Coltivati per lo più in un contesto di nicchie specialistiche, si rivelano punti di vista preziosi per ripercorrere la storia a ritroso, per poterla rallentare e soffermarsi su alcuni aspetti e momenti, prima inosservati, in realtà centrali. Il testo corre a ritmo serrato, oscillando tra ciò che l'arte vede e i metodi impiegati; sguardi che hanno saputo cogliere l'invisibile molto prima che si restituisse prova della sua esistenza. Adottarli può significare cambiare il modo di vedere e di raccontare. Questa è una di tante storie possibili.

"HOW THE HELL... Do I Get My Film Financed?" is a series of easy-to-read books introducing some of the key concepts of entertainment financing, helping you to understand how to get your next film or TV show financed and produced! This series is aimed at writers, directors, producers, and investors. Whether you are new to the entertainment industry or already have a few projects under your belt, these books will give you the knowledge and power that you need to take control of your career and achieve success. Book Four deals with BUSINESS PLANS! So, your project is ready to go... Now you just need to find some funding to get it made! To do that, you'll have to sell your project to some investors in order to attract that vital production financing that you need. It all starts with a great business plan! Whatever stage you're at in the process, whether early in development or just looking for that final chunk of equity, a business plan is the crucial document that you need to sell your vision to an investor. It doesn't matter whether you are raising millions of dollars for a feature film, or just a few thousand dollars for a short film or web series pilot. A business plan is the best way for you to look professional and competent, and to make investors take you seriously. Understanding what an investor is looking for and answering some of their questions before they have even had a chance to ask them will make your journey to getting funded so much easier. A business plan is much more than just a tool to raise money. It's your chance to tell a story - your story - and describe to an investor why they should invest in you, how you will spend their money responsibly, and how you will pay it back. Learn how to create a great business plan, and how to sell your project - and yourself - to your investors! In this book, we cover: All the information you need to include in your business plan, split up into easily digestible sectionsHow to make your business plan look great, even if you have no design skillsHow to describe to an investor what they are getting from the deal and how they will get paid backAnd much more...And as a bonus, we have also included a Sample Business Plan for you to use as a template! Some people charge hundreds of dollars for this information. But you already have all the skills you need to write a professional business plan. Let us show you how! And don't forget to check out the other titles in this series. For more information, please visit our website at www.thefilmfinanceclub.com. ABOUT THE AUTHOR Ricky Margolis has over twenty years' experience in the entertainment industry. During that time, he has worked in a variety of positions at both large studios and boutique production companies. He has gained extensive knowledge and expertise in a number of aspects of the industry, including production, finance, development, literary management, sales, distribution, and marketing. Over the course of his career, Ricky has been involved in the production, finance, sales and/or distribution of over thirty titles, including films, TV shows, and web series. Ricky also has experience in the financial services industry, with several years' experience in venture capital, business development, and startup funding.

Film schools are fantastic at teaching students how to use cameras and write screenplays, but they fail to teach people what types of movies to make, how to keep your budget low, and secure profitable distribution. Each year, hundreds of people graduate from film studies programs wondering how they'll make a living in the industry. Many students flush out and go into other professions. This book is here to change that...What Film Schools Don't Tell You is the perfect guide for any filmmaker, regardless of experience. This easy and straightforward manual can help you transform your cinematic dreams into a profitable business model.

"HOW THE HELL... Do I Get My Film Financed?" is a series of easy-to-read books introducing some of the key concepts of entertainment financing so that you can learn how to finance and produce a film or TV show. Whether you are new to the industry or already have a few projects under your belt, this series will give you the knowledge and power that you need to get your project financed and into production! Book Three deals with EQUITY FINANCING! Equity financing is the "cold hard cash" that you need to get your film or TV show into production. Practically every production will need some form of equity financing, so filmmakers need to know how to raise it, what to do with it, and how to get it back to their investors. But what does equity financing really mean? What are you getting, and what are you giving away? And where the hell do you even start? This book is aimed primarily at two sets of people: filmmakers (including writers, directors, and producers), who will learn how to raise and spend money responsibly, and investors, who will learn to invest wisely! Filmmakers and investors need to know what the other one is thinking, what they are looking for, and how to create the perfect partnership that can be repeated time and time again. For filmmakers, how do you make your project attractive to an investor, and how do you show them that you will handle their money responsibly? And when you raise that money, then what do you do with it? And for investors, how do you look beyond the glitz and the hype to find the project and the people that you can feel passionate about AND still make money? And even when you invest equity financing, how the hell do you get that money back? We'll discuss: How investors should choose the projects they work on, the people they work with, and some of the pitfalls they should avoidHow filmmakers can appeal to investors, and create a partnership that can be repeated time and time againHow the money flows from investor to production and (hopefully!) back againNet profit participation, finance plans, recoupment waterfalls, development funding, slate financing, overhead deals, crowdfunding, and much much more...>This book will explain to you how equity financing works, and help make your next project a successful AND profitable one! And don't forget to check out the other titles in our series on film financing, authored by an experienced industry professional who has been involved in the financing, production, development, sales, and/or marketing of more than 30 titles. For more information, please visit our website at www.thefilmfinanceclub.com.

"HOW THE HELL... Do I Get My Film Financed?" is a series of easy-to-read books introducing some of the key concepts of entertainment financing, helping you to understand how to get your next film or TV show financed and produced! This series is aimed at writers, directors, producers, and investors. Whether you are new to the entertainment industry or already have a few projects under your belt, these books will give you the knowledge and power that you need to take control of your career and achieve success. Book Two deals with SALES & DISTRIBUTION! The sales and distribution process is THE most important element for anybody trying to make it in the entertainment industry to learn. It is how filmmakers connect with their audiences, and how their work gets seen and appreciated. The distribution world is constantly evolving, and distribution companies and platforms come and go, but the principles behind distribution never change - as a filmmaker, in order to be successful, you must understand who your audience is and how to reach them! An understanding of this process helps every single person working in the entertainment industry: for writers to learn what they should choose to write about in their scripts, for producers to learn which projects they should be pitching to financiers and sales agents, and for investors to understand which titles are mostly likely to offer them a return on their investment! You will also learn how you can use the sales and distribution process to raise funding for your production. We'll discuss: How a project travels from your creative mind to reach audiences all around the worldThe importance of sales agents, distributors, sales estimates, and minimum guaranteesThe international sales marketsHow to use the cash-flowing of pre-sales and gap financing against future foreign sales to raise the production funding you needHow the sales and distribution process affects YOU and practically every decision that you make regarding your next projectAnd much more...>Distribution isn't just part of the business - distribution IS the business!This book will explain how you can use the sales and distribution process to make your next project a successful AND profitable one, and to help you enjoy a long and fruitful career as a filmmaker or investor! And don't forget to check out the other titles in this series! For more information, please visit our website at www.thefilmfinanceclub.com. ABOUT THE AUTHOR Ricky Margolis has over twenty years' experience in the entertainment industry. During that time, he has worked in a variety of positions at both large studios and boutique production companies. He has gained extensive knowledge and expertise in a number of aspects of the industry, including production, finance, development, literary management, sales, distribution, and marketing. Over the course of his career, Ricky has been involved in the production, finance, sales and/or distribution of over thirty titles, including films, TV shows, and web series. Ricky also has experience in the financial services industry, with several years' experience in venture capital, business development, and startup funding.

"HOW THE HELL... Do I Get My Film Financed?" is a series of easy-to-read books introducing some of the key concepts of entertainment financing, helping you to understand how to get your next film or TV show financed and produced! This series is aimed at screenwriters, directors, producers, and investors. Whether you are new to the entertainment industry or already have a few projects under your belt, these books will give you the knowledge and power that you need to take control of your career and achieve success. Book One deals with TAX INCENTIVES! Have you ever wondered why some of your favorite films or TV shows are shot in places like New Mexico, Louisiana, New Zealand or Hungary? Aside from stunning locations and world-class crews, the answer is clear: tax incentives! Nearly every major country, state, city, or region now offers some kind of tax incentive in an effort to attract filmmakers just like YOU to come and shoot there! Whatever your role in the entertainment industry, whether a writer, director, producer or investor, you need to understand how you can use tax incentives to your advantage to help get your next project financed and produced. In this book, we'll discuss: How to choose the best location for your next film or TV seriesWhat to look for in a tax incentive programHow to choose between different locations and tax incentives to suit your script, both creatively and financiallyHow to avoid some of the pitfalls and look beyond the impressive headline numbers of a tax incentiveHow you can use tax incentives to raise the funding that you need for your next productionOther location-based advantages, even when there is no tax incentive availableAnd much more...>And don't forget to check out the other titles in this series! For more information, please visit our website at www.thefilmfinanceclub.com. ABOUT THE AUTHOR Ricky Margolis has over twenty years' experience in the entertainment industry. During that time, he has worked in a variety of positions at both large studios and boutique production companies. He has gained extensive knowledge and expertise in a number of aspects of the industry, including production, finance, development, literary management, sales, distribution, and marketing. Over the course of his career, Ricky has been involved in the production, finance, sales and/or distribution of over thirty titles, including films, TV shows, and web series. Ricky also has experience in the financial services industry, with several years' experience in venture capital, business development, and startup funding.

The first issue of this new journal examines the building block of the digital image: the pixelExamining the pixel from a technical, ethical, artistic and economic perspective, with essays from visual artists, engineers, art historians, computer scientists and designers, this first issue of Resolution will be of great interest to graphic-design professionals.

Why is Everyone talking about Cryptocurrency?What's the Big Deal about Cryptocurrency?This book offers an eye-opening guide to everything you need to know about Cryptocurrency - our future money, before investing.You will learn about: (1) the evolution of currency(2) the myths and the TRUTH of Cryptocurrency(3) the Pros and Cons of investing Cryptocurrency(4) the value of Cryptocurrency(5) the trading procedures(6) the risks and return(7) the government's role on Cryptocurrency(8) the correct techniques to choose a quality Cryptocurrency to make safe profitsand more...The Author is a Psychology teacher and research is her forte. She is always on her lookout for valuable and up-to-date research topics to benefit the society. In recent years, She has been allocating a massive amount of time and resources scrutinizing the Cryptocurrency - our future money. This book is written based on recent sound research.It's simple to read.Buy this book!

No! This is not the typical "get rich quick" book on the shelf. I promise that you will discover a BRAND NEW perspective on becoming a millionaire that you have never heard of.In this book, you'll discover why are you broke, what are the TRUTH of becoming billionaires like Warren Buffett and Jack Ma. Importantly, what can you do now to become a Millionaire (doing nothing) within the next 3 years."I have been spending a massive amount of hours investigating this topic and have finally found the RIGHT answer! I am excited to share this knowledge with you in this book."You'll learn a number of investments, the expected turn around (returns on investment), the risks involved, and a couple of other factors that have to be considered while selecting an investment.Importantly, discover the latest millionaire trend - the Cryptocurrency for yourself. You will explore the right techniques of choosing the right cryptocurrency that will make you the next millionaire!!!You have a choice to make: you can either make one million excuses or you can make $1,000,000 - the decision is left for you to make. DISCOVER AND BUY THIS BOOK!

The whole process would have been simple. She had the money now, her moment of madness was over. She needed to just stop somewhere for the night, clear her head and set off in the morning. But instead, Marion Crane took that fateful shower and the rest as they say is history. Cinematic history.Alfred Hitchcock was the hottest property in tinsel town after having consistently stormed the box-office with big budget hit after hit. That was until the late fifties when he committed to make the world's greatest psychological horror movie, a 'chiller'. No elaborate sets, no large production, no Technicolor and with just a TV show crew. What they made would not only be one of the 'master of suspense's' greatest movies but it would change cinematic history forever. This book charts the history of these dynamic movies starting with the real life grisly crimes that inspired the book by Robert Bloch. We will then look at the original movie, explore the sequels and how Norman Bates has returned for the 21st Century.