Elektronisk kunst, holografi og videokunst

The Crash Bandicoot¿ series has remained a beloved staple of platform gaming ever since the first game's release in 1996.The Art of Crash Bandicoot¿4: It's About Time¿is a rich repository overflowing with interviews, quotes, observations and anecdotes, accompanied by a treasure trove of concept art detailing the characters and environments of the game. Gamers of every type will cherish this all-encompassing look into the zany, wild and unpredictable world of Crash Bandicoot¿ .

Multi Emmy Award-winning filmmaker Shane Stanley writes a book anyone and everyone should read if they want an entertainment industry insider's professional guidance on how to create a movie. This book is an especially invaluable tool to those who have or plan to, attend a college or university film school. Your Complete Guide To (Independent) Filmmaking. An in-depth, no holds barred look at making movies from 'concept to delivery' in today's ever-evolving climate while breaking down the dos and don'ts of (independent) filmmaking. Learn invaluable industry secrets from top to bottom and discover the truth about independent film distribution as the lid is torn off the many myths surrounding sales agents and today's release platforms that are certain to open readers' eyes - and ruffle a few feathers!

So verschieden die Leben, so verschieden die Biografien. Und doch ist Magnificent Obsessions Saved My Life eine (Auto-)Biografie der besonderen Art: Nicht nur fokussiert das Buch fast schlaglichtartig Schlüsselszenen im Leben eines Menschen der Nachkriegsgeneration, aufgewachsen, wie so viele, in einer dysfunktionalen Familie, vor dem Hintergrund geteilter Erfahrungen der 68er-Generation mit ihrer sexuellen Befreiung sowie zwei hautnah erlebter Pandemien - Aids und Corona. Im Dialog auch mit Werken des grossen Hollywood-Kinos, der Film-Avantgarde und zeitgenössischer Kunst bringen sie sich gegenseitig erst zum Sprechen. Denn ein Film, ein Kunstwerk ist nichts, wenn es einem nichts über das eigene Leben sagt. Kino und Kunst - und eben dieses Buch: Stets erzählt es über das, was war und was möglich gewesen wäre, wer man ist und wer man hätte sein wollen. Magnificent Obsessions tut dies in Text und Bild, angereichert mit Filmstills aus Brunners eindrücklicher Sammlung sowie Reproduktionen geliebter Kunstwerke. Erzählt wird, wie sich die Welt, das Reisen, die Hotels und Ausstellungen seit Mitte des 20. Jahrhunderts verändert haben, welche Kleidung und Haarschnitte man damals trug und heute trägt. Aber wie im Film stehen die Menschen im Zentrum, Protagonist:innen, über die Brunner mal beissend direkt, aber auch zugewandt und bisweilen fast zärtlich schreibt. Im Moment, als er seine Lebensliebe, den Galeristen Thomas Ammann, an Aids verliert, spricht er vom geteilten Glück, um nicht von der Trauer aufgefressen zu werden. Er erinnert sich an seine glamouröse Geliebte Elisabeth Bossard (Thema Selection), mit der er lange Jahre zusammen gewesen ist, erzählt anekdotisch von einem Venedig-Flirt mit Edmund White, dem amerikanischen Schriftsteller, der ihm ein Freund geworden ist, oder berichtet von der Hass-Liebe zu Daniel Schmid, wobei er einen intimen Einblick in das Kino und Umfeld auch der Filmemacher Fassbinder und Schröter gewährt.¿Es gibt immer zwei Bewegungen in diesem Leben: eine Flucht in die Künste wie auch den Willen und die Grosszügigkeit, diese Obsessionen zu teilen, sie unermüdlich zu vermitteln. Brunner brachte schon früh - an der Zensur vorbei -Filme von John Waters oder Andy Warhol, mit denen er auch freundschaftlich verbunden war, in die Schweiz. Vor der Verbreitung des Internet hätte man diese sonst nicht oder erst viel später zu sehen bekommen. Brunner weiss um Licht- und Schattenseiten der Traumfabrik, lässt sich aber immer wieder gerne verführen: Imitation of Life, so der Titel eines des grossen Melodramen des Regisseurs Douglas Sirk, den Brunner verehrt und dessen Nachlass er heute betreut. Kein Zufall, sind die «Bigger than Life»-Filme des Melodramas doch das beliebteste Filmgenre von Brunner, wozu auch Werke von Vincente Minnelli, Nicolas Ray, Pedro Almodóvar oder Rainer Werner Fassbinder gehören, Leuchttürme auf stürmischer See und sicherer Hafen in einem bewegten Leben.

How the curation of digital art challenges and expands museological conventionsWhat is the role of the curator when organizing digital art exhibitions in offline and online spaces? Analyzing the influence and impact of curating digital art through more than 20 interviews with artists and curators plus an extensive timeline, this book focuses on how the work of curators, artists and designers created fresh possibilities for reconfiguring traditional models for presenting and accessing digital art.Contributors include: Pita Arreola-Burns, Evelyn Austin, LaTurbo Avedon, Paul Barsch, Livia Benedetti, Bob Bicknell-Knight, Elliott Burns, Tom Clark, Marco De Mutiis, Constant Dullaart, Madja Edelstein-Gomez, Amber van den Eeden, Rebecca Edwards, Rózsa Farkas, Marialaura Ghidini, Manique Hendricks, Tilman Hornig, Florian Kuhlmann, Kalle Mattsson, Anika Meier, Marie Meixnerová, Laura Mousavi, Katja Novitskova, Domenico Quaranta, Stefan Riebel, Ryder Ripps, Sakrowski, Katrina Sluis, Lilian Stolk, Systaime aka Michaël Borras, Gaia Tedone, Jon Uriarte, Miyö Van Stenis, Nimrod Vardi, Marcela Vieira and Zhang Ga.

"The Wetland Project is a beautiful, quietly amazing work of micro-post-geographical art that allows us to be wherever we are and somewhere wonderfully natural and real, simultaneously. It’s an experience I wish everyone could have, and I wish there were more experiences like it."—William GibsonThe Wetland Project book is the print component of a multidisciplinary and multimedia project centred on the sounds emanating from the ṮEḴTEḴSEN marsh, in unceded W̱SÁNEĆ territory (Saturna Island, British Columbia). The book is edited by artists Brady Marks and Mark Timmings, who have been inspired by the sonic phenomena produced by this small patch of Earth to create a 24-hour Slow Radio Broadcast, based on field recordings from the marsh, that radio stations across North America and Europe have aired on Earth Day since 2017; a musical arrangement titled Wetland Senario, co-composed with Stephen Morris and performed by vocal ensemble musica intima; and a new media installation that algorithmically transforms sound frequencies from the marsh recordings into pure colour fields in flux.Contributors to the book include novelist William Gibson, MP and former Green Party leader Elizabeth May, poet and spoken-word performer Susan McMaster, musicologist Stephen Morris, writer Alex Muir, poet and W̱SÁNEĆ First Nation member Philip Kevin Paul, Stó:lō artist, curator, and scholar Dylan Robinson, sound artist and World Soundscape Project member Hildegaard Westerkamp, and curator, writer, and PhD student Laurie White. The algorithmic flow of colour fields throughout the publication combined with photos of the project and an audio interface accessed using smartphones and tablet devices will give the book a colourful, music box-like quality.Awarded first prize in the pictorial category at the 2022 Alcuin Awards for Excellence in Book Design.

Celebrate the greatest television show of all time with this definitive tribute to The Wire.Twenty years after its debut, HBO’s The Wire is widely regarded as one of the greatest TV shows of all time. This deluxe volume explores the creation and legacy of creator David Simon’s landmark series through exclusive interviews with Simon and his cast and crew, including Idris Elba, Wendell Pierce, Sonja Sohn, Andre Royo, Jamie Hector, George Pelecanos, Ed Burns, and many more. The book also features commentary and essays from notable writers including New York Times bestselling author D. Watkins (The Beast Side: Living and Dying While Black in America). Illustrated with striking visuals from the show, including concept art and candid behind-the-scenes images, The Wire: The Complete Visual History, is the essential companion to a stone-cold television classic. HUNDREDS OF NEVER-BEFORE-SEEN PHOTOS: Discover an exclusive treasure trove of incredible photography and production art that tells the story of The Wire like never before. INTERVIEWS WITH CAST AND CREATORS: The visual story of The Wire is narrated by all-new interviews with creator David Simon and key cast and crew members, including Idris Elba, Wendell Pierce, Sonja Sohn, Felicia Pearson, Ed Burns, and more. EXCLUSIVE ESSAYS: Discover unique commentary on all five seasons of the show from leading commentators including Melanie McFarland, Eric Deggans, Siddhant Adlakha, and more. THE ULTIMATE TRIBUTE: Comprehensive and unmatched in its depth, this prestige volume is the ultimate retrospective of the greatest television show of all time.

In der allgemeinen Vorstellung wird die künstliche Intelligenz (KI) meist als eine göttliche Instanz dargestellt, die "gerechte" und "objektive" Entscheidungen trifft. Dabei ist die KI alles andere als intelligent. Sie erkennt vielmehr in großen Datenmengen das, was sie zu erkennen trainiert wurde. Wie ein Spürhund findet sie genau das, wonach zu suchen man ihr beigebracht hat. Nur ist sie dabei viel effizienter als jeder Mensch. Genau dies ist aber auch ihr Problem. KI spiegelt oder wiederholt ausschließlich das, was sie zu reflektieren angewiesen wurde. Sie könnte so gesehen als eine Art digitales "Spiegelkabinett" verstanden werden.Menschen trainieren Maschinen, und diese Maschinen sind nur so gut oder so schlecht wie die Menschen, die sie trainieren. Ausgehend von dieser Erkenntnis befasst sich die Publikation nicht nur mit algorithmischer Voreingenommenheit oder Diskriminierung in der KI, sondern auch mit KI-bezogenen Themen wie versteckter menschlicher Arbeit, dem Problem der Kategorisierung und Klassifizierung sowie unseren Vorstellungen und Phantasmen in Bezug auf KI. Sie stellt zudem die Frage, ob (und wie) es in diesem Kontext möglich ist, Handlungsfähigkeit zurückzuerlangen.

Northern Getaway investigates the connections between film and tourism of the 1890s through the 1950s. Using evidence from archival sources and current scholarship in film history and tourism studies, Dominique Brégent-Heald demonstrates that Canada was an innovator in employing film to project a recognizable destination brand.

Bring 16 classic Disney and Pixar movie posters to life by etching away the lines to reveal the color underneath!Scratch Artist features 16 movie posters from beloved Disney and Pixar animated films—from Cinderella and Peter Pan to The Little Mermaid, Toy Story, Up, and more. Use the included stylus to scratch away the black layer and reveal bright, bold colors of the poster underneath! An introductory section describes how to etch your masterpiece, as well as fascinating history and details of the films and their posters. By revealing color in key areas and leaving other areas unetched, you’ll wind up with one-of-a-kind stunning artworks that can be displayed on your wall.

Feminist visual poetry that rewrites avant garde poetic history.OO: Typewriter Poems is a book of vispo (visual poetry) glosas (a Spanish poetic form that pays tribute to another poet by incorporating their lines) designed to begin to dismantle the masculinist legacy of avant-garde visual poetics. Avant-garde visual poetics has long been interested in a vanguardism designed to push the genre further using technological advances, and hidden in this vanguardism is a deeply communal, deeply feminist poetics of derivation, homage, and love.OO takes up this communal poetics. The visual poems in this collection merge analog technology (the typewriter) with digital alteration designed to look back, not forward. At once paying homage to the long history of visual poetics and critiquing the progressivist and masculinist ideals that continue to inform the genre, the poems in OO quote uncited lines from visual and concrete poems by some of the major figures of visual poetics (bpNichol, John Riddell, Bob Cobbing) as well as several under-read and understudied female visual poets (Cia Rinne, Mirella Bentivoglio, Paula Claire)."This book is a real gift to vispo, its fans and present and future practitioners."--Helen Hajnoczky, A Teacozy Is a Sometimes"Dani Spinosa's OO pushes buttons, turns keys, and swipes, steals and homages all over poetry... Extravagant, interruptive, declarative and a real kick in the eyeballs."--derek beaulieu

¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿CBS¿MTV¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿

The subject of this collection covers the work of the artist yann beauvais in roughly the last quarter of the 20th century. The years correspond both to his use of the physical medium of photochemical film and his role in the larger history of experimental film in Paris.In the new century yann beauvais moved on both geographically from Paris and artistically into electronic media. But the importance of his activity when he was based in Paris both as an artist in Super 8 and 16mm film and as a champion of other filmmakers through his work as a critic, curator, distributor, and exhibitor, deserves specific attention. He recalled this period with characteristic modesty: There have always been musicians' musicians so I thought maybe I was a filmmakers' filmmaker. I might never have public recognition but other filmmakers might recognize me and realize that, had I not been there, something would have been lacking.The book has two parts: Making Films (1976 - 1997) is a transcription of yann beauvais's spontaneous spoken commentary recorded in 2017 while viewing his film work. It was transcribed and then edited for coherence with his approval.Articles on Film (1979 - 1998) is a translation of the complete text of Poussières d'image published in 1998 by Paris Expèrimental. Certain chapters were originally published separately in English and, in those cases, the original translator is credited. All of the others have been translated for the first time by this book's editor.

In 1982, two superbly talented and driven men—director Sydney Pollack and actor Dustin Hoffman—collaborated to create what became an enduring classic: a movie about a serious, out-of-work actor who takes on the challenge of playing a woman in a TV soap opera and becomes a better man for it.Hoffman had already dedicated four years to the comedy. Pollack was hot off of Absence of Malice when he chose the project, which had lost two earlier directors, had no final guiding script at the start of production, and was the butt of many Hollywood bad jokes.As the only journalist Pollack and Columbia Pictures permitted on the set and in the editing room, Susan Dworkin, a playwright, award-winning documentary writer, and Ms. magazine contributing editor, conducted in-depth interviews not only with its director and star but also with the costume designer, the film editors, costars Teri Garr, Bill Murray, and Dabney Coleman, and many others. In Making ‘Tootsie,’ Dworkin captures their voices while describing how the movie became an award-winning box office sensation and the classic motion picture that the American Film Institute rates as number two on its list of the 100 Funniest American Movies of All Time.

A compendium of creative texts examining our complex and slippery relationships with new technologiesWhat will the internet of the future make possible? Untethering the Web explores the technologies, strategies and anxieties that are coalescing in 2022 to shape a new digital paradigm. As naturalized citizens of today's always-online world and as survivors of a multiyear pandemic, the need to reform our digital tools and approaches is more pressing than ever before. Evolved models for virtual convening, collective organizing and digital ownership are making this possible, and a reckoning for the platformed web and its monolithic tech giants is beginning to feel imminent--but how will it all unfold, and what new pitfalls will emerge? In conjunction with Pioneer Works' seventh Software for Artists Day, in October 2022, creators, technologists and members of our community share their visions for a flourishing digital multiverse, and how they imagine it manifesting over time.

Future Bodies from a Recent Past brings to life a hitherto little-noticed phenomenon in art and sculpture in particular: the reciprocal interpenetration of bodies and technology. With 120 works by 59 artists-primarily from Europe, the USA and Japan-the exhibition is dedicated to the major technological changes since the post-war period and examines their influence on our notions of bodies. With contributions on topics such as the influence of changing production technologies, materialities, and concepts of the body, but also interdisciplinary considerations of body-technology relations, a multi-perspective history of contemporary sculpture will be outlined. English Edition! Exhibition Museum Brandhorst Munich2 June 2022 until 15 January 2023

"Voyage into a future where droids, hovering buildings, and space vehicles exist with Beginner's Guide to Drawing the Future - an accessible, entertaining introduction to creating science-fiction concepts with traditional tools. Packed with insightful tips, exciting tutorial projects, and essential art theory simply explained by industry professionals, this exciting volume is the perfect launch pad for your journey forward through time."--

The Moving Image: A Complete Introduction to Film provides students with an accessible and complete introduction to the world of motion pictures. The text covers the basics of how films are constructed, why they matter, and how to analyze them. It highlights diverse filmmakers and approaches, through the study of feature films, music videos, short films, and new media.The text begins by defining cinema, discussing its origins, and introducing students to pioneers o